Luxury properties for sale Cheia, Romania

Sinaia is the Romanian city with the largest number of buildings classified as historical monuments per inhabitant. Not incidentally, the way the city looks today is the result of the work and signature of some of the most important Romanian architects: Ion Mincu, Toma Socolescu, Paul Smărăndescu, Duiliu Marcu or Grigore Cerchez, to name just a few of them. The Anastasie Simu House, or the Retezat Villa, as it is now known, is designed and built in the German Renaissance style of the early twentieth century by Czech architect Karel Liman. He was a good friend of King Carol I, for whom he designed the Pelișor Castle and the Honor Lobby of the Peleș Castle, all of them having in common elements specific for this artistic style. Chief Architect of the Royal House of Romania between 1894-1929, Karel Liman was born in the Czech Republic in 1855, in a family of carpenters. Inheriting the passion for woodworking from his father and grandfather, Liman follows the courses of the Fine Arts Faculty in Prague and then the Bauakademie in Munich. Established in Vienna around 1880, Liman gains experience through the collaboration with the Fellner&Hellmer Architecture Workshop in the capital of Habsburgs. He contributed to the projection plans of the Albert Rothschild Palace in Vienna, conducted under the guidance of architect Gabriel-Hippolyte Destailleur and of the Hunting House of Prince Christian de Hohenlohe-Ohringen in Javorina, Slovakia. Recommended by Destailleur to André Lecomte du Noüy, a French architect also established in Romania, Liman is employed by the Architecture Service of the Ministry of Cults and Public Instruction at the Commission for Historical Monuments in Romania, where he participated at the restoration of churches „Saint Nicholas” and „The Three Hierarchs” in Iași and the Episcopal Church in Curtea de Argeș. In the service of the Royal House, besides Pelişor Castle and the complex project for the rearrangement of Peleş, Liman also signs other projects such as the „Princess's Nest” (1894), the extension of the Cotroceni Palace, the house of Prince Carol in Bucharest, King Ferdinand’s cottage in Lăpuşna, the rearrangement of the Bran Castle and several other buildings in Sinaia: The Economat Villa, The Guard House, The Royal Stables or The Retezat Villa. After the architect's death, the house was bought by academician Anastasie Simu (1854-1935), a P.h.D in Political and Administrative Sciences, a great art lover and passionate collector, the first Romanian to build a private museum in Bucharest in 1910. In 1927, Simu donated to the Romanian state over 1.200 works: paintings, graphics, sculptures and decorative arts gathered over the years. A part of the collection is exhibited today at the National Art Museum of Romania, and another at The Simu Collection at Bucharest Pinacoteca. The architecture of the house, typical for the German Renaissance, impresses both on the outside and on the inside. The façade is predominantly of stone, dotted with corner bossages and vividly colored ceramic decorations. The interior is exuberant, highlighting the richness of wooden decorations, the coffered painted ceilings, and especially the beautiful stained glass, perfectly preserved to this day. The location in Sinaia is an ideal one, being close enough to the city centre so that it can be reached by a few minutes’ walk, but at the same time, isolated enough to offer privacy and detachment for a mountain holiday. The villa is renovated and functional, currently offering accommodation in 8 rooms, 2 apartments and 1 studio, rated with 8.8/10 on one of the most important online booking platforms. The future destination remains commercial, a hotel/boarding house or it can become a permanent personal residence or a holiday one with a lot of charm and full of history.

Live amidst the architectural splendour of this meticulously preserved manor, embracing a lifestyle that seamlessly merges past and present.In the heart of the picturesque Transylvanian landscape, where tales of folklore intertwine with the echoes of history, Luxury Heritage in the Land of Legends stands as a testament to the enchanting allure of the region. Nestled at the very base of the iconic Rosenau Citadel, our haven beckons you to explore the rich tapestry of attractions that surround it. This exclusive property unfolds as a captivating ensemble of three meticulously restored Saxon houses, each transformed into a sanctuary of luxury accommodation. Tailored to accommodate a large family and/or group of friends, the property includes generous spaces for group gatherings and serene relaxation areas. It weaves together the rich tapestry of traditions and the graceful patina of time with contemporary elements, offering a haven of refined comfort. The kitchen is designed and equipped to support all sorts of events, from more intimate and private to larger and formal ones. The trio of houses, dating back to the 18th century, stands as architectural treasures, each with its unique character and charm. The Barn House is a space of charm and sophistication. The welcoming area is enveloped in an warmth of cozy atmosphere and hospitality, where every detail is designed to make the stay memorable. The lounge area serves as a retreat for relaxation and contemplation, inviting to savour the ambiance and leave the cares of the world behind. The breakfast salon where the aroma of freshly brewed coffee is blending with the scent of the gourmet delicacies is adjoined by the kitchen where culinary artistry meets functionality. Upstairs, the Barn House includes four two-stories suites, each being a sanctuary of comfort and style. The private retreat exudes elegance and every detail is curated to enhance the senses of well-being. In the Artisan's House, the space that is inspiring and inviting to creativity includes a ground floor apartment, a double room at the attic, as well as a generously space dedicated to a larger apartment that consists in a living room, kitchen, cellar, four bedrooms and three bathrooms. Also, the building includes a sauna and a relaxing area. The Painter’s House is a wonderful blend of historic traces and luxury comfort. The ground floor is dedicated to an elegant and spacious dining area adjoined by a sophisticated bar area. Upstairs the space includes three spectacular luxury duplex suites with a distinguished level of comfort and style. Adding another layer to this historical character and dating back to 1780, the original ceilings stand as venerable guardians of bygone eras. The walls are adorned with paintings that bear witness to the artistry of the late 18th century. These carefully preserved artworks serve as visual echoes of the past, offering glimpses into the cultural and artistic currents that prevailed during the era of their creation. As residents traverse the elegant spaces, they are enveloped by an immersive experience, surrounded by the tangible history of original ceilings and paintings that have withstood the test of time, inviting to admiration and contemplation. Within the curated spaces of the estate, the Donghia Chair - Anziano by the renowned American designer John Hutton takes center stage, marrying contemporary elegance with a touch of timeless allure. Elevating the comfort quotient to the pinnacle of timeless sophistication, the estate invites residents to luxuriate in the embrace of Chesterfield sofas or to indulge in William Holland bathtubs. The Porch is a newly built modern structure which provides a contemporary relaxation area. The architectural finesse of The Porch allows a seamlessly integration of the new element into the historical ensemble.The space extends its luxury experience beyond its cover into the tranquil atmosphere of the meticulously landscaped outdoor area.

Captured in a photograph with the sun behind it, illuminating and hiding it from view at the same time, the Nagy mansion seems to have the power to transport its guest back to the 19th century, just as Gil, played by Owen Wilson, returned to the 1920s in the film Midnight in Paris, directed by Woody Allen in 2011. The idea of traveling back in time is often used in the description of properties and therefore subject to demonetization; in the case of the Nagy mansion, it stands in certain rooms where the past comes to life through a special stove, through pieces of solid wood furniture carefully crafted and polished by time such as the two sumptuous original Saxon beds. The mansion, built in 1802 by the Hungarian noble family Nagy, today completely renovated and brought up to modern living standards, preserves original architectural details, despite its troubled history - in 1992, when the property was reacquired, it no longer had doors or windows; after the nationalization in 1949 it was used by the local IAS including to house day laborers. The story goes that Szotyori Nagy Tamásné, mistress of the manor in the middle of the 19th century, was a fearless woman who not only went to the front to look for her hero son, but offered shelter to the persecuted and, after the revolution was crushed, sent parcels to those incarcerated. In 1884, during the election campaign, in the building that later became a granary, the owner of the place hosted the well-known writer Jókai Mór. Today, the entrance through the wide gate shows a circle of flowers whose role, in addition to the decorative one, is to guide today's horse-drawn carriages to the entrance of the building. With a decent exterior and a small portico the mansion consists of a spacious ground floor and a generous attic dominated by the protective red roof over them; the two windows placed above the entrance, on the left and right are known as the queen's eyes, belonging to the most desirable room in the building. The mansion functions today as a guesthouse and has 3 rooms with matrimonial beds and 4 double rooms, all with their own bathroom. The dining room can accommodate 70 people and the old cellar is now a wine cellar, keeping visible both parts of the original foundation wall and the old roof tiles reused as flooring. The sauna, the salt room and other ways to spend quality time complete the generous offer of the outside – walks through the silence of wheat fields and potato crops or visiting the Balvanyos baths, the Cheile Varghisului nature reserve, the birch forest in Reci, the Kalnoky castle and the Zabola domain (Covasna being also known as the Land of Manors). The town of Coșeni is 13km from Prejmer, 19km from Harman and 28km from the center of Brașov. photo Florin Pepene

Located right at the feet of Ciucaș Massif and surrounded by the stunning landscapes of the Balaban, Babeș and Zăganului mountains, the small depression of Cheia offers an exquisite painting of meadows, shady forests and clear waters. Initially developed as a small settlement around Cheia Monastery, Cheia Mountain Resort gradually increased due to the expansion of logging. The name Cheia and Cheița actually reflect the narrow aspect of the steep-walled valleys. In the middle of the resort, on the bank of Teleajen river is situated the Villa with Birch Trees, with its large garden, in terraces, decorated with statues of Roman inspiration, from the 19th century. The building is composed of 3 distinct units, with different height regimes, built in a traditional stylistic manner, specific to the mountain area. The interiors are richly decorated with art and collectibles, from hunting trophies and popular objects, to traditional ceramics and works of art. The construction was completed in the late 1970s, with improvements done up to 1990. The Villa with Birch Trees can function both as a residence or a multi-family holiday house, as well as a tourist accommodation unit, following a conversion project. The property is located in the heart of the many birch forests with mountain flowers that unfold during the spring an idyllic landscape, while in autumn, in the mountain valleys, the spruce trees portray marvelous autumnal paintings through their rusty crowns. The main tourist attractions in Cheia and its surroundings are: Cheia Monastery, built between 1835-1839 by two shepherds from Săliștea Sibiului; The Mine Flowers Museum, which houses a valuable collection of 170 pieces with a wide variety of shapes and colors; The Francisc Rainer Museum of Anthropology, the former holiday home of the great scientist, founder of Romanian anthropology, the Suzana Monastery, founded by Suzana Arsicu in 1770, along with the numerous mountain trails in the Ciucaș Mountains. A fairytale house, in a dream location... would be the perfect description for the Villa with Birch Trees. Sources: Maria Rodica Niculescu, Masivul Ciucaș: ghid turistic, Munții Noștri Collection, Bucharest: Sport-Tourism Publishing, 1986 tvr.ro, Cheia, o stațiune cu potențial turistic editiadedimineata.ro, Descoperă România. Stațiunea Cheia, locul perfect pentru iubitorii de natură

When you hear ”Saxon house” the first thing that comes to your mind might be Prince Charles and his property in Viscri. An important unit of the local heritage, the Saxon houses are much more than that. More than 200 villages and many cities in Transylvania bear the mark of the Germanic civilization. And the Saxon house in Codlea, built between 1905-1907, makes no exception. The high gates, which shield the property from any indiscretion, allow for an impressive house to meet the curious eyes with its large windows, wooden beams and poles in sight, with the air of a miniature fortress. With a usable area of 450 sqm, the property is completely restored and the current owner paid a special attention to the preservation of the original architectural details. The oak carpentry has been refurbished, but for a better thermal comfort, another row of laminated wood windows has been added. The wooden doors and door frames are also modern additions, high quality replicas of the original elements. Two rows of parallel beams pass, at a height of 3.5 meters, the ceiling of the house. The attic, an open space of 130 sqm, has its own bathroom and is protected by a recently rebuilt roof with double-glazed tiles. The garage with automated access and separate central heating on each level are just some discreet elements of modernity in a context that preserves the charm of a traditional Saxon dwelling. And the property benefits from a real bonus: in the same yard there is a completely separate house with an area of more than 200 sqm, disposed on two levels. Built in 1973, this home is fully modernized and equipped. The land on which the property is located is also impressive. Spread over an area of 1826 square meters, it is composed of two distinct parts: a pretty cobbled courtyard, confined by ornamental plants, and a terraced garden with fruit trees. The areas are separated by massive walls that enhance the appearance of the typical fortified Saxon properties. In addition, the location, a keyword on the real estate market, is a special one. The property is in the downtown of Codlea, 15 kilometers away from Brasov and only 5 kilometers from the future Ghimbav airport. From the yard of the Saxon House you can admire the Postăvaru massif, and the proximity of the DN1 national road makes it an excellent choice for those who appreciate mobility.

The development of the Viforâta village is closely linked to the construction of the Viforâta Monastery, 5 km North of Târgoviște City. According to official records, Voda Vlad V founded the monastery about 500 years ago (1530), and the process was repeated a century later by Matei Basarab. Over time, the small village established at the foot of the monastery, towards Târgoviște, developed the textile craft tradition, and started attracting a large number of high-profile members of the Romanian cultural scene with its undeniably picturesque qualities. The Dărăscu-Enigărescu Castle was built on top of a hill northwest of Târgoviște, and the access road to the Viforâta monastery was completed on the command of the Dărăscu family in 1910, 20 years after the construction began. With a blurred history, the property would escape nationalization, even though, at some point, it did serve as the headquarters of the local Agricultural Production Cooperative. Afterwards, between 1975 and 1977, it was owned by Octav Enigărescu. A man of vast culture, baritone, radio man, actor, music professor and director of the Bucharest Opera (1969-1971), Octav Enigărescu immediately appreciated the architectural qualities of the small castle. Based on a terraced structure, the construction has two levels, and a high basement that covers the entire footprint of the building. The focus of the residence is indisputably the shape of its central tower, reminiscent of the medieval keep typology, the circular shape of which also influences the structure of the rooms. The building was strengthened by the Enigărescu family, who took care of the maintenance of the castle and reinforced the structure with steel beams in 1988.

Somewhere in Muntenia, on the Doamnei river valley, about halfway between Curtea de Arges and Campulung, in the Domnesti commune, there is a discreet property that, with its exposed brick pillars, brown wooden shutters and large flagstone paving, reminds a little of Tuscan houses. Those that, like this one, grow young trees in oversized pots, have terrace furniture of an essentialized rustic and trellises with red flowers, in our case geraniums. The river stone fence ensures the property has privacy. The house belonged to Dr. Teja Papahagi, an exceptional doctor and outstanding personality of the time, a man with a vast culture, full of initiative and organizational spirit. He gave his heart to the commune he loved and served throughout his life. Teja Papahagi was the son of Pericle Papahagi, born from the Aromanian nobility, but also from the princely lineage of the Bessarabians, being the one who founded, in Domneşti, a modern hospital with city utilities, a cultural society aimed at bringing the princely history back into focus. The street on which the house is located bears his name, and opposite is the hospital where he served his entire career. The house is on one level, having an almost imperceptibly raised foundation and a low roof supported by brick pillars. It is set back from the street and surrounded by ornamental trees and shrubs, contorted, wild, overgrown with ivy and an untamed vegetation that creates an atmosphere of vague solitude and interiorization. The house itself confirms the hypothesis - the libraries and the pieces of art that dominate the rooms determine the intensity of the natral light; there’s need for control because on the shelves there are old books of specialized literature in Aromanian, Romanian and French, plus writings and manuscripts of the owner’s father, the Aromanian linguist, philologist and folklorist Pericle Papahagi, the author of the first thorough studies on the Romanian Megleno group. In fact, the house, built of brick in 1959 to impeccable standards even today, has an office where the globe, carefully chosen decorative ceramics, lighting fixtures, the pipe resting on the leather map, the watercolors on the walls and the collection of rocks are elements that speak of the existence of an intellectual who sometimes slept here, surrounded by his passions. The living room still seems to carry the echo of the last conversations around the jewel-stove, made of tiles spectacularly decorated with lapis lazuli. The bedrooms have a sober air, softened by the carved wood of the furniture pieces such as the mirror or the wardrobe, or by the lively motifs of the fabrics - carpets, curtains, duvets and pillows. The kitchen keeps a wonderful old cooking machine with a hood between the walls paneled in the chocolate wood of the house. From the back terrace of the house one enters a small room full of books, a perfect place where one can retire to read in the summer. In the generous yard behind the house, there are outbuildings built in the same period. The attention to detail is overwhelming and visible right from the entrance - the door is made of wood, with a forged iron model like a broken embroidery, and the door knob is also a small artistic object, everything being perfectly integrated into the concept of the house. Heating is done with terracotta stoves; the property has running water from its own source, sewerage and electricity while street water and gas can be accessed from the street points.