luxury properties for sale Romania

The mansion known today by the name of its second owner, Timișoara-born businessman Koșca, was built in the 19th century by the Polish Hagianopol. He sold the property in 1930 but the time that has passed over it since then has not touched it; perfectly preserved and with a young spirit the domanin stands proud today, with new and attractive accessories such as the sky-reflecting pool. Protected by a belt of bushy trees strategically placed on the property boundary, the main building is white, bright and warm under its reddish new brick roof. The interior keeps the light and associates the white walls with a lot of wood - decorative beams on the ceiling, old furniture, carpentry. In one room high semi-columns are painted with flowers in autumn rust colors, outlining a chromatic leitmotif. The bedrooms are generous, gently dominated by the warmth of wood; brown terracotta stoves preserve the rustic character of the entire mansion. A gorgeous tile stove in blue and white is the piece de resistance of the living room. The area of over two hectares includes 4 buildings with their own central office and various annexes and facilities. First of all, the Mansion stands out with a built area of 306 square meters divided into 6 rooms, living room, 4 bathrooms, kitchen, cellar, porch, terrace with garden and swimming pool. The secondary house has a built-up area of 238 sqm - 4 rooms, living room, kitchen, bathroom, indoor garage, an outdoor terrace and an indoor one with a semi-round shape and large windows that offer a superb view of the valley above which the property sits. Separately we find another building - a former warehouse partially furnished as an apartment of approximately 60 useful square meters with 2 bedrooms, bathroom and kitchen. A large part of this building, however, is empty and waiting to be given a purpose. All three buildings have, in addition to the mentioned areas, high attics over the entire surface of the ground floor, attics that can be transformed by the future owner at will into useful spaces. A special building present on the land is the former nobleman's wine cellar; it has a footprint of 218 sqm and is built on three underground levels. In the past these premises had an industrial use being a mini factory of dairy products but it can be used again in its own right or as spaces for events. The orchard that surrounds the property has more than 300 fruit trees per fruit that delight guests and turn autumn celebrations in the courtyard of the mansion into real feasts. Conceived at one time as accommodation for tourists interested in the south of the country (Bucharest and Ploiești are 60 km away, Târgoviște 20 km and Pitești 40 km) the mansion receives its guests as a space for recreation and events but just as well it can support a reconversion with an emphasis on its agricultural or orchard potential. Or, why not, it can become a vacation property where the rich history and beauty of simple architecture intertwine with the amenities necessary for the comfort of modern life

The work of the renowned Sighisoara-born architect Fritz Balthes, the school in Bruiu/Braller, like those in Cincșor, Gherdeal and Veșeud also signed by him, enjoys a central location in the immediate vicinity of the fortified evangelical church, an object of interest both for the community and for tourists. A photograph from 1923 shows it as a solid but not necessarily rigid building; even in black and white, the school, which respects the local style, offers an expressive play of volumes, fragmented and completed by a small tower. The building, completed in 1913, is an expression of the Transylvanian architect's personal Secession style - floral, vegetal and geometric motifs blending harmoniously. Currently, all the elements and details of the construction are identified and documented, and there is also a considerable volume of official documents in this regard. In Saxon communities, school has always had an important role, being essential for preserving identity; history has even noted that the first attested institution dates back to 1380 and that, for the first time in Europe, in 1722 primary education for boys and girls was established by them (by comparison, in England this only happened in 1870). The building is L-shaped with three access ways - the main one through the front in the middle area and two secondary ones (student access and the private one to the teacher's home) in the courtyard of the building, through the two opposite ends of it. The volume having the P+1E structure has one classroom per level; the S+P volume facing the street with the long side functioned as a space for the chancellery and the teacher's residence. The cellar consists of several semi-cylindrical vaulted rooms. The former school in Bruiu has high and bright rooms separated by hallways with white walls gathered in pastel belts, with columns and sturdy balustrades. All areas retain the original pavement made of prefabricated mosaic tiles with discreet colors (gray, red, black, beige). The tiles are arranged in a checkerboard pattern or make up perimeter borders, with each room having its own custom pattern. Other original elements are the window hardware, the complex beam structures supporting the cladding and the solid oak steps throughout the building. Existing modern utilities include three-phase current, running water, fiber optic internet. The Saxon school is probably the only rural building with a known author in the village; returning it to the wider community by harnessing its cultural tourism potential can only be a win-win project. An example of good practice is the former Saxon school in Cincșor, purchased over time, together with the parish house and other housing, by a former student and transformed into Cincșor Transylvania Guesthouses, a successful development. The other former schools designed by Fritz Balthes in Veșeud and Gherdeal were recently purchased to be renovated and included in the tourist circuit; the former cultural center in Șomartin, also signed by Balthes, is also currently under renovation. Bruiu is located 60 km from Sibiu and 100 km from Brașov, which gives the future owner access to two of the most attractive tourist areas in the country, strongly marked by the Saxon heritage so appreciated by modern travelers. In the area: • The Cistercian Abbey of Carta • Hatibaciu Valley • Fagaras mountains • The Saxon villages of Viscri, Meșendorf, Biertan, Alma Vii, • Richis, etc • Fagaras Fortress photo Florin Pepene

We associate Timișoara, and the entire west of the country, with the Habsburg or Austro-Hungarian empire, that is, with the West forgetting that another empire, the Ottoman, occupied the city for 164 years from the 16th century until 1716, when Eugeniu de Savoy recaptured the city. Legend has it that an axle of his chariot was integrated into a later majestic building (it appears in city plans in 1836). In reality it seems that the shaft belonged rather to a heavy artillery piece. Its insertion in the corner of the building has significance not only in symbolic terms; the building being one of the most famous in the city and its restoration was greeted with enthusiasm by the residents. Located on the space once occupied by the Round Tower of the bastion, used as a powder room until 1756 when it was demolished, the house already had the eastern body built in 1836-1836, the one facing Dr. I.C Brătianu Square (architect Anton Schmidt) as well as on the western one, which has two floors with a facade facing the side of Țepeș Vodă Square. In the period 1863–1864, marked by famine, local good Samaritans organized a social canteen in it. The House with the Iron Axis today has the bodies thoroughly rehabilitated, restored and transformed from homes into office spaces. New access roads, attic areas and re-compartmentalization suitable for modern use were made - office hub with mixed functions: law offices, insurance companies, marketing, dental clinics and IT companies. The classicist style, with neo-Romanesque elements, gives distinction to the building even today. Class B historical monument, prestigious for its age, story, address and restoration. The house with an iron shaft is 80% rented, which positions it as an excellent investment opportunity.

In the village of Cubulcut, approximately 55 km from Oradea, stands Bonis Manor, a property whose significance extends beyond its architectural presence into the historical memory of one of the most defining periods in Central European history. Associated with notable events and figures of the 19th century, the estate preserves a rare identity shaped at the intersection of heritage, tradition, and history. Historical accounts and the genealogical archives of the Baranyi family suggest that during the Hungarian Revolution of 1848–1849, the property briefly served as a refuge for the Holy Crown of St. Stephen, one of the most important symbols of Hungarian statehood. As the revolutionary government led by Lajos Kossuth retreated toward Debrecen, the crown was reportedly transported in secret by Sámuel Bónis and his associate Josipovics, disguised as cattle merchants, transforming this place into a discreet witness to an episode of remarkable historical and symbolic significance. Set on approximately 6,635 sq m of land, the property includes a residence with a built area of approximately 417 sq m and ten rooms, preserving the characteristic expression of 19th-century rural noble estates. Balanced proportions, high ceilings, elegantly proportioned windows, and a partially vaulted cellar define an architectural language that continues to retain much of its original identity. Today, the property requires a complete restoration process, with certain areas significantly affected by the passage of time, including portions of the roof structure. Yet this stage also presents a rare opportunity for an intervention capable of reviving its authentic character and redefining its future. Recent rehabilitation initiatives aim to preserve the original architectural expression as faithfully as possible, creating the foundation for its transformation into a private residence with a distinct identity, a boutique hospitality concept, or a cultural project built around a history that is difficult to replicate.

Alexandrescu Manor from Guranda has a history of more than one century, being built at the order of the spouses Mihai and Mathilde Alexandrescu, Mihai being a Wallach boyar who settled down in Moldova at the end of the 19th century, around 1890. Situated at approximately 40 km from Botoșani, the property of the family Alexandrescu was about to become not only residence, but also a source of income, the domain being extended with hundreds of hectares. The main building was buttoned up in 1905, the project being signed by a Venetian architect. The estate borrows obviously from the typical architecture of those times, Neo-Romanian style, the Neo-Romanian style being the most dashing at the turn of the centuries. Notwithstanding, the estate is marked by different decorative effects that offer a special aspect, monumentally – the use of the brick in the decoration of the borders or of the wooden frames in the tracing of small balconies. The heiress of the manor was the only daughter of the Alexandrescu spouses, Yvonne (1890-1974), who had to enter in the big Cantacuzino family, getting married with Ion Cantacuzino (1888-1954), with whom she had a daughter, Claudina (born 1914). After the dispossessions from the year 1948, the manor enters in the property of the communist state, which, since 1949, has set up in the manor from Guranda a hospital unit. In the 2000s, the mansion is taken into family ownership, by his heirs.

The year of construction isn’t precisely noted, most likely being somewhere between 1913-1914. Situated on a highland at 600 m altitude and integrated in the picturesque landscape, the Stirbey Palace was designed by architect Nicolae Ghika-Budești and built with Italian craftsmen. Architect Ghika-Budești was a promoter of old Romanian architecture, with a personal style, a synthesis between Wallachian and Moldavian architecture. Specific for his constructions are the use of face brick, enamelled ceramic, the insertion of neo-gothic frames at doors and windows, the tower of monasterial inspiration, the horseshoe bow, the saw teeth decoration and the geometric motifs. The Palace from Dărmănești, with a surface of 4500 sqm, is disposed on four levels – basement, ground floor and two other floors, with a semicircular terrace. The annexes occupy approximately 1500 sqm. Water basins were built near the palace, and the buildings had a water supply system that is still preserved, the oldest in Bacău County, where water is brought from the mountain from a distance of nearly 8 km. Following the early death of Prince George, who lost his life due to typhus during the First World War, Elisabeta will spend most of her time at Dărmănești with her two daughters, Sanda and Marina. „She used to arrive here in May, with her daughters, governesses, chauffeurs and maids; she had an entire team brought from abroad, which included butlers and chefs as well. Until September she received here visits from relatives and friends.” The Royal visitors at The Dărmănești Palace include Queen Elisabeth of Romania and Queen Marie of Romania, photographed in national costumes in the garden and inside the residence. Queen Marie invokes Elisabeta Știrbey in her notes: Elisabeta is a beautiful and mild woman, born Băleanu. She has good taste, she likes beautiful things and is a real country life loving woman. Queen Marie records some other details about the residence, with the occasion of her August 1926 visit: Dărmănești is everything I expected it to be. A house with a beautiful position and a splendid garden, designed with perfect taste and concept. It has something that I have never seen before which is fantastic, enormous flower beds, almost like fields of garden mistletoe, hundreds and hundreds of flowers in huge groups, absolutely gorgeous and also its home is full of flowers arranged in large vases, pots and cans. Nothing can be more spectacular [...] The house is also beautiful and well designed.” The rehabilitation and restoration started in 2014 and the process took three years and sought to restore and preserve as many original items as possible. The solid wood stairway was kept – every square inch was cleaned and restored. The original solid oak carpentry was saved as well. To meet the current comfort requirements, the glass was replaced with a double-glazed window, but the original oak wood frame was preserved. All the windows have been refurbished one by one. It was possible to preserve and restore the Italian-style steel shutters (unique elements in the country), which had the role of protection in case of a siege. These were cleaned and painted. The façade is the original one as well – the bricks were refurbished to preserve the particular style of architect Nicolae Ghika-Budești. The space was furnished with French and Florentine furniture, the paintings exhibited in the palace include valuable works of art from the 17th century, signed by Italian, Flemish and Romanian artists. Due to this great effort, we can today savour a unique piece of jewellery of the Romanian built heritage, ready to start a new journey as a 40 rooms hotel with events, cuisine and spa facilities or as a most exquisite private retreat.

This interwar building, design in Neo-Romanian style, is located in Sibiu, in the immediate vicinity of the 15th century medieval fortified enclosure. The ensemble is classified in the List of Historical Monuments in Romania by order no. 2030/2014 with code SB-II-a-B-21084, and includes: the main residence (SB-II-m-B-21084.01), the first annex (SB-II-m-B-21084.02) and the second annex (SB-II-m-B-21084.03). According to cartographic sources, around 1875 there was another building on the place of the current one. In 1909, the plot was owned by Henrik Baumann, in 1929 the ownership right was registered for Luiza and Friedrich Baumann. The inscription on the portico’s floor and on the façade indicates its year of construction as 1929, the project being signed by architect Alfred Cernea, as the concrete slab on the façade indicates. Most likely, the project was commissioned by Dr. Liviu Turcu. The present building is emblematic for its Neo-Romanian style. The characteristic features are: massive volumetry, highlighting the central body, loggia with short and thick columns, carved wooden structures inspired by the vernacular architecture, trilobed arches, openings with semi-circular closure and rich decorations with Oriental motifs. The central side of the façade is taller than the other parts, which is also highlighted at the roof. The central area of the ground floor contains a window with semi-circular closure, framed by two embedded Corinthian columns. The floor of the central part is the richest ornamented part of the façade, elevated by the balcony, supported on four massive consoles, decorated with arabesque panels. The loggia opens through three tall trilobate arcades. The façade surfaces around the arches are decorated in an exuberant style with spindles, flowers and arabesques. The main façade of the building offers a panoramic view of the entire garden, at the center of which is an ornamental pool. The access to the yard is made through an alley flanked by tall trees. Designed as an urban villa-style residence with a park around the central building, it initially hosted the Dr. Bolintineanu Sanatorium, and in November 1936 it became Dr. Antal's For Births and Female Diseases Clinic. The building was nationalized in 1948 with this function, soon becoming the headquarters of Sibiu General Sanitary Inspectorate, then a kindergarten, a function preserved until the 1990s. In 2000 the villa and the parcel were returned to the heir family. Today, the imposing building keeps almost intact its original design, projected by architect Cernea, with the valuable decorative elements of the façades. The two annexes were also preserved, realized in a unitary architectural design, the fence near the street along with the main gate, the alley lined by trees, the rampant, the staircase and the basin in front of the main building. Inside, valuable items have been preserved, such as decorative paintings of the ceiling and the original carpentry. Other main attractions add up to the exquisite architectural details, such as: the generous yard of over 5000 sqm and the proximity to The Big Square in Sibiu, located at only 200 m. An outstanding witness of the only national architecture program in Romania, located in a central area of Sibiu, this splendid interwar villa is silently and hopefully waiting for its new owner.

The villa is located in one of Bucharest's most important historical subdivisions, Bonaparte Mora, approved in 1913 and developed in the following years. The area is renowned for its cohesive urban planning and the architectural value of the buildings erected in this elite part of the Capital. Just steps away from Dorobanti Square, the property can today serve both as a residence or office space. The building was constructed around 1920 and preserves the elegance and refinement characteristic of the interwar period. The villa belonged to Nicolae Penescu (1896?1982), a prominent politician, former Minister of the Interior in the Sanatescu Government and Secretary General of the National Peasant Party, a close associate of Iuliu Maniu. Penescu was arrested following the Tamadau setup, later managing to emigrate to France, where he continued his political activity in exile. The property has proven its market potential and versatility, being used in its recent times as the residence of a Forbes 500 company CEO, as an embassy, and as an institutional headquarters. The building is a single-family villa and spans four levels: semi-basement , ground floor, first floor, and attic. The main entrance is on the front façade, protected by a canopy, while the secondary entrance is on the side, leading to the utility rooms in the basement . At the rear, the ground floor salons open elegantly onto the property's garden. The villa's architecture is Neo-Romanian with Art Deco influences, evident in the simplified and elegant decorative elements. The volume is well balanced, and the façades are designed with great attention to proportion and detail. The main and secondary façades are adorned with decorative cut bricks, arranged in dentils below the window sills and at the cornice line an element frequently found in Neo-Romanian architecture, inspired by church decorat ions. The ground floor hosts the reception rooms: salons, office, and dining room, while the upper floor is designated as the sleeping area, with well-proport ioned bedrooms. The master bedroom opens onto the loggia, which sits above a glazed salon on the ground floor that could be arranged as a conservatory. A distinct feature is the upper floor loggia, located on the building’s corner, with a carved Albesti stone balustrade decorated in the Brâncovenesc style, offering views of the garden. The street-facing fence is built from brick masonry topped with tiles, in harmony with the house’s architecture and the urban planning guidelines of the Bonaparte subdivision. The aesthetic value of the interior spaces arises from their successful proportions and the natural light that fills the rooms. The villa is a true example of interwar Romanian architecture, harmoniously blending Neo-Romanian, Brâncovenesc, and Art Deco elements, offering a refined and valuable living space that is representative of a culturally and urban vibrant era. The main staircase is truly special, with solid oak steps and a handrail adorned with profiled balusters. The secondary staircase has a metal handrail and is fully functional. Windows are sized according to the importance and function of each room,with new exterior wood joinery installed. The interior joinery consists of new, solid wooden doors. Finishes are simple yet elegant, with parquet floors and plain-painted walls without decorative plasterwork. The interior retains its original layout , ideal for a family residence or an elegant office space .

Probably the most important private residence in Arad (if we exclude the palaces), Neuman House was the property of the most prestigious family in the history of the city. After the communists seized it, it became the Guest House of Arad county and was used as a protocol residence by the Ceaușescu family, including for official meetings between heads of state. Retroceded to the heirs in the 2000s, the imposing construction, today private property, is now ready to add new pages to its rich history. The Neuman House situated on Horia street is an architectural jewel that impressed over time many businessmen, artists or heads of state. The house discloses its secrets only for those who have the chance to cross its threshold: the street façade, with balanced proportions and mild decorative elements, does not offer any clue of the architectural exuberance that we find beyond the wooden gate that opens the way into the inner courtyard. Once inside, one understands the large dimensions of the U-shaped building, with the main façade marked by a grand neoclassical entrance, with a fronton and four columns. The interior retains the pomp of the last century: brightly colored stained glass windows, elaborately painted, wood carvings, wire stuccoes, fireplaces and many other decorative elements. The inscription on the façade indicates the years of the construction, 1925-1926. Arad benefited enormously from the rise and consolidation of the Neuman empire, the industrialist family being the largest tax payers for local budgets. Alfred's son, Francisc, was born in Arad in 1910. In 1935 his brother, Eduard, who ran the Yeast and Alcohol Factory, emigrated to Cuba, so Francisc took over all the family's business, at the age of only 25. The Baron increased the family's wealth, but was also the helpless witness of its loss, in 1948, during nationalization. He left to Switzerland without any money, from there to Salzburg and afterwards, to the USA. All the members of the family showed a real social involvement and solidarity, providing support through their charitable foundations. They showed increased care for their employees and contributed to improving the lives of the inhabitants. The Neuman family financially supported the construction of the imposing Cultural Palace inaugurated in 1913 and other palaces, exquisite jewels of the center of Arad. Today, their name is a true legend, not only in Arad, but throughout the entire Western part of the country. The Neuman House from Horia street fully reflects the grandeur of the famous family, being built with elements of neoclassical architecture and a ground floor rich in decorations, extremely exuberant, preserving today many of the original elements. The current owner has carried out a series of renovation and consolidation works (deepening and basement insulation, attic elevation, repairing the façade etc.). The house benefits from a project of complete remodeling and transformation of the building into a hotel with 23 rooms / 4 apartments / restaurant and SPA. The location of the building is ideal for a hotel - in the center of Arad, opposite the Szantay Palace. Additionally, the generous indoor courtyard can be converted into a summer garden.

There are houses that you pass by without even noticing they exist and there houses that force you to stop to admire their beauty. It will be impossible to stroll through Bucharest’s city center on Nicolae Iorga Street without stopping for a second to enjoy the architectural perfection of the building signed by Paul Smărăndescu. The main building has a neo-romanian style and was nuilt in 1914 after the the plans of Paul Smărăndescu, while the second building, also featuring the inspiration and the style elements of the first one, was erected later on with the care of Constantin Iotzu. Iosif Pincas was one of the important figures of the interwar Romania and the property he built on 18th Romana Street, as it was called at that time, was supposed to reflect his status and his influence in the social life of those times. Raised in a wealthy Spanish family with jewish origins, Iosif Pincas is also the brother of the famous Spanish painter Pascin. Owner Of the Fusion Bank of Oradea, Iosif Pincas used to own cargo ships, factories, pure breed horses, plenty of properties among which we can highlight the Degenfeld Castle from Balc with a beautiful domain of more than 1000 hectars and a domain in Kaliakra, Bulgaria, and he was considered to be in the top 10 wealthiest men od the interwar Romania. Today the property consists of a land plot of 630 sqm and a total built area of 1704 sqm of total built area in two buildings. The buildings are completely renovated at really high level of quality and the property is now used as an embassy with a ling term lease contract. So the property is a good investment, it is a high value asset that generates a guaranteed long term yield.

Nestled within the enchanting landscapes of Dobra, the Poenaru Manor stands as a testament to the grandeur and elegance of a bygone era. Surrounded by lush vegetation and green hills, this stately residence exudes an air of mystery and historical significance, having once been the cherished abode of the illustrious boyar family of Poenaru. One of the most prominent boyar families of Oltenia, the Poenaru dynasty is a large one, with important representatives in the political, cultural and scientific life of Romania during the last two centuries. The story of the Dobra domain starts with Costadin (Dinca) Poenaru (1789-1874) who inherits and then extends family’s lands all across Mehedinți county. But is is Constantin Poenaru (1860-1946) the one that puts his entire life and energy into developing the Dobra Domain to what it is today. Approaching the manor, one is immediately struck by the imposing façade that speaks of both opulence and noble heritage. The architecture seamlessly combines Classical and Renaissance influences, resulting in a harmonious blend of intricate stonework, sober features but also delicate ornate details. As you step inside, a sense of timelessness envelops you. The interior exudes an aura of faded grandeur, with high vaulted ceilings adorned by old bricks walls that can tell some century old tales and historical events. The grand foyer, illuminated by the soft glow of antique chandeliers, leads to a series of once lavishly decorated rooms. The heart of the manor is undoubtedly the grand hall, a space designed to host extravagant gatherings and events. Towering windows allow natural light to cascade onto the large halls that lead to rooms who used to be used for living, for doing business or for spending time with friends. The expansive gardens that envelop the Poenaru Manor are a verdant paradise, with a large wallnuts orchard, vibrant flowerbeds, and meandering pathways that invite contemplative strolls. The domain contains a series of very valuable annex buildings: small renovated house (128 sqm), a beautiful former barn (166 sqm), the large storage (3 levels on a 327 sqm footprint) and a small block of apartments (2 levels on a 174 sqm footprint). The total land plot has 11 hectares , out of which 7 are owned and 4 are leased from the city hall. While time has inevitably left its mark on the Poenaru Manor, it remains a well preserved cherished jewel in Dobra's and Oltenia’s historical tapestry, a living testament to the legacy of the boyar family that once graced its halls. It can be used as such, as a beautiful residence for permanent living or for vacation, or can be turned into a small farm, a beautiful boutique hotel or a medical care center.

Located at the crossroads of the road where, in the old days, the Bucharest-Craiova stagecoach passed, Blejesti is an ancient settlement, the area being continuously inhabited since the times of the Dacians. The village of today is situated on a part of the former Beloaica estate of Elena Mavrocordat, a domain that, in its time, spanned more than 14,000 hectares. The ancient history of the area is reflected in the architectural remnants preserved to this day, and among these, the Voinea Mansion is one of the most remarkable. The mansion was the country residence of Dumitru Voinea in the former Vlaşca County. The building, with relatively large dimensions, was constructed in 1890. By the end of the 19th century and the beginning of the 20th century, it became a common practice for wealthy families across the country to build town houses in the eclectic – neo-Romanian style in the localities where they owned estates. Originally, the mansion belonged to the property held by the brothers Constantin and Grigore P. Olănescu in Blejesti and was later acquired by Dumitru Voinea, an industrialist who owned two factories in Bucharest and Brașov by the end of the first quarter of the last century. The mansion, resembling a villa with relatively large dimensions, with a ground floor and an upper floor, has its main entrance on the northern side, at the base of a hexagonal tower with asymmetric sides. The entrance, with a semicircular arch and two columns, is flanked on either side by two openings also with semicircular arches, all marked by a cornice that follows the same shape. The rhythmic pattern of the northern façade is created by the light openings, three on each level, framed with decorative geometric elements made of straight, bent, and curved lines, which are also found on the right side of the southern façade. On the southern side, there is a tower with a gazebo, which recalls the neo-Romanian style, and access was either through a massive staircase placed on the left side, or directly from the upper floor, while in the central area there was an entrance leading down to the cellar. The lateral staircase is protected by a sheet metal canopy, which is part of the roof, supported by a double wooden console. Currently, the openings on the three sides of the gazebo, as well as the exterior access path, are closed with windows fixed in metal frames. This component of the building served as a viewpoint overlooking the garden surrounding the mansion and the valley of the Glavacioc River, as well as the nearby forest. The upper part of the building is outlined by a profiled cornice, and the construction is topped by a high, four-sided roof made of sheet metal. The mansion has a built area of 604 square meters and sits on a 3-hectare plot of land, which also houses a series of annexes, many of which were added later, after nationalization. After the property passed into state ownership, the mansion served various purposes, the last of which was as the headquarters of the former Blejești Agricultural Cooperative (IAS). In the former annexes, some recently renovated and others still being renovated, a small farm is currently operating. The mansion is classified as a historic monument of class B, it is in relatively good preservation, and it holds immense potential to be transformed into an exceptional private residence or, why not, it could be used for a development in the fields of tourism, events, or medical care.

Located at the intersection of Piața Libertății and Alba Iulia Street, this historic building, constructed in 1812 at the initiative of Toma Naum Makri, a Timisoara-based Aromanian merchant, stands as an architectural landmark of the city. Initially passed down to his daughter Persida, married Stoikov, the building was redesigned in 1900 by architect Lipót Baumhorn and has undergone various transitions – from being donated to the Aromanian-Serbian community to nationalization during the communist era. Today, it is privately owned. A distinctive feature of the façade is the sculpted Atlantes, a rare architectural motif in Romania with roots in European neoclassical style. Additionally, the building houses a remarkable historical element: the stone portal with Ionic columns at the entrance, which, according to urban legend, includes two elements that were originally Ottoman cannons captured by the Habsburg army in 1716. Recently restored, the main façade, woodwork, and roof have been fully renovated, and a proposed project aims to transform the building into a 4-star hotel with 80 rooms and conference halls. Originally designed with 40 rental spaces, the property remains highly versatile, making it ideal for uses such as a hotel, medical clinic, corporate headquarters, or commercial spaces on the ground floor and basement. References: https://vatra-mcp.ro/artisti-si-patrimoniu/case-vechi-de-patrimoniu/timis/casa-cu-atlanti-din-timisoara-timis/ https://heritageoftimisoara.ro/cladiri/Cetate/adresa/Victor+Vlad+Delamarina/1

Located in the Historic Center of Bucharest, Kiriazi Hotel is a property of remarkable historical value, set on a 1,015 sqm plot at the intersection of Blănari Street and Băcani Street, in the immediate vicinity of the iconic Hanul cu Tei. The property benefits from a privileged position within the protected Lipscani area — a historic “lipscănie”-type commercial ensemble, unique in Bucharest and rare at a national level — offering direct access to major urban landmarks such as Lipscani Street, Calea Victoriei, Smârdan Street, and Calea Moșilor. The building is configured as basement + ground floor + two upper floors (S+P+2E), comprising commercial spaces at the basement and ground floor levels and leased residential units on the upper floors. These functions have remained consistent throughout its evolution — commercial activity combined with residential and temporary accommodation use, characteristic of the traditional inn-hotel typology. Constructed in its present form between 1882 and 1884, the building is organized around an interior courtyard and features two principal façades facing Blănari and Băcani Streets, preserving a high degree of architectural and compositional authenticity. The parcel has formed part of the city’s historic urban fabric since the 18th century, when it was occupied by Zamfir’s Inn, erected during that period and later owned by the Sărindar Monastery until the secularization of monastic estates in 1863. Analysis of historical sale and redemption documents indicates that Dr. G. Kiriazi initially acquired portions of Zamfir’s Inn through emphyteusis rights, subsequently purchasing the associated land. Following these acquisitions, he established the hotel along the eastern wing of the former inn, oriented toward Băcani Street, with contemporary press references documenting the early operation of Kiriazi Hotel. After successive acquisitions completed by Dr. G. Kiriazi in 1880 and 1882, Kiriazi Hotel was constructed as a representative example of late 19th-century public hospitality architecture. The building operated as a hotel until its nationalization in 1950, after which it was converted into a residential property — a function it retains today. The property holds significant memorial and symbolic value, being associated both with the personality of Dr. G. Kiriazi and with important cultural and social activities of the era. Within its premises operated Ștefănescu’s Tavern, a venue frequented by Mihai Eminescu, while the newspaper Voința Națională also maintained its headquarters in the building. The property is listed in the National Register of Historic Monuments (Category B). Historical documents and urban plans confirm that the former Zamfir’s Inn occupied the same footprint as the current parcel, extending along Băcani Street toward Lipscani and adjacent to Hanul cu Tei, disproving theories suggesting the inn had been located on the interwar site currently occupied by Club A. At the time of its inauguration, a description published in România Liberă on February 24, 1884 highlighted the remarkable standards of the period: „Stilul Rennaissance, 2 etage în Centrul Capitalei, lângă Lipscani, (…) avend 59 camere, admirabil iluminate și aerate, 2 prăvălii, 2 pivniți, grajd pentru 8-10 cai, șopron pentru 4-5 trăsuri, (…) telefon și telegraf la fiecare cameră”. Through its exceptional location, documented history, architectural authenticity, and functional continuity, Kiriazi Hotel represents a compelling long-term investment opportunity, offering significant restoration and value-enhancement potential in one of Bucharest’s most important historic districts.

In the historic heart of Timișoara, where the city’s story has unfolded over centuries, rises the Szana Palace — a Class A historical monument that appears less like a mere building and more like a jewel carefully set into the urban fabric. Built between 1921 and 1922 to the designs of architect Josef Kremer Jr., at the initiative of banker and philanthropist Sigismund Szana, the edifice seamlessly blends the eclectic charm of its era with the solemnity of neoclassical lines, the delicacy of Secession details, and the subtle modernity of early Art Deco. Its façade, marked by Ionic columns and an elegant pediment, opens like a grand curtain, inviting one to step into a universe of refinement. On the very ground where the palace stands today, layers of history have succeeded one another across centuries: medieval churches, an Ottoman mosque, and later a Jesuit sanctuary. Each era left its imprint, and all of these memories now converge in the walls of Szana Palace, transforming it into a place where the past feels alive — like a story whispered between columns and arches. The palace is not only an architectural landmark but also a testament to the prosperity of an era when Timișoara embraced modernity with ambition and elegance. It once housed the Szana Bank, an institution that supported the city’s most emblematic industries: from Kandia chocolate to the Timișoreana brewery, from the Bega Mill to textile factories. Within its rooms linger the echoes of business negotiations, diplomatic exchanges, and artistic encounters, while the footsteps once heard in the Marble Hall still seem to summon elegant soirées and cultural evenings that gave the building its soul. Today, with a usable area of 345 square meters, Szana Palace opens its doors once again as a sanctuary of elegance, carefully restored and returned to the cultural life of the city. Home to the Romanian Writers’ Union and artistic events, it retains its aristocratic air while at the same time breathing the freshness of the present. Here, the sunset gently caresses the sober façade, while inside, the silence of the walls invites the imagination to dream of the future. Szana Palace is not merely a property available for acquisition. It is a page of history, a promise of prestige, and a space awaiting its new custodian to continue the story. For those who seek more than real estate — for those in search of a symbol, a legacy, and a stage where the beauty of the past meets the aspirations of tomorrow — this unique building represents a rare and unrepeatable opportunity.

The architectural complex Bragadiru Palace dates back to the dawn of the 20th century, in full Belle Époque. The whole domain is named after its founder, Dumitru Marinescu Bragadiru (1842-1915). An emblematic figure for the city, he started from a poor family of workers and became Europe's third industrialist at the beginning of the 20th century. Through his ingenuity and entrepreneurial spirit, Bragadiru has fully contributed to the capital's economic and architectural development. At the end of the 19th century, he set up a brewery – at that time, in Bucharest, there were only two such companies, both of German origin and highly appreciated: Luther (the future Grivita) and Oppler (later GIB). Near his brewery, Bragadiru built a recreation center for employees, following an old tradition. Thus was born the Colossus, as the building was known in its beginnings, around 1905. Designed as a Palace of Culture, it was used as a brewery and a performance hall, but also to host several family events of the workers. Bragadiru Palace was built according to the plans designed by Austrian architect Anton Shuckerl in 1894. It is an impressive construction, in size, architecture and decorations, with particular attention paid to details: spiral stairs in Norman style, stuccoes, statues inserted in the facade, Venetian mirrors and Victorian-style balconies. The summer garden and terrace harmoniously complete the eclectic architecture. With a spectacular ballroom, which can also function as a theater or concert hall, a library, a bowling alley, numerous rooms, shops and offices that operated on the ground floor, the Palace combines the styles of the most famous buildings of the time: the Chamber of Commerce, The Romanian Post Office, The House of Savings and Consignments (CEC) and the building of the Supreme Court of Justice, all built in the same period. In June 1948, the family's property is confiscated, and the Palace becomes the Lenin Culture House of district 5 and functions under this purpose until 1989. After the fall of the communist regime, it is completely neglected, until 2003, when it is returned to the rightful owners, Dumitru Marinescu Bragadiru’s descendants, who manage to restore the former building from ruins. Bragadiru Palace is one of the most imposing buildings of Bucharest of all time. Today, it is an elegant location, which hosts private events, from wedding ceremonies to birthday parties, personal or corporate. The Colosseum Hall is truly spectacular and any event organized here is engrained by the aristocratic atmosphere and the glow of the glory years of inter-war Bucharest. The property is available for sale as it follows: - Integral: Palace + Garden; - The palace of 10,110 sqm with the subsidiary land, of 4,369 sqm; - Garden of 12,122 sqm, suitable for real estate development, current urban indices: CUT 2.5 and POT 75%

In the picturesque heart of Transylvania, at a crossroads between past and present, lies the Karg Haller János Manor, a place where time seems to have taken root. Located in the village of Dârlos, just 10 km from Mediaș and 30 km from Sighișoara, this historic property shelters the story of a noble family and the spirit of a bygone era. At the foot of sun-kissed hills and surrounded by the serenity of Transylvanian villages, the manor reveals itself as an architectural symphony blending classical elegance with rural nobility. Built centuries ago, its walls have witnessed the glorious times of the Haller family, Hungarian nobles who brought charm and refinement to the region. Every corner of this 750 m² manor tells a story: The cool cellar , deep within the silence of the earth, was once home to fine wines that still echo the festivities of days gone by. The spacious rooms on the ground floor , adorned with light and memories, now await a new story. The attic , filled with silent promises, could be transformed into workshops, bedrooms, or an art gallery. More Than a Manor: A True Estate The property also boasts four additional buildings, each with its own unique charm: A 180 m² house , perfect for hosting guests or auxiliary spaces. A 200 m² house , with immense potential for a residence or events. A smaller house of 100 m² , ideal as a peaceful retreat or an office. An additional 300 m² building , ready to become a multifunctional space or an event hall. Together, these buildings provide a generous total area of 1,555 m², all wrapped in the charm of historic architecture. The 4,100 m² plot surrounding the property is more than just land – it is a gateway to nature and history. Its gardens, once witnesses to elegant soirées, dream of becoming a haven for joy, creativity, or relaxation. A Region Steeped in Legend Dârlos, with roots stretching back to the 3rd century BC, reveals its grandeur through the 15th-century Gothic Evangelical Church, adorned with unique Renaissance frescoes. Just a few kilometers away, Mediaș and Sighișoara – two medieval jewels – preserve the stories of fortified walls and cobblestone streets. At 35 km, Malancrav welcomes you with the Apafi Manor, a symbol of royalty now owned by King Charles III. This region is more than a destination; it is a journey through time. VAT is applied to the displayed price. Photo Credit: Florin Pepene

Located in the city center of Caransebes, the building known as Officers' House is dominating its surroundings through its size and the beautiful architecture of the facades. Built in 1884, it served as residence for the families of the officers that were part of the Maria Theresa Border Regiment , offering both accomodation and enterrtainment, as it had a restaurant, casino and a ballroom. Shaped as a trapese, the truly monumental building has a total built area exceeding 6.500 sqm, is opening to 3 streets and has a large inner courtyard. With an overall very good condition, the building underwent serious renovation and consolidation work during the last few years: facades were fully renovated, the windows and doors were reconditioned, new concrete floors were built, the foundation was consolidated and many other repairs and interventions were made. Given the large built area and the location, the building can be considered for a very wide area of functions: it can become a hotel, a public building, a museum, a medical clinic, a university or an office building.

In a historic district of Timișoara, where tree-lined streets cradle memories of another era and where silence still carries the echo of elegance, stands a property that transcends time. With its classical façade adorned with carved columns, wrought-iron balconies, and detailed ornamentation, this building speaks of a period when architecture was not just functional, but expressive—a declaration of grace and stature. Yet beyond the noble silhouette of the past, something unexpected emerges: a bold, contemporary extension that blends glass, steel, and crisp geometry, a modern echo that doesn’t compete with the old, but elevates it. This is not simply a restored historic villa. It is a work of architectural dialogue. A refined interplay between what once was and what can be, where heritage meets innovation and the result is harmony, not contrast. Set on a plot of 466 sqm, with a total of 18 rooms and four private parking spaces, the property has been thoughtfully reimagined to accommodate the needs of today’s urban lifestyle. The historical wing preserves its proportions and craftsmanship, while the new construction opens itself to light, function, and movement. Together, they create a flexible space with immense personality. Inside, the ambiance is eclectic and human. Light dances through tall windows, bouncing off vibrant art pieces, curated furniture, and minimalist accents. Every room tells a different story, but all share a sense of ease and intentionality. Whether envisioned as a refined private clinic, a creative agency headquarters, a notary or law firm, or an executive residence with integrated working spaces, this property lends itself to purpose without ever sacrificing style. Positioned near the Carmen Sylva Park and the culturally rich Balcescu Square, the address offers more than convenience—it offers presence. Surrounded by stately villas, quiet gardens, and institutions of influence, this is a part of the city where visibility, charm, and access intersect. A place where tradition still shapes the rhythm of the streets, even as innovation pushes forward. What is for sale here is not just square meters or a central location. It is a setting—a refined stage for visionaries, professionals, and collectors of rare urban beauty. This is a building that invites you to take part in its next chapter, to bring your own narrative into its story, and to inhabit a space where time, design, and identity are beautifully, effortlessly entwined.

Located on a sunny street, with buildings sheltered by trees that promise tranquility, the property is currently used as a tourist unit; the small and charming 4-star boutique villa is highly appreciated by tourists, as evidenced by its ratings on renowned review platforms. However, the features valued by visitors also recommend it for conversion into a company headquarters, an embassy/consulate, or a private residence – the 10 rooms providing ample space for a large family with hobbies and many friends. Situated a short distance from the Bega River, the Roses Park, and the Cathedral Park, the building enjoys an excellent location, offering quick access to both the historic center of Timișoara and the airport, which is only 12 km away.

With a green hill in the background as a theater setting, this mini-park of leisure promises and delivers well-being. On the property there are indoor and outdoor swimming pools with heated water, jacuzzi, wet & dry sauna, deckchairs that invite you to laze around in the afternoon, massage room, a synthetic football field that becomes an ice rink in winter, large and green courtyard, playground, generous terraces. A conference room equipped with video projector is ready to receive corporations for attractive team building sessions. The main building with its long sloping roof houses the spa, 10 guest rooms and the function room with a capacity of 60 people. The restaurant, with a similar capacity, occupies a separate building and the accommodation space is completed by the cabin, called Ursa perhaps in honor of the sky full of stars in this peaceful corner of the world. Built in 2016, close to the Bistrița river and the Colibița lake, the guesthouse is currently only rented in its entirety, in self-catering mode (7 double rooms with private bathroom, living & dining room, terrace, gazebo & grill). The beauty of the natural landscape inspires hiking, cycling through the woods, boating on the lake, carting or horse-drawn sleigh rides. Tourists can visit the nearby trout farm or sheepfold and, depending on the season, participate in agricultural activities in the guesthouse's garden. Extending the range of action throughout Bistrița-Năsăud county, natural reserves, lakes, churches and monasteries, caves and fortresses are popular points of attraction. photo Florin Pepene

A unique ethnographic area in Romania is “Mărginimea Sibiului” (the surroundings of Sibiu) with its picturesque lands at the west of Sibiu, stretches from the Sadului Valley to the Săliște River Valley, comprising 18 fairytale settlements, including Săliște. This area represents without a doubt one of the strongest tourist brands in Romania and one of the most beautiful, picturesque and authentic traditional areas in Europe, receiving in the past the title of European Destination of Excellence from the European Commission. The charm of the location is given by the spectacular landscapes, the villages seem frozen in time with customs and traditions preserved with sanctity to this day, with the old buildings and churches classified as historical monuments with their special charm, with local festivals and fairs but also with the traditional gastronomy now famous in the whole country and beyond. Săliște , situated only 21 km away from Sibiu, fits perfectly in the typology of these places, it was documented for the first time in 1354 and became a city in 2003. In a city filled with historical beauty, one of the buildings really stands out through its spectacular architecture and its really great positioning right on the river bank, in the city center. It is castle dating back to the beginning of the last century, that is today partially renovated, with the interior in a pretty good condition requiring only finishings, while the exterior requires an overall renovation of the facades. The castle has a 350 sqm footprint and is built on 3 levels: demibasement, groundfloor and first floor, to which we can add the attic that can also be turned into usable space. The demibasement has large salons and a few small rooms, while at the next 2 levels we find 18 rooms with en-suite bathrooms plus two more free standing rooms. The first floor also has two large terraces that offer an amazing view of the mountains around. The interior maintains the historical character of the building, with beautiful brick decorations, high ceiling rooms with large windows, while the large cast iron stairway is the central piece that brings all elements together. Separately there is an additional smaller building with a small and charming apartment on the first floor, and free space to be used at will at the groundfloor. Being very close to Sibiu, with a beautiful architecture and in a good condition, this castle in Săliște can be easily turned into a charming boutique hotel, or maybe a clinic or a cultural center.

In the long history of the Leordeni, a village which was first documented in 18th of May 1526 by the voievode (local prince) Radu de la Afumaţi, we can find extraordinary specificities from the evolution of the Romanian society along the great noble families which shaped it. Leordeni, cornerstone of important dynasties – Leurdenii, Băleanu, Golescu, Lahovary or Kretzulescu – was home to imposing residences and domains corresponding to the great power and reputation of their owners. One of the last great lords in Leordeni was Nicolae Kretzulescu (Crețulescu) (1812-1900) founding father of the Romanian Academy and a stated liberal appointed Prime Minister three times. Nicolae Kretzulescu, Constantin Brâncoveanu and Iordache Kretzulescu’s heir of Leordeni, built an impressive estate which later has been inherited by his daughter, Anna, who married Lahovary. At the same time Kretzulescu was managing his estates, Nicolae (Nae) Gussi (1830-1901), appeared on the scenery as administrator of the Golescu family’s fortune – another great family in Leordeni. After 1880, Gussi becomes the owner of the Golescu estates which were neighbouring those belonging to the Prime Minister. The hostility between Kretzulescu and Gussi was notorious, and the economic struggles between them both culminated in a series of lawsuits at the end of the nineteenth century. The variety of lands (arable, vineyards, forests) defining the estates of the Leordeni would evolve over time through various agrarian reforms, landing or expropriation laws, inheritances, or successions. And in the interwar period these testified the last two great families. The Gussi family (Alexandru, Traian, Paul and Elena) and the Lahovary family (through Anna) held together approximately 550 ha, plus another 100 ha of vineyards. They were in fact the descendants of Nicholas Kretzulescu and Nae Gussi. The Golescu-Gussi estate evolved notably through the two centuries of history. The first version of the manor was built by the Golescu family, probably during the life of Iordache Golescu, who also built the Golescu Church in the proximity of the estate. Subsequently, after Nicolae Gussi’s ownership, the property changed, so that after 1900, Alexandru Gussi (1864-1947) revolutionized the manor and the entire estate. In fact, Alexandru, a magistrate and a politician with an important activity in the Muscel Bar and Prefecture, would devote much of his career and life to the modernization of his native lands. Owning the old house of the Golesti, Alexander rebuilt it between 1938-1939, making it a truly monumental construction. After 1949, the entire domain was nationalized and had different functionalities serving the communist institutions (the office of Sovrom Petrol, IAS and the City Hall).

The French Street connects Piata Unirii with Calea Victoriei; it appears in documents since 1649 when it was known as Curții Street; over time the name varies - one part of it was Podul cel Mare din Curtea Veche (1763), Podul Curtea Veche (1804) and Uliţa Curții Vechi (1854), the other - Uliţa cea Domnească in 1690 or Işlicarilor & Boiangiilor Street in 1804. Under Constantin Brâncoveanu the street becomes as long as we know it today. The French name comes from the time when the French consul resided on it. The street was also called Carol until 1947 and then 30th December. After the 1989 revolution, it became Iuliu Maniu and since 2007, when a boulevard was named after the politician, it has become French Street again. It is one of the first lit and paved streets in the city, but also the one that entered history as the place where the great fire of 1847 started, when over 2000 buildings disappeared; the fire broke out thanks to the son of a stolnic (local clerk) who played by shooting his father's gun into the thatched attic. On this historic street, at no. 58, in 1938, Schrems Broderie, a weaver, and Karmann I – Carol, a dentist, were operating (it seems that Lev Tolstoi lived at no. 12 in 1854 when accompanying the Russian troops to Wallachia). Today, at no. 58, there is an elegant building with tall glass sheets and wrought iron balustrades that rhythmically punctuate the facade; denticles, short half-columns and other vegetal and geometric elements complete it. The building has two commercial spaces on the ground floor and 14 apartments on the upper floors, with areas between 38-113 sqm. The attic (384 sqm) and the cellar (211 sqm) generously complement the surfaces. Access is allowed by four different stairs leading to the inner courtyard. Only one apartment is currently rented, the building being in need of repair and renovation works. The original corner stoves, paneling on the ceilings and double doors with glass windows are the only ones still fighting the fading today, stubbornly preserving the spirit of past eras. However, the potential is huge considering the positioning one minute away from the Manuc Inn; the building can become a boutique/apart-hotel or apartments for rent/resale, after consolidation. Photo: Tudor Prisecaru