luxury house for sale Șandra, Romania

As you cross the bridge from the old Citadel, on the border between the old Iosefin and Elisabetin neighborhoods, i.e. on the current 16 Decembrie Boulevard, once called Petrovaradin, the gaze rises in amazement to encompass the Franz Marschall palace – a spectacular stone canvas on which master hands carved rich decorations. Being part of the Citadel's esplanade, this area could only be developed after 1892, when the town planning plans accepted the expansion of the city and the construction of buildings. It is the time when the architect Martin Gemeinhardt designs beautiful buildings in the styles of the era - Secession and Art Nouveau. Participant in the First World War, politically active and entrepreneur (co-owner of a brick factory), therefore perfectly integrated in the realities of life, Martin Gemeinhardt obtained certification as a construction engineer in 1902 and used his skills to compensate for the everyday gray endowing of the city with fabulously decorated buildings. Generous with vegetal, zoomorphic and figurative motifs, h designed the palaces of Jakab Csendes, Ferencz Marshall, Johan Harlauer (House with Peacocks and Owls), Romulus Nicolin House, Timișoara Savings House Palace, Károly (Karl) Weisz Palace (former Royal Hotel) and Salamon Schnürer and Adolf Hanecker Palace. Their façades, elaborate, elegant and with life pulsating in them, captured the attention of his fellow citizens, who welcomed them with joy and with inaugurations mentioned by the newspapers of the time. As the end of the 19th century and the beginning of the 20th bring the finalization of the boulevard 16 Decembrie, the area has a unity and a symmetry that adds to the monumentality of the buildings. The façades are richly decorated, the roofs are high and at the corners the architects went for towers or aedicula. Thus, the Franz Marschall palace is framed in continuous street fronts formed by buildings of the same style and height regime, arranged on the ground floor and two floors; as a rule, the owner lived in the front part, the rest of the apartments being rented out to those who wished.

We associate Timișoara, and the entire west of the country, with the Habsburg or Austro-Hungarian empire, that is, with the West forgetting that another empire, the Ottoman, occupied the city for 164 years from the 16th century until 1716, when Eugeniu de Savoy recaptured the city. Legend has it that an axle of his chariot was integrated into a later majestic building (it appears in city plans in 1836). In reality it seems that the shaft belonged rather to a heavy artillery piece. Its insertion in the corner of the building has significance not only in symbolic terms; the building being one of the most famous in the city and its restoration was greeted with enthusiasm by the residents. Located on the space once occupied by the Round Tower of the bastion, used as a powder room until 1756 when it was demolished, the house already had the eastern body built in 1836-1836, the one facing Dr. I.C Brătianu Square (architect Anton Schmidt) as well as on the western one, which has two floors with a facade facing the side of Țepeș Vodă Square. In the period 1863–1864, marked by famine, local good Samaritans organized a social canteen in it. The House with the Iron Axis today has the bodies thoroughly rehabilitated, restored and transformed from homes into office spaces. New access roads, attic areas and re-compartmentalization suitable for modern use were made - office hub with mixed functions: law offices, insurance companies, marketing, dental clinics and IT companies. The classicist style, with neo-Romanesque elements, gives distinction to the building even today. Class B historical monument, prestigious for its age, story, address and restoration. The house with an iron shaft is 80% rented, which positions it as an excellent investment opportunity.

An exponent of the architectural heritage left in the Banat area by the noble Macedonian Rumanian Mocioni family, the Căpâlnaș ensemble still talks today about the well-being and importance of this great family. The palace, a key component of the whole ensemble, is one of the first projects of the Viennese architect Otto Wagner. Designed with elegance, following the model of the Little Trianon in Versailles, the palace building is highlighted by the surrounding arboretum park and is served by the various annexes, forming thus the Mocioni ensemble of Căpâlnăş, one of the most remarkable noble ensembles of the nineteenth century in the Romanian extra-urban space. Located in the heart of the 8-hectares park, the imposing silhouette of the palace stands out from the public space as being the perspective head of access - a beautiful alley bordered by trees. Marking the first stage of Otto Wagner's creation - the precursor period of the Secession style projects - that will consecrate the work of the Viennese architect - the Mocioni palace is built in a classicist eclectic spirit, inspired by the Little Trianon model of Versailles. The volume of the building is designed in a manner that is characteristic of the era and space of development of this architectural program, being compact and impressive, but not without grace. The architectural attributes of the palace are typically classical - axiality, symmetry, rhythm, registers, hierarchy - being used to talk about the noble status of the owners. The interior constructive logic of the palace has at the functional scheme centre the library's hall, which hosted one of the most valuable private libraries of the Austro-Hungarian Empire. This room is located at the centre of gravity of the level of the building's ironing level and is covered, at the level of the floor and the roof, with two overlapping lights, which guarantee the need for natural light. At the ground floor, the library is preceded towards the main access by an honour hall and at the access from the park, by the vertical circulation node, dominated by an impressive staircase. Upstairs, above the library's room and around the first light well, there is a coursive that serves the various perimeter lounges. From the point of view of treating the interior, a particular attention is paid to it. It is to be noticed the finishing’s colours play, the quality of the materials used, the richness of the decorative elements and the plastic subtlety of the accessories. The few lighting fixtures, the solid wood furniture and the still-preserved fireplaces attest the sumptuous image of the noble residence from its apogee era. The park, an indispensable accessory for the modern extra-urban noble residence, is enhanced around the palace, both with the role of emphasizing the palace as a dominant architectural object, as well as completing the loisir function of these ensembles. The arboretum park of the Mocioni family in Căpâlnăş is composed from the ingenious articulation of two distinct landscaping areas. First, a semi-public garden of neoclassic feature, harmonized with the architectural style of the palace, is developed in its immediate vicinity and consists of two courtyards of honour that precede the main accesses in the building, planted with rare essences trees. The second area, with a private character and designed in a romantic style, features abundant vegetation, sinuous alleys and a landscaped brook, and is far from the public space where it houses the funerary monuments of the Teleki family. drd. arch. Anca Majaru hist. Irina Leca Source: monumenteuitate.org Photo: Cristina Budușan

20-room villa Avram Iancu SquarePropertyLab presents a 20-room villa in Avram Iancu Square. This villa distributed on 3 levels, B+GF+M, just 10 m from the State Theater, will immediately catch your attention.This villa on 3 levels, GF+GF+M is composed of 20 rooms, of which 2 commercial spaces on the ground floor, 10 bathrooms, with an unfolded area of 1394 sqm, which can be a building suitable for the arrangement of a Butique Hotel.Imagine what it would be like to be the owner of the best positioned hotel in the city, with an extremely generous courtyard suitable for arranging a mixed area (parking lots, terrace, etc.)Why are you still reading this announcement? Call me!Andrei LăluciuReal Estate Consultant [email protected] 0753 934 085Property code 658043

Probably the most important private residence in Arad (if we exclude the palaces), Neuman House was the property of the most prestigious family in the history of the city. After the communists seized it, it became the Guest House of Arad county and was used as a protocol residence by the Ceaușescu family, including for official meetings between heads of state. Retroceded to the heirs in the 2000s, the imposing construction, today private property, is now ready to add new pages to its rich history. The Neuman House situated on Horia street is an architectural jewel that impressed over time many businessmen, artists or heads of state. The house discloses its secrets only for those who have the chance to cross its threshold: the street façade, with balanced proportions and mild decorative elements, does not offer any clue of the architectural exuberance that we find beyond the wooden gate that opens the way into the inner courtyard. Once inside, one understands the large dimensions of the U-shaped building, with the main façade marked by a grand neoclassical entrance, with a fronton and four columns. The interior retains the pomp of the last century: brightly colored stained glass windows, elaborately painted, wood carvings, wire stuccoes, fireplaces and many other decorative elements. The inscription on the façade indicates the years of the construction, 1925-1926. Arad benefited enormously from the rise and consolidation of the Neuman empire, the industrialist family being the largest tax payers for local budgets. Alfred's son, Francisc, was born in Arad in 1910. In 1935 his brother, Eduard, who ran the Yeast and Alcohol Factory, emigrated to Cuba, so Francisc took over all the family's business, at the age of only 25. The Baron increased the family's wealth, but was also the helpless witness of its loss, in 1948, during nationalization. He left to Switzerland without any money, from there to Salzburg and afterwards, to the USA. All the members of the family showed a real social involvement and solidarity, providing support through their charitable foundations. They showed increased care for their employees and contributed to improving the lives of the inhabitants. The Neuman family financially supported the construction of the imposing Cultural Palace inaugurated in 1913 and other palaces, exquisite jewels of the center of Arad. Today, their name is a true legend, not only in Arad, but throughout the entire Western part of the country. The Neuman House from Horia street fully reflects the grandeur of the famous family, being built with elements of neoclassical architecture and a ground floor rich in decorations, extremely exuberant, preserving today many of the original elements. The current owner has carried out a series of renovation and consolidation works (deepening and basement insulation, attic elevation, repairing the façade etc.). The house benefits from a project of complete remodeling and transformation of the building into a hotel with 23 rooms / 4 apartments / restaurant and SPA. The location of the building is ideal for a hotel - in the center of Arad, opposite the Szantay Palace. Additionally, the generous indoor courtyard can be converted into a summer garden.

An elegant single-level mansion that impresses with its footprint – a long blade to the left and right of a platform entrance with simple, robust and elegant pillars. The windows with natural wood shutters profiled on the white masonry also attract attention, as well as the simple neoclassical decorative elements that give a small-scale monumentality that does not need verticality. Lit by the summer sun, with a embroidery like wooden terace and refined paving, it is a little reminiscent of French colonial mansions. Perpendicular to the road, with a yard more than generous for its almost 6 hectares, the mansion lends itself to a use in tune with the requirements of today; it can become a private residence, tourist unit, cultural center, restaurant or agricultural development. The village of Drăuț, whose name has aroused the interest of researchers (one theory says that it comes from the royal falconers who in 1270 were called Drawc) is part of the Târnova commune and is located in the center of the county, 60 km from the city of Arad.

n the vineyard, the cuttings are neatly lined up in orderly rows as if they are queuing up to meet the horizon. The relief is slightly undulating, as befits a vineyard – there are gentle valleys, clay hills and low elevations, arranged naturally at random so that the grapes capture the light, store all the heat of the sun and later, in the tanks, deposit it as an offering to the yeasts in the form of sugar. That's where the magic begins, from the vineyard and the sun gathered by human hands and left to ferment in a controlled manner, in silence, in the wine cellar (the locals proudly say that there are as many cellars as there are houses in the village, or even more). The climatic and geographical conditions of the area are perfect for making good wine. Wine is important in the economy and the lives of the locals; their gratitude and their pride as producers is expressed annually on the third Saturday of October, when the Grape Festival is organized in Dobra, dedicated especially to the village people but also to guests from abroad. Today the view cannot take in the 300 hectares of vineyards in this hilly area with a wine-growing tradition. At Pogany Dobra the vine is young, with pulsating sap, as it was planted in 2011, 2012 and 2014, therefore no replanting or additions are needed, but the extension of the vineyard is possible. A small part is cultivated with table varietals such as Black magic, Kardinal, Matilde and Victoria (approx. 2-3 ha each). The wine varieties and their areas are: - Fetească neagră approx. 25 ha - Merlot approx. 30 ha - Cabernet about 30 ha - Pinot noir approx. 30 ha - Italian Riesling approx. 25 ha - Fetească albă approx. 25 ha - Sauvignon blanc approx. 25 ha - Muscat ottonel approx. 20 ha - Tamaioasa romaneasca approx. 20 ha - Traminer roz approx. 15 ha - Large Burgundy approx. 10 ha - Cadarca approx. 15 ha - Pinot gris approx. 15 ha - Cabernet franc approx. 5 ha Together with the vineyard land, the winemaking space is also purchased with everything necessary for harvesting (tractors, combines, trailers, etc.) and processing the harvest - a platform on which two buildings are erected on a metal structure and sandwich panels (one with controlled temperature) with storage capacity of approx. 800,000 liters in stainless tanks of different capacities. There are also gleaners, presses of various capacities, pumps, filters - a whole processing line that still requires some investment. Soil analyzes and other documents can be made available to those interested, and the owners believe that the of the investment has a promising calendar, being possible in 3-4 seasons. They also base this conviction on the fact that Pogany Dobra wine is appreciated by connoisseurs, the Pogany labels being evaluated at international and local competitions (Feteasca neagra from 2015 received, for example, silver at the Concourse International de Vins, Brussels 2019).