luxury properties for sale Romania

In one of the old royal cities of the Habsburg Empire, the one called Elisabetopole, Elizabetopolis, Ibașfalău, Ibișfalău, Bășcăleț, Elisabethstadt, Epeschdorf, or Erzsébetvároș, there is a bright and bold building catching the eye instantly. It is centrally located, on one of the main arteries and near the Armenian cathedral, the one that lost one dome. Featuring an imposing tower guarding the corner and elegantly outlined blue frames against the bright white façade the has distinction. Built in 1881, it wears its age gracefully, having been recently renovated. The internal partitioning has created spacious and bright rooms, both on the ground floor (living room, three bedrooms, kitchen, two bathrooms) and upstairs (three bedrooms, an office, living room, and two bathrooms, one with access to the Finnish sauna). The fireplace stove warms a 40 sqm living room. The vaulted cellar with a brick floor, maintaining controlled temperature, is the perfect place for a private wine cellar, while the garden with lawn and fruit trees is the ideal option for peaceful afternoons. Breakfast can be enjoyed in the pavilion, where hearty meals can also be organized for loved ones, in its 9 sqm summer kitchen with a bread & pizza oven. The garage accommodates two cars. The town of Dumbrăveni, one of the ten royal free cities, enjoys the benefits of multiculturalism, with Romanians, Hungarians, Jews, Saxons, and Armenians living in and beautifying it. In the 16th century, Grigore Apafi built the feudal castle in the form of a citadel, which now operates as the Museum of Transylvanian Armenians, and the Armenian community erected a cathedral here in the 18th century. Dumbrăveni is situated between Sighișoara and Mediaș, having touristic Biertan, Viscri, and Via Transilvanica in close proximity. photo Florin Pepene

In the picturesque heart of Transylvania, at a crossroads between past and present, lies the Karg Haller János Manor, a place where time seems to have taken root. Located in the village of Dârlos, just 10 km from Mediaș and 30 km from Sighișoara, this historic property shelters the story of a noble family and the spirit of a bygone era. At the foot of sun-kissed hills and surrounded by the serenity of Transylvanian villages, the manor reveals itself as an architectural symphony blending classical elegance with rural nobility. Built centuries ago, its walls have witnessed the glorious times of the Haller family, Hungarian nobles who brought charm and refinement to the region. Every corner of this 750 m² manor tells a story: The cool cellar , deep within the silence of the earth, was once home to fine wines that still echo the festivities of days gone by. The spacious rooms on the ground floor , adorned with light and memories, now await a new story. The attic , filled with silent promises, could be transformed into workshops, bedrooms, or an art gallery. More Than a Manor: A True Estate The property also boasts four additional buildings, each with its own unique charm: A 180 m² house , perfect for hosting guests or auxiliary spaces. A 200 m² house , with immense potential for a residence or events. A smaller house of 100 m² , ideal as a peaceful retreat or an office. An additional 300 m² building , ready to become a multifunctional space or an event hall. Together, these buildings provide a generous total area of 1,555 m², all wrapped in the charm of historic architecture. The 4,100 m² plot surrounding the property is more than just land – it is a gateway to nature and history. Its gardens, once witnesses to elegant soirées, dream of becoming a haven for joy, creativity, or relaxation. A Region Steeped in Legend Dârlos, with roots stretching back to the 3rd century BC, reveals its grandeur through the 15th-century Gothic Evangelical Church, adorned with unique Renaissance frescoes. Just a few kilometers away, Mediaș and Sighișoara – two medieval jewels – preserve the stories of fortified walls and cobblestone streets. At 35 km, Malancrav welcomes you with the Apafi Manor, a symbol of royalty now owned by King Charles III. This region is more than a destination; it is a journey through time. VAT is applied to the displayed price. Photo Credit: Florin Pepene

Discover an exceptional property located on the prestigious Bulevard Dacia, in the heart of Bucharest. This historic villa, offering a generous surface of 450 square meters, has been fully renovated, preserving the charm and elegance of a bygone era while seamlessly integrating modern luxury amenities. The villa impresses through its classical architecture, ornamental details, and refined design. The façade retains its original elements, while the interiors are adorned with elaborate stucco work and expansive, light-filled spaces that combine functionality with elegance. The spacious, well-appointed salons provide an ideal setting for both formal gatherings and private relaxation. The comprehensive renovation has transformed the villa into a luxury property, successfully preserving its historic character without compromising contemporary comfort and practicality. The residence unfolds across three levels — basement, ground floor, and first floor — which function as a cohesive whole, with fluid internal circulation and convenient access to the garage, offering flexibility of use and everyday comfort. The property also includes an inner courtyard and a garage for one vehicle, while two additional parking spaces are available on the street in front of the house. Situated in one of Bucharest’s most exclusive areas, the villa benefits from a prime central location with easy access to cultural, educational, and business centers. This proximity allows for seamless integration into sophisticated urban life while still providing a private haven of tranquility and comfort. Combining history with modernity, this property is ideally suited as a luxury residence, a representative corporate headquarters, or an embassy.

In the village of Cubulcut, approximately 55 km from Oradea, stands Bonis Manor, a property whose significance extends beyond its architectural presence into the historical memory of one of the most defining periods in Central European history. Associated with notable events and figures of the 19th century, the estate preserves a rare identity shaped at the intersection of heritage, tradition, and history. Historical accounts and the genealogical archives of the Baranyi family suggest that during the Hungarian Revolution of 1848–1849, the property briefly served as a refuge for the Holy Crown of St. Stephen, one of the most important symbols of Hungarian statehood. As the revolutionary government led by Lajos Kossuth retreated toward Debrecen, the crown was reportedly transported in secret by Sámuel Bónis and his associate Josipovics, disguised as cattle merchants, transforming this place into a discreet witness to an episode of remarkable historical and symbolic significance. Set on approximately 6,635 sq m of land, the property includes a residence with a built area of approximately 417 sq m and ten rooms, preserving the characteristic expression of 19th-century rural noble estates. Balanced proportions, high ceilings, elegantly proportioned windows, and a partially vaulted cellar define an architectural language that continues to retain much of its original identity. Today, the property requires a complete restoration process, with certain areas significantly affected by the passage of time, including portions of the roof structure. Yet this stage also presents a rare opportunity for an intervention capable of reviving its authentic character and redefining its future. Recent rehabilitation initiatives aim to preserve the original architectural expression as faithfully as possible, creating the foundation for its transformation into a private residence with a distinct identity, a boutique hospitality concept, or a cultural project built around a history that is difficult to replicate.

The work of the renowned Sighisoara-born architect Fritz Balthes, the school in Bruiu/Braller, like those in Cincșor, Gherdeal and Veșeud also signed by him, enjoys a central location in the immediate vicinity of the fortified evangelical church, an object of interest both for the community and for tourists. A photograph from 1923 shows it as a solid but not necessarily rigid building; even in black and white, the school, which respects the local style, offers an expressive play of volumes, fragmented and completed by a small tower. The building, completed in 1913, is an expression of the Transylvanian architect's personal Secession style - floral, vegetal and geometric motifs blending harmoniously. Currently, all the elements and details of the construction are identified and documented, and there is also a considerable volume of official documents in this regard. In Saxon communities, school has always had an important role, being essential for preserving identity; history has even noted that the first attested institution dates back to 1380 and that, for the first time in Europe, in 1722 primary education for boys and girls was established by them (by comparison, in England this only happened in 1870). The building is L-shaped with three access ways - the main one through the front in the middle area and two secondary ones (student access and the private one to the teacher's home) in the courtyard of the building, through the two opposite ends of it. The volume having the P+1E structure has one classroom per level; the S+P volume facing the street with the long side functioned as a space for the chancellery and the teacher's residence. The cellar consists of several semi-cylindrical vaulted rooms. The former school in Bruiu has high and bright rooms separated by hallways with white walls gathered in pastel belts, with columns and sturdy balustrades. All areas retain the original pavement made of prefabricated mosaic tiles with discreet colors (gray, red, black, beige). The tiles are arranged in a checkerboard pattern or make up perimeter borders, with each room having its own custom pattern. Other original elements are the window hardware, the complex beam structures supporting the cladding and the solid oak steps throughout the building. Existing modern utilities include three-phase current, running water, fiber optic internet. The Saxon school is probably the only rural building with a known author in the village; returning it to the wider community by harnessing its cultural tourism potential can only be a win-win project. An example of good practice is the former Saxon school in Cincșor, purchased over time, together with the parish house and other housing, by a former student and transformed into Cincșor Transylvania Guesthouses, a successful development. The other former schools designed by Fritz Balthes in Veșeud and Gherdeal were recently purchased to be renovated and included in the tourist circuit; the former cultural center in Șomartin, also signed by Balthes, is also currently under renovation. Bruiu is located 60 km from Sibiu and 100 km from Brașov, which gives the future owner access to two of the most attractive tourist areas in the country, strongly marked by the Saxon heritage so appreciated by modern travelers. In the area: • The Cistercian Abbey of Carta • Hatibaciu Valley • Fagaras mountains • The Saxon villages of Viscri, Meșendorf, Biertan, Alma Vii, • Richis, etc • Fagaras Fortress photo Florin Pepene

Located at the intersection of Piața Libertății and Alba Iulia Street, this historic building, constructed in 1812 at the initiative of Toma Naum Makri, a Timisoara-based Aromanian merchant, stands as an architectural landmark of the city. Initially passed down to his daughter Persida, married Stoikov, the building was redesigned in 1900 by architect Lipót Baumhorn and has undergone various transitions – from being donated to the Aromanian-Serbian community to nationalization during the communist era. Today, it is privately owned. A distinctive feature of the façade is the sculpted Atlantes, a rare architectural motif in Romania with roots in European neoclassical style. Additionally, the building houses a remarkable historical element: the stone portal with Ionic columns at the entrance, which, according to urban legend, includes two elements that were originally Ottoman cannons captured by the Habsburg army in 1716. Recently restored, the main façade, woodwork, and roof have been fully renovated, and a proposed project aims to transform the building into a 4-star hotel with 80 rooms and conference halls. Originally designed with 40 rental spaces, the property remains highly versatile, making it ideal for uses such as a hotel, medical clinic, corporate headquarters, or commercial spaces on the ground floor and basement. References: https://vatra-mcp.ro/artisti-si-patrimoniu/case-vechi-de-patrimoniu/timis/casa-cu-atlanti-din-timisoara-timis/ https://heritageoftimisoara.ro/cladiri/Cetate/adresa/Victor+Vlad+Delamarina/1

Located at the crossroads of the road where, in the old days, the Bucharest-Craiova stagecoach passed, Blejesti is an ancient settlement, the area being continuously inhabited since the times of the Dacians. The village of today is situated on a part of the former Beloaica estate of Elena Mavrocordat, a domain that, in its time, spanned more than 14,000 hectares. The ancient history of the area is reflected in the architectural remnants preserved to this day, and among these, the Voinea Mansion is one of the most remarkable. The mansion was the country residence of Dumitru Voinea in the former Vlaşca County. The building, with relatively large dimensions, was constructed in 1890. By the end of the 19th century and the beginning of the 20th century, it became a common practice for wealthy families across the country to build town houses in the eclectic – neo-Romanian style in the localities where they owned estates. Originally, the mansion belonged to the property held by the brothers Constantin and Grigore P. Olănescu in Blejesti and was later acquired by Dumitru Voinea, an industrialist who owned two factories in Bucharest and Brașov by the end of the first quarter of the last century. The mansion, resembling a villa with relatively large dimensions, with a ground floor and an upper floor, has its main entrance on the northern side, at the base of a hexagonal tower with asymmetric sides. The entrance, with a semicircular arch and two columns, is flanked on either side by two openings also with semicircular arches, all marked by a cornice that follows the same shape. The rhythmic pattern of the northern façade is created by the light openings, three on each level, framed with decorative geometric elements made of straight, bent, and curved lines, which are also found on the right side of the southern façade. On the southern side, there is a tower with a gazebo, which recalls the neo-Romanian style, and access was either through a massive staircase placed on the left side, or directly from the upper floor, while in the central area there was an entrance leading down to the cellar. The lateral staircase is protected by a sheet metal canopy, which is part of the roof, supported by a double wooden console. Currently, the openings on the three sides of the gazebo, as well as the exterior access path, are closed with windows fixed in metal frames. This component of the building served as a viewpoint overlooking the garden surrounding the mansion and the valley of the Glavacioc River, as well as the nearby forest. The upper part of the building is outlined by a profiled cornice, and the construction is topped by a high, four-sided roof made of sheet metal. The mansion has a built area of 604 square meters and sits on a 3-hectare plot of land, which also houses a series of annexes, many of which were added later, after nationalization. After the property passed into state ownership, the mansion served various purposes, the last of which was as the headquarters of the former Blejești Agricultural Cooperative (IAS). In the former annexes, some recently renovated and others still being renovated, a small farm is currently operating. The mansion is classified as a historic monument of class B, it is in relatively good preservation, and it holds immense potential to be transformed into an exceptional private residence or, why not, it could be used for a development in the fields of tourism, events, or medical care.

In the long history of the Leordeni, a village which was first documented in 18th of May 1526 by the voievode (local prince) Radu de la Afumaţi, we can find extraordinary specificities from the evolution of the Romanian society along the great noble families which shaped it. Leordeni, cornerstone of important dynasties – Leurdenii, Băleanu, Golescu, Lahovary or Kretzulescu – was home to imposing residences and domains corresponding to the great power and reputation of their owners. One of the last great lords in Leordeni was Nicolae Kretzulescu (Crețulescu) (1812-1900) founding father of the Romanian Academy and a stated liberal appointed Prime Minister three times. Nicolae Kretzulescu, Constantin Brâncoveanu and Iordache Kretzulescu’s heir of Leordeni, built an impressive estate which later has been inherited by his daughter, Anna, who married Lahovary. At the same time Kretzulescu was managing his estates, Nicolae (Nae) Gussi (1830-1901), appeared on the scenery as administrator of the Golescu family’s fortune – another great family in Leordeni. After 1880, Gussi becomes the owner of the Golescu estates which were neighbouring those belonging to the Prime Minister. The hostility between Kretzulescu and Gussi was notorious, and the economic struggles between them both culminated in a series of lawsuits at the end of the nineteenth century. The variety of lands (arable, vineyards, forests) defining the estates of the Leordeni would evolve over time through various agrarian reforms, landing or expropriation laws, inheritances, or successions. And in the interwar period these testified the last two great families. The Gussi family (Alexandru, Traian, Paul and Elena) and the Lahovary family (through Anna) held together approximately 550 ha, plus another 100 ha of vineyards. They were in fact the descendants of Nicholas Kretzulescu and Nae Gussi. The Golescu-Gussi estate evolved notably through the two centuries of history. The first version of the manor was built by the Golescu family, probably during the life of Iordache Golescu, who also built the Golescu Church in the proximity of the estate. Subsequently, after Nicolae Gussi’s ownership, the property changed, so that after 1900, Alexandru Gussi (1864-1947) revolutionized the manor and the entire estate. In fact, Alexandru, a magistrate and a politician with an important activity in the Muscel Bar and Prefecture, would devote much of his career and life to the modernization of his native lands. Owning the old house of the Golesti, Alexander rebuilt it between 1938-1939, making it a truly monumental construction. After 1949, the entire domain was nationalized and had different functionalities serving the communist institutions (the office of Sovrom Petrol, IAS and the City Hall).

Some properties derive their value from scale or location. Others belong to a far rarer category, where value is defined by an exceptional combination of qualities that cannot be recreated: a prestigious address, inclusion within a landmark urban development, authentic architectural heritage, and distinguished provenance. This villa belongs to that category. Situated within the prestigious Halfon Development on Kiseleff Road, the property forms part of one of Bucharest's most exclusive interwar residential ensembles. Conceived from 1922 on land owned by Raphael Halfon, a prominent member of Bucharest's Sephardic Jewish community, the development represents one of the finest examples of early twentieth-century residential urban planning in the northern part of the capital. Unlike the conventional developments of its time, the Halfon Development was envisioned as a cohesive architectural composition. Designed by architect Ștefan Burcuș, a graduate of the École des Beaux-Arts in Paris, the project features symmetrically arranged villas inspired by the principles of French academicism and the Beaux-Arts tradition. Burcuș, the architect behind the Bucharest Chamber of Commerce and Stock Exchange Palace, the master plan for the 1906 Jubilee Exhibition in Carol Park, and the development of the Băile Olănești spa resort, played a defining role in shaping the modern identity of Bucharest. The significance of the ensemble is further enhanced by its association with Duiliu Marcu, one of the most influential Romanian architects of the twentieth century, best known for the Victoria Palace, the CFR Palace, and the extension of the Romanian Academy Library. The Kiseleff setting further elevates the property's exclusivity. Since the interwar period, this grand boulevard has been the preferred address of Romania's political, diplomatic, and cultural elite. Its low-density urban fabric, mature tree-lined streets, and distinctive garden-city character continue to define one of the most prestigious residential districts in Central and Eastern Europe. The interiors preserve an exceptional collection of original architectural details, including solid oak parquet flooring, handcrafted plaster mouldings, curved wooden doors with crystal inserts, original glazed partition doors, and historic ceramic stoves. Generous ceiling heights and balanced proportions enhance the natural light while preserving the refined atmosphere of Bucharest's grand interwar residences. The restrained architectural language of the façades reflects the same attention to proportion and craftsmanship, creating a seamless dialogue between the exterior and interior. The private garden offers a remarkable degree of privacy for such a central location, serving equally well as a tranquil retreat or an elegant extension of the reception areas. At the same time, the residence accommodates contemporary living through a heated garage and highly adaptable spaces. The lower level, benefiting from natural daylight and a separate entrance, can function as a private office, guest apartment, professional workspace, or an independent living area. Thanks to its versatility, the villa is equally suited as a distinguished private residence, corporate headquarters, or diplomatic mission. Its place within a documented historic ensemble, combined with its authentic architectural character and location in one of Bucharest's most prestigious residential enclaves, makes this property an exceptional heritage opportunity. More than an exclusive address, it offers the rare privilege of owning an authentic piece of the city's history, within a setting whose value cannot be recreated, only preserved.

Located on Dinicu Golescu Boulevard, The Villa with Gorgons is one of the few buildings from the beginning of the 20th century that has been preserved on this important artery of Bucharest. The building was built in 1913 and bears the signature of Ion D. Berindey, one of the most famous and prolific Romanian architects of the first three decades of the 20th century. Among the 29 works classified as historical monuments of Ion D. Berindey are the Gheorghe Grigore Cantacuzino Palace (today the headquarters of the George Enescu National Museum and the Romanian Composers Union), the George G. Assan House (today the House of Scientists), Palace of the Journalists' Union (today the Very Small Theatre). The Villa with Gorgons was built as Colonel Andreescu's private residence as explained by Revista Poporului, a newspaper of the time, which emphasizes how a good architect can with a modest amount easily obtain a completely satisfactory construction from the aesthetic and comfortable point of view. From an aesthetic point of view, the building is tributary to the romantic style and has as a distinctive sign the gorgonles, sculptures that decorate the facade. Gorgons are taken from Greek culture where symbols on doors, walls, windows, floors and shields were intended to protect the ancient Greeks from evil. In terms of use, the villa is truly versatile and can be set up as a home, office space or a bohemian restaurant. Located on a land area of ​​309 square meters, with a footprint of 101 square meters, Vila cu Gorgone is a slim building, with a D+D+1E+M height regime. The spaces are generous and balanced on levels. The ground floor and first floor have three rooms each and spacious entrance halls. The rooms have wide windows and are bright. The same generous space also exists in the mezzanine, and the attic is open space and perfect for a bohemian design. The villa has two access ways: one pedestrian and another for car access. The building is strengthened and the facade is completely restored. Photo: Tudor Prisecaru, Alex Canjea.

A unique ethnographic area in Romania is “Mărginimea Sibiului” (the surroundings of Sibiu) with its picturesque lands at the west of Sibiu, stretches from the Sadului Valley to the Săliște River Valley, comprising 18 fairytale settlements, including Săliște. This area represents without a doubt one of the strongest tourist brands in Romania and one of the most beautiful, picturesque and authentic traditional areas in Europe, receiving in the past the title of European Destination of Excellence from the European Commission. The charm of the location is given by the spectacular landscapes, the villages seem frozen in time with customs and traditions preserved with sanctity to this day, with the old buildings and churches classified as historical monuments with their special charm, with local festivals and fairs but also with the traditional gastronomy now famous in the whole country and beyond. Săliște , situated only 21 km away from Sibiu, fits perfectly in the typology of these places, it was documented for the first time in 1354 and became a city in 2003. In a city filled with historical beauty, one of the buildings really stands out through its spectacular architecture and its really great positioning right on the river bank, in the city center. It is castle dating back to the beginning of the last century, that is today partially renovated, with the interior in a pretty good condition requiring only finishings, while the exterior requires an overall renovation of the facades. The castle has a 350 sqm footprint and is built on 3 levels: demibasement, groundfloor and first floor, to which we can add the attic that can also be turned into usable space. The demibasement has large salons and a few small rooms, while at the next 2 levels we find 18 rooms with en-suite bathrooms plus two more free standing rooms. The first floor also has two large terraces that offer an amazing view of the mountains around. The interior maintains the historical character of the building, with beautiful brick decorations, high ceiling rooms with large windows, while the large cast iron stairway is the central piece that brings all elements together. Separately there is an additional smaller building with a small and charming apartment on the first floor, and free space to be used at will at the groundfloor. Being very close to Sibiu, with a beautiful architecture and in a good condition, this castle in Săliște can be easily turned into a charming boutique hotel, or maybe a clinic or a cultural center.

The castle was built during the 17th century by Gyulay Ferencz, an Austrian general, the only child of Hungarian nobleman Gyulay Ignacz. Ferencz built the mansion on the site of a smaller building. The general’s family ruled the town called Mintia, that was renamed Marosnemeti, a term derived from the Hungarian word nemet, that translates to German. Several descendants of the Gyulay family lived at the castle. Historical documents from 1806 state that the Mintia mansion was owned at that time by Gyulay Istvan, followed by Albert and K.R Gyulay. Countess Gyulay of Mintia, who married Ladislau Kuun of Osdola, later inherited the domain together with her brother, Ludovic. In 1848, the Gyulay family took refuge at Cluj and, after the revolution, Ludovic, Ladislau Kuun, his wife Constance, and their children, Irene and Geza, returned to Mintia. Ludovic was the last heir of the Gyulay family. He wrote over 100 journals about the mansion and about Mintia. All of them are preserved at the Cluj-Napoca history museum. Ludovic Gyulay modified the building in 1834, giving it the shape it has today. Ludovic Gyulay never got married and, therefore, never had any heirs. His fortune was inherited by his brother-in-law, Ladislau Kuun, followed by his son, Geza Kuun. Geza studied Hungarian and German literature at the Universities of Budapest and Gottingen, and was a member and vice president of the Budapest Academy of Sciences. He was part of Vienna’s elite social circles, and became friends with the famous composer Franz Liszt – one of the most prominent pianists of all time. It was then that he also met writer Elena Ghica – daughter of Mihai Ghica, niece of Grigore Ghica the 4th, and the first woman to have climbed the Mont Blanc peak, on June 1st 1860. After 1870, Geza Kunn settled at Mintia and married Vilma Kemeny, the daughter of baron Kemeny of Magyar-Gyeno Monosto. His presence here transformed the town into a gathering place for eminent representatives of the cultural and scientific scenes, which included V. Zakrzewski – professor at the Cracovia University, Al. Szilagyi – secretary of the Historical Society, baron Balazs Orban, A. Szecsen –Imperial Court marchal. The beauty of the mansion located on the bank of Mureș River was also admired by the president of the Archeological Society – Solyon Fekete, the director of the Deva History Museum – Teglas Gabor, and by scientist Samuel Brassay – regarded as Transylvania’s last polymath. The immense library of the Mintia Castle and the salon, decorated with family portraits and precious objects, were visited by prefect George Pogany, subprefect Coloman Barcsay, count Coloman Esterhazy – director of the Transylvania Museum, by Otto von Keller – professor at the University of Prague, Zsolt Beothy – professor at the Budapest University, and by Norwegian scientist Conrad Nielsen. Baron Miklos Josika also traveled from Brănişca to Mintia, either on foot, by car, or on horseback. He also traveled by boat on Mureş River in order to admire the park that surrounded the castle. The rare species of plants and trees that embellished the park were mesmerizing. Count Kuun named the trees after the most important Hungarian writers, many of whom had been his friends. One of the trees, for example, bore the name of Attila, in the memory of Attila Gerando. Amid the rose bushes, the visitor could also discover numerous honorary or mortuary shrines. Geza Kuun died in 1905, on April 10th, and was entombed at Cluj. Legend has it that, although the body of count Geza was inhumed at Cluj, his heart was buried in the cemetery of the Mintia Reformed Church, alongside other members of his family and former owners of the castle. The Mintia domain, that comprises the castle and the park, is classed as a historical monument of national and universal importance, class A.

Built at the beginning of the 20th century by the architect István Tatorján from Satu Mare, this historic villa in Baia Mare stands as a true architectural gem, imbued with story and character. In an era when the city was regarded as a renowned climatic resort—celebrated for its sanatoriums, the Usturoi Baths, and the art school that drew painters inspired by the “bluest sky” of the Empire—the architect chose this setting for his summer retreat, conceived as a haven of elegance, refinement, and tranquility. For generations, the villa became the backdrop of quiet summers and evening gatherings on its spectacular terrace, specially designed as a place for meeting and socializing. Today, the property retains the authenticity and distinctive charm of its time. Original architectural details, generous layouts, and the emblematic terrace—the very soul of the house—give this residence a truly unique character. With a built area of over 330 square meters spread across three levels, the villa offers a succession of salons and bedrooms, complemented by versatile attic spaces that can easily be transformed into offices, guest rooms, or creative studios. The nearly 1,000-square-meter plot enhances the sense of privacy and tranquility, while also providing the ideal setting for gardens, relaxation areas, or open-air entertaining. Located on Strada Paris, one of the most elegant and quiet streets in the city, the property offers a rare balance between discretion and accessibility, being at the same time within easy reach of Baia Mare’s center. This villa is not merely a residence but a heritage landmark—a house that has gathered stories and emotions for more than a century, now seeking a new custodian to carry its spirit and refinement into the future.

Alexandrescu Manor from Guranda has a history of more than one century, being built at the order of the spouses Mihai and Mathilde Alexandrescu, Mihai being a Wallach boyar who settled down in Moldova at the end of the 19th century, around 1890. Situated at approximately 40 km from Botoșani, the property of the family Alexandrescu was about to become not only residence, but also a source of income, the domain being extended with hundreds of hectares. The main building was buttoned up in 1905, the project being signed by a Venetian architect. The estate borrows obviously from the typical architecture of those times, Neo-Romanian style, the Neo-Romanian style being the most dashing at the turn of the centuries. Notwithstanding, the estate is marked by different decorative effects that offer a special aspect, monumentally – the use of the brick in the decoration of the borders or of the wooden frames in the tracing of small balconies. The heiress of the manor was the only daughter of the Alexandrescu spouses, Yvonne (1890-1974), who had to enter in the big Cantacuzino family, getting married with Ion Cantacuzino (1888-1954), with whom she had a daughter, Claudina (born 1914). After the dispossessions from the year 1948, the manor enters in the property of the communist state, which, since 1949, has set up in the manor from Guranda a hospital unit. In the 2000s, the mansion is taken into family ownership, by his heirs.

Built in the middle of the nineteenth century by baron Urban Petru of Monyoro, the mansion is located on the 79th National highway, on the road between Arad and Oradea, 28 km from Arad. In 1994, the mansion was completely renovated, and all the original architectural elements were preserved. The mansion provides the modern comfort, as it is connected to the water network, it has its own sewage and three gas central heating systems. There is an annex to the main building, equipped with all the standard utilities. As the yard is quite big, another house is being built, which will be used for residential purposes. In front of the mansion, there is a 50 sqm pool. There are thermal water springs at a depth of 700 m, which can be used to fill up the pool. Urban of Monyoro family was one of the important noble families of the Hungarian aristocracy. As mentioned in official records (1828), the first family member was Joseph Urban, and the family’s home was in Monyorod (today Manerau, Arad). The neoclassical mansion in Simand (only a few kilometers from Monyorod) was built in the second half of the 19th century. The mansion most likely belonged to Gyula Urban, the father of the most important member of the family, Peter Urban (1870-1935). Starting with the Eneolithic period up to the year 953 – when it is officially mentioned for the first time -, and on the modern times, Simand was one of the most important places in Transylvanian history. Moreover, in the 19th century, Simand was a strong economic hub, organizing fairs, having also present a strong Jewish community (in 1828 there were 400 Jewish people). For approximately 100 years, by the time when the mansion was built, the domain was owned by Urban of Monyoro family members. Most of them were high governors, politicians and even prefects in Arad county

Located in the city center of Caransebes, the building known as Officers' House is dominating its surroundings through its size and the beautiful architecture of the facades. Built in 1884, it served as residence for the families of the officers that were part of the Maria Theresa Border Regiment , offering both accomodation and enterrtainment, as it had a restaurant, casino and a ballroom. Shaped as a trapese, the truly monumental building has a total built area exceeding 6.500 sqm, is opening to 3 streets and has a large inner courtyard. With an overall very good condition, the building underwent serious renovation and consolidation work during the last few years: facades were fully renovated, the windows and doors were reconditioned, new concrete floors were built, the foundation was consolidated and many other repairs and interventions were made. Given the large built area and the location, the building can be considered for a very wide area of functions: it can become a hotel, a public building, a museum, a medical clinic, a university or an office building.

The French Street connects Piata Unirii with Calea Victoriei; it appears in documents since 1649 when it was known as Curții Street; over time the name varies - one part of it was Podul cel Mare din Curtea Veche (1763), Podul Curtea Veche (1804) and Uliţa Curții Vechi (1854), the other - Uliţa cea Domnească in 1690 or Işlicarilor & Boiangiilor Street in 1804. Under Constantin Brâncoveanu the street becomes as long as we know it today. The French name comes from the time when the French consul resided on it. The street was also called Carol until 1947 and then 30th December. After the 1989 revolution, it became Iuliu Maniu and since 2007, when a boulevard was named after the politician, it has become French Street again. It is one of the first lit and paved streets in the city, but also the one that entered history as the place where the great fire of 1847 started, when over 2000 buildings disappeared; the fire broke out thanks to the son of a stolnic (local clerk) who played by shooting his father's gun into the thatched attic. On this historic street, at no. 58, in 1938, Schrems Broderie, a weaver, and Karmann I – Carol, a dentist, were operating (it seems that Lev Tolstoi lived at no. 12 in 1854 when accompanying the Russian troops to Wallachia). Today, at no. 58, there is an elegant building with tall glass sheets and wrought iron balustrades that rhythmically punctuate the facade; denticles, short half-columns and other vegetal and geometric elements complete it. The building has two commercial spaces on the ground floor and 14 apartments on the upper floors, with areas between 38-113 sqm. The attic (384 sqm) and the cellar (211 sqm) generously complement the surfaces. Access is allowed by four different stairs leading to the inner courtyard. Only one apartment is currently rented, the building being in need of repair and renovation works. The original corner stoves, paneling on the ceilings and double doors with glass windows are the only ones still fighting the fading today, stubbornly preserving the spirit of past eras. However, the potential is huge considering the positioning one minute away from the Manuc Inn; the building can become a boutique/apart-hotel or apartments for rent/resale, after consolidation. Photo: Tudor Prisecaru

“When Ioan N. Roman with master Caragiale and Barbu Delavrancea emptied jars of amber Samos and Tenedos wine, in the small corner room at Hrisicos they modestly devised not only Romanian Poetry and Prose - but Romania itself...” - Constantin N. Sarry A landmark in the city’s history, Hrisicos House was built in 1900 to the plans of French architect Louis Givért. The building stands out through its eclectic style, dominated by neoclassical features with Art Nouveau details characteristic of the early 20th century. It served as a reference point for later developments in Ovidiu Square, designed mainly by architect Adolf Lintz in Viennese style. Hrisicos House is one of the oldest surviving buildings from the area’s original layout, marking the corner of Traian and Pescarilor Streets (the latter having since disappeared). Commissioned by Gheorghe Hrisicos, once a “simple shop boy” who quickly became a well-known wine merchant and central property owner, the house was inaugurated with great pomp in the autumn of 1903. Conceived as a luxury hotel, with a restaurant offering both seafood and international cuisine on the ground floor, it soon became a landmark of Constanța. Bucharest’s elites, accustomed to the “Carol” or “Regina” hotels, now flocked to “Hrisicos.” Yet the owner’s success was short-lived: sued by defrauded banks and merchants, he was branded by the press as “Constanța’s swindler banker.” Hrisicos fled to Russia, was extradited, and sentenced to two years in prison. The scandal and widely publicized trial gave Hrisicos House unmatched notoriety, while its restaurant and hotel were frequented by notable figures such as Ion Luca Caragiale, Barbu Ștefănescu Delavrancea, Alexandru Vlahuță, and Take Ionescu. The building was devastated during the First World War and reopened only in October 1924 as the headquarters of the Popular Bank Steagul Dobrogei. During the Second World War, it became the favored residence of German military commanders overseeing the city and coastal operations. Immediately after August 23, 1944, the balcony apartment was occupied by the Soviet military commander of Constanța. Under the communist regime, the property was nationalized, converted into a military barracks and command post, and, following major renovations in 1974, functioned as a restaurant, wine cellar, and guesthouse under the name “Pelican.” After the fall of communism, the building hosted various banks but suffered significant interior degradation. In 2006, it was purchased by its current owners, who initiated an extensive process of restoration and rehabilitation. It has since been converted into a modern high-end bistro and a four-star hotel with 23 rooms. Regaining the stature and function of its beginnings, Hrisicos House, which has retained its original name in collective memory despite all transformations, has once again become a vibrant symbol of Constanța, a silent witness to major secrets and political decisions of the turbulent 20th century. Sources: Doina Păuleanu, Constanţa: spectacolul modernității târzii: (1878–1928), Arcade Publishing, Bucharest, 2006 Doina Păuleanu, Historical Memoir Viorel Ovidiu Lipovan, Gabriel-Octavian Nicolae, Constanța Remember 1895–1945, Constanța: Ovidius University Press, 2010 casa-hrisicos.ro voceaconstantei.ro turismistoric.ro

Nestled within the enchanting landscapes of Dobra, the Poenaru Manor stands as a testament to the grandeur and elegance of a bygone era. Surrounded by lush vegetation and green hills, this stately residence exudes an air of mystery and historical significance, having once been the cherished abode of the illustrious boyar family of Poenaru. One of the most prominent boyar families of Oltenia, the Poenaru dynasty is a large one, with important representatives in the political, cultural and scientific life of Romania during the last two centuries. The story of the Dobra domain starts with Costadin (Dinca) Poenaru (1789-1874) who inherits and then extends family’s lands all across Mehedinți county. But is is Constantin Poenaru (1860-1946) the one that puts his entire life and energy into developing the Dobra Domain to what it is today. Approaching the manor, one is immediately struck by the imposing façade that speaks of both opulence and noble heritage. The architecture seamlessly combines Classical and Renaissance influences, resulting in a harmonious blend of intricate stonework, sober features but also delicate ornate details. As you step inside, a sense of timelessness envelops you. The interior exudes an aura of faded grandeur, with high vaulted ceilings adorned by old bricks walls that can tell some century old tales and historical events. The grand foyer, illuminated by the soft glow of antique chandeliers, leads to a series of once lavishly decorated rooms. The heart of the manor is undoubtedly the grand hall, a space designed to host extravagant gatherings and events. Towering windows allow natural light to cascade onto the large halls that lead to rooms who used to be used for living, for doing business or for spending time with friends. The expansive gardens that envelop the Poenaru Manor are a verdant paradise, with a large wallnuts orchard, vibrant flowerbeds, and meandering pathways that invite contemplative strolls. The domain contains a series of very valuable annex buildings: small renovated house (128 sqm), a beautiful former barn (166 sqm), the large storage (3 levels on a 327 sqm footprint) and a small block of apartments (2 levels on a 174 sqm footprint). The total land plot has 11 hectares , out of which 7 are owned and 4 are leased from the city hall. While time has inevitably left its mark on the Poenaru Manor, it remains a well preserved cherished jewel in Dobra's and Oltenia’s historical tapestry, a living testament to the legacy of the boyar family that once graced its halls. It can be used as such, as a beautiful residence for permanent living or for vacation, or can be turned into a small farm, a beautiful boutique hotel or a medical care center.

The Cantacuzino-Ghica Castle from Deleni is one of Moldova’s most notable castles. The first building of the present-day architectural ensemble was the church erected in 1669, near a boyar’s court, probably the oldest in the principality. After Maria Cantacuzino’s marriage with Constantin Ghica in 1778, the estate entered the possession of the Ghica-Deleni family. The Refurbishment works the new owners commissioned gave the ensemble its current configuration. The inner stone wall and restoration and expansion works were carried out until 1802, and, afterwards, at the beginning of the 20th century, the castle was redesigned by architect Nicolae Ghika-Budesti. The castle has large and bright spaces – rooms, lounges, lobbies – spread across the ground floor, first floor and basement. During the Second World War, for two years, the castle served as a garrison for Soviet troops. Following the nationalization process, the building hosted the cultural house of Deleni. It then became a preventive medical unit, which has not changed to this day.

Located on a sunny street, with buildings sheltered by trees that promise tranquility, the property is currently used as a tourist unit; the small and charming 4-star boutique villa is highly appreciated by tourists, as evidenced by its ratings on renowned review platforms. However, the features valued by visitors also recommend it for conversion into a company headquarters, an embassy/consulate, or a private residence – the 10 rooms providing ample space for a large family with hobbies and many friends. Situated a short distance from the Bega River, the Roses Park, and the Cathedral Park, the building enjoys an excellent location, offering quick access to both the historic center of Timișoara and the airport, which is only 12 km away.

With a green hill in the background as a theater setting, this mini-park of leisure promises and delivers well-being. On the property there are indoor and outdoor swimming pools with heated water, jacuzzi, wet & dry sauna, deckchairs that invite you to laze around in the afternoon, massage room, a synthetic football field that becomes an ice rink in winter, large and green courtyard, playground, generous terraces. A conference room equipped with video projector is ready to receive corporations for attractive team building sessions. The main building with its long sloping roof houses the spa, 10 guest rooms and the function room with a capacity of 60 people. The restaurant, with a similar capacity, occupies a separate building and the accommodation space is completed by the cabin, called Ursa perhaps in honor of the sky full of stars in this peaceful corner of the world. Built in 2016, close to the Bistrița river and the Colibița lake, the guesthouse is currently only rented in its entirety, in self-catering mode (7 double rooms with private bathroom, living & dining room, terrace, gazebo & grill). The beauty of the natural landscape inspires hiking, cycling through the woods, boating on the lake, carting or horse-drawn sleigh rides. Tourists can visit the nearby trout farm or sheepfold and, depending on the season, participate in agricultural activities in the guesthouse's garden. Extending the range of action throughout Bistrița-Năsăud county, natural reserves, lakes, churches and monasteries, caves and fortresses are popular points of attraction. photo Florin Pepene

Located in the Historic Center of Bucharest, Kiriazi Hotel is a property of remarkable historical value, set on a 1,015 sqm plot at the intersection of Blănari Street and Băcani Street, in the immediate vicinity of the iconic Hanul cu Tei. The property benefits from a privileged position within the protected Lipscani area — a historic “lipscănie”-type commercial ensemble, unique in Bucharest and rare at a national level — offering direct access to major urban landmarks such as Lipscani Street, Calea Victoriei, Smârdan Street, and Calea Moșilor. The building is configured as basement + ground floor + two upper floors (S+P+2E), comprising commercial spaces at the basement and ground floor levels and leased residential units on the upper floors. These functions have remained consistent throughout its evolution — commercial activity combined with residential and temporary accommodation use, characteristic of the traditional inn-hotel typology. Constructed in its present form between 1882 and 1884, the building is organized around an interior courtyard and features two principal façades facing Blănari and Băcani Streets, preserving a high degree of architectural and compositional authenticity. The parcel has formed part of the city’s historic urban fabric since the 18th century, when it was occupied by Zamfir’s Inn, erected during that period and later owned by the Sărindar Monastery until the secularization of monastic estates in 1863. Analysis of historical sale and redemption documents indicates that Dr. G. Kiriazi initially acquired portions of Zamfir’s Inn through emphyteusis rights, subsequently purchasing the associated land. Following these acquisitions, he established the hotel along the eastern wing of the former inn, oriented toward Băcani Street, with contemporary press references documenting the early operation of Kiriazi Hotel. After successive acquisitions completed by Dr. G. Kiriazi in 1880 and 1882, Kiriazi Hotel was constructed as a representative example of late 19th-century public hospitality architecture. The building operated as a hotel until its nationalization in 1950, after which it was converted into a residential property — a function it retains today. The property holds significant memorial and symbolic value, being associated both with the personality of Dr. G. Kiriazi and with important cultural and social activities of the era. Within its premises operated Ștefănescu’s Tavern, a venue frequented by Mihai Eminescu, while the newspaper Voința Națională also maintained its headquarters in the building. The property is listed in the National Register of Historic Monuments (Category B). Historical documents and urban plans confirm that the former Zamfir’s Inn occupied the same footprint as the current parcel, extending along Băcani Street toward Lipscani and adjacent to Hanul cu Tei, disproving theories suggesting the inn had been located on the interwar site currently occupied by Club A. At the time of its inauguration, a description published in România Liberă on February 24, 1884 highlighted the remarkable standards of the period: „Stilul Rennaissance, 2 etage în Centrul Capitalei, lângă Lipscani, (…) avend 59 camere, admirabil iluminate și aerate, 2 prăvălii, 2 pivniți, grajd pentru 8-10 cai, șopron pentru 4-5 trăsuri, (…) telefon și telegraf la fiecare cameră”. Through its exceptional location, documented history, architectural authenticity, and functional continuity, Kiriazi Hotel represents a compelling long-term investment opportunity, offering significant restoration and value-enhancement potential in one of Bucharest’s most important historic districts.