Luxury real estate for sale Balotești, Romania (page 3)

Breaza was always a preferred weekend and vacation destination for people in Bucharest especially. The main advantages being the well known fresh air, beautiful nature with plenty of hiking options, so many attractions in the vicinity and also the easy access even during the weekends when the rest of Prahova Valley are a lot harder to reach. If Breaza is usually a place where one can find newer vacation homes, on one of the streets that meandres up the hill, we have the surprise to find a real architectural old gem , hidden behind the tall trees in front. The mansion clearly shows the signs of age, but this did not erase its beautiful features: the special structure with a small side on the front corner, the three-way arches across the entire terrace, the beautiful pillars and also the corner tower catch the eye even today. Built to offer all the luxury and confort of life in Breaza of its time, the mansion can be renovated and turned inti s very special second home. With a land plot of 1,880 sqm, the mansion has a total built area of 488 sqm, on two levels. From a structure point of view, the building looks good, the rooms are generally also in a good shape with the exception of the back area where a hole in the roof, now repaired, created some damage in that specific part of the house. Although generally in a good shape, the building will of course need a general renovation to really shed light on its beautiful architectural features. Separately from the main building, we can find a nice stone cellar that can be turned into a small wine cellar , and also a 40 sqm annex building that can be turned into usable space at will of the new owner. Easily accessible and very well located, the mansion can be turned into a really charming vacation residence.

This real architectural gem part of the historic woven of the city is signed by Architect Radu Culcer. Initially, the residence of the reputable lawyer and Law Professor Mihail Pascanu, the property from 53, Carol I Boulevard has been through a life full of changes. During the interwar period, the property hosted the Embassy of Turkey, and once nationalised it has been adapted to the new social environment and was the address of the Unions’ House. Starting from 1954, the social and economic conditions of the times have determined the conversion of the building into a condominium, being fragmented into apartments. Currently, the total area of approximately 1,000 sqm of the building on four levels includes the space where creativity activities are taking place – architecture, decorative arts, painting and silk-screen printing, theater, music. Under the poplar form the courtyard, the atmosphere is animated by various shows, cinema events, hand-made fairs and musical events. Inside, the exposed bricks, the elaborated wood paneling, the wooden staircase and the baroque coffered ceiling contribute to the timeless charm of the space, reminding of the old time prestige of the place, but, in the same time, being a source of inspiration for the potential of the property. Embodying the vibrant spirit of the downtown, the space is versatile and can be converted into both a cultural centre, a space with commercial functions for those who want a central address or even a residence for those looking to stay connected to the urban life of the heart the city.

The historic streets in the center of the capital were also targeted in the modernization process of Bucharest in the interwar period, areas that, at that time, were opening up to the new economic and commercial domains. The urban block-villas would meet the required functionality needs- the building that can be found on 24-26 Polona Street, built in 1927-1928, is one of such type. The modern building, individually compartmentalized on each floor, has undergone a restoration, rehabilitation and reconversion process, becoming an ultramodern and multifunctional construction.

Architectural rebirth with minimalist design and interwar accents. The luxurious villa was built by renovating, consolidating, repartitioning, refurbishing and technically modernizing a small interwar block. The resulting minimalist architectural image brought into the first plan the functionality of the spaces and maximixation of comfort. The aim was to integrate the exterior into the urban fabric of the area and there was a special concern for the sustainability of the construction, through the materials used. The villa is divided into three residential units that can be used together or individually: a duplex apartment comprising the basement, ground floor and first floor and a 3-room apartment, kitchen and two bathrooms, with similar subdivision, on the 2nd floor and attic. The interior staircase has been refurbished keeping an interwar Art Deco design. The interior elevator leads from the ground floor to the attic. The duplex apartment includes, on the ground floor, a large living area, dining room and kitchen with access to a chic and intimate terrace. The laundry room is set up in the basement, along with a room with a flexible function and access to an English courtyard. The first floor consists of three bedrooms and two bathrooms, with access to a terrace from the master bedroom. The two apartments located on the 2nd floor and attic comprise 3 bedrooms, two bathrooms and a kitchen. The remodeling and arrangement of the building was done with special attention paid to the smallest details. This involved, among other things, widening the glazed spaces to create bright rooms and managed to keep a special charm of the property. The exterior has been rebuilt using a combination of brick and corrugated iron. The generous space of the courtyard of the building allows the parking of 3 cars. The property has an additional rented parking space outside the courtyard.

Lining the cobbled streets named after the furriers and lipscani of yesteryear, the inn first shows off its wide, tall, arched ground-floor windows colored by faux stained glass. However, the upper floor retains its former glory, carefully decorated with rich elements such as the arms that support the wrought iron balcony, the common border that functions as a frame for the tall and narrow windows and the denticles that keep the rhythm under the roof. Today, the interior of the inn is dedicated to corporate and private events, which it hosts in three large areas – the conference center, the reception-foyer and the event hall. The space for business or cultural events is modern, bright and impeccably arranged for today's requirements (it has a capacity of 50-300+ people and is equipped with high-speed wi-fi internet, Video Wall Display, flip charts and systems professional sound system); instead, the event hall preserves accents of the past through sumptuous chandeliers, reinterpreted capitals and boiserie pieces that encapsulate old school sophistication. Spectacular by the contrast between ultramarine chairs, glass tables and boxed mirrors, this room discreetly resumes the English motif much more present in the reception area. The hall is served by its own kitchen equipped with modern equipment. The one that preserves the charm of the old inn is the inner courtyard, through the doors that the small traders hold open like welcoming arms, eager to show their treasures. Once upon a time there were majestic linden trees that shaded the yard, the name of the property coming from them. Atanasie Hagi, Gheorghe Polizu and Ștefan Popovici are the ones who built this inn in 1833, already having shops on the land which they expanded by buying from the neighbors. They built in their place, from the ground up, and in perfect companionship the Linden Inn, or as they called the Bezesten, from the main street of Marchitani (Strada Lipscani) which can be seen marked with our brands (initials) above both gates, with all the expenses of companionship are not out of two, brothers, a penny and a penny, from the warp (beginning) to the end of the key writes Constantin Bacalbaşa in București de altadată. The good camaraderie, the initials of which can still be seen today, did not last long because in 1835 the inn was shared, each owner receiving 14 shops and two warehouses; they kept in common only the toilet and the room where the innkeeper lives. Over time, the shops will continue to change their owners and close their doors well at night to protect travelers and merchants, as the Bacalbaşa writes: the shops were on one side and the other, and between them a street, which until 1916 it was paved with river stone. (…) All the shops were placed on deep cellars with large vaults that can still be seen today, the ceilings of the shops were also made in vaults. As in other inns, the windows and doors of the shops had iron shutters which were closed at night, and on top of them were placed crossbeams bent at the ends. At the entrances of the inn, on one side and on the other, next to the building, there were some stone pillars, about a meter high and quite thick, intended to protect the walls from damage by carts with goods that entered and left the inn.

The last few years have brought to our attention areas, names and ancient histories that put in context and humanize the town we live in and the buildings we pass by in a hurry. The House of Guilds is one of those witness-houses, few and often in danger of extinction, which recover the history of the city and its largest minority, the Jews. Sephardic refugees from Spain and later, after the Principalities Union, Ashkenazi from Galitia, the Jews are doctors, potters, merchants, samsari, tailors, painters, craftsmen specialized in metalworking and are useful to the city because it contributes to its urbanization. They settled on the left bank of Dâmbovița, near the Royal Court and later in the area that became the Jewish Quarter. They built houses with shops on the ground floor, public baths, kosher butchers shops and dairies, teahouses where religious music was listened to, temples and synagogues. Today few remember this community; the legionary fires of 1941 and the massive demolition of the 1980s changed the appearance of the neighborhood considerably. At present, the toponym Jewish Quarter encapsulates more storrytelling than material evidence, which makes the property proposed for sale even more valuable. On Spătaru Street at number 10A we find today this neo-Gothic building, richly decorated, Casa Breslelor, the work of the architect Luigi Ludovic Lipizer, who arrived in Bucharest from the Austrian Empire in the middle of the 19th century. The building has not only a unique architecture but also a historical and architectural value that the restoration and extension project carried out by an architectural office specialized in the rehabilitation of historical monuments intends to preserve (the project is currently subject to approval). Lipizer embraces the neo-Gothic style, expressed in Europe in the18th and 19th centuries, and this option makes the building look like a commercial hall from the Middle Ages and is known today as the House of Guilds - it is believed that the statues placed on the columns with capitals and protected by meticulously decorated canopies represent various professions. The access is made through an arched door under a noble broken arch, but the neo-Gothic remains outside; inside, only the light entering the house brings with it the beauty of the windows. On the ground floor, besides the hall and stairwell, there will be, according to the restoration and extension project, an office, a living room with dinning area, a bathroom and a kitchen. Upstairs it is proposed to redistribute the space into a master bedroom, a bathroom, another bedroom plus a family room and the current loggia. The architects propose an additional floor with a bedroom and terrace; also here the restoration and extension project includes the transformation of a portion of the roof into a glass roof. In the basement generous areas have been designed for the technical room, laundry/ bathroom and cellar, plus living quarters for staff. An open cellar is provided with access from the courtyard, where the demolition of the adjoining bodies without residential and architectural-historical value is taken into account with the preservation of some brick walls as decorative elements of the green spaces that will form the interior garden. The present values the past, shakes it from the dust and sees its future. The House of Guilds, one of the few left standing despite its 160th anniversary, has the chance to shine again as a magnificent private home, unique in its history and architecture, comfortable and warm through its planned restoration works. Sources: bucurestiivechisinoi.ro turismistoric.ro arhivadearhitectura.ro 1001calatorii.ro

Located in the north of the Bucharest, a short distance from Lake Pipera, this furnished villa offers all the modern living conditions and a potential for expansion for the future, in a quiet area, away from the specific noise of car and air traffic. In terms of comfort, all conditions are ensured by premium finishes and accessories such as: smart home system centralized on the Google Home platform with voice command, lighting control, electric access gate operation, temperature setting, air purification in the bedroom area, control to your TV and Sonos audio system. Tece underfloor heating system automated by Salus smart home system, air conditioning with LG Artcool Gallery, heating system secured by gas and ready for installation of solar panels and air-water heat pumps. Inside, we have a living room and dining room with generous glazed surfaces with laminated wood carpentry and double glazing, natural wood interior doors, ambient architectural lighting with spotlights and LED strips, decorative concrete flooring with heating system, concrete staircase finished with solid wood and safety glass balustrade, bioethanol fireplace, Rovere and Divani & Sofa furniture, Rovere kitchen furniture with ceramic slab island, wine refrigerator with a capacity of 36 bottles, Samsung side by side refrigerator, 3 bedrooms with bathrooms and walk- in dressing room, black-out curtains, spacious bathrooms with modern fittings, bathrooms clad with ceramic tiles and glass mosaic with Porcelanosa, Villeroy Boch, Dalet sanitary ware, freestanding sinks, built-in faucets, walk in rain shower, hygienic shower. The land is rectangular in shape with lawn, ornamental plants and automated irrigation system, heated swimming pool with countercurrent swimming system 25 sqm and automated ionization system, dedicated barbeque area clad with ceramic slab, equipped with professional ice machine, outdoor terrace of 220 sqm tiled with floating ceramic and drainage system, platform for 3 parking spaces in the yard and possibility of garage. Another advantage of the generous area of land is the existence of an approved project for the construction of a new villa on the land behind the existing villa, designed in a modern Mediterranean style, with a ventilated facade, glazed floor to ceiling surfaces with heights of 3.5 m, and a project at interior created by a design house in Marbella, Spain. In conclusion, it is a smart, stylish house, well-equipped for the present and the future, a suitable residence where you can feel at home.

Developed in the distinguished Primăverii quarter, the project has a B+GF+4F+5Fstepped-back structure. The 35 exclusive apartments benefit from 70 parking lots, underground and over-ground. The project is planned to be delivered in 2022. Primãverii neighbourhood was designed in the 30s by Octav Doicescu (1902-1981), one of the most important Romanian architects in the interwar period. Here lived King Carol II of Romania with Elena Lupescu, until 1940. During the communist period, the neighbourhood was chosen as a residential area for the nomenclature of the time and became the Forbidden Quarter - the access was allowed only to the residents. All the presidents after 1990 lived in this area.

Developed in the distinguished Primăverii quarter, the project has a B+GF+4F+5Fstepped-back structure. The 35 exclusive apartments benefit from 70 parking lots, underground and over-ground. The project is planned to be delivered in 2022. Primãverii neighbourhood was designed in the 30s by Octav Doicescu (1902-1981), one of the most important Romanian architects in the interwar period. Here lived King Carol II of Romania with Elena Lupescu, until 1940. During the communist period, the neighbourhood was chosen as a residential area for the nomenclature of the time and became the Forbidden Quarter - the access was allowed only to the residents. All the presidents after 1990 lived in this area.

Developed in the distinguished Primăverii quarter, the project has a B+GF+4F+5Fstepped-back structure. The 35 exclusive apartments benefit from 70 parking lots, underground and over-ground. The project is planned to be delivered in 2022. Primãverii neighbourhood was designed in the 30s by Octav Doicescu (1902-1981), one of the most important Romanian architects in the interwar period. Here lived King Carol II of Romania with Elena Lupescu, until 1940. During the communist period, the neighbourhood was chosen as a residential area for the nomenclature of the time and became the Forbidden Quarter - the access was allowed only to the residents. All the presidents after 1990 lived in this area.

Part of the vibrant district of the city since its building in 1923-1924, the palace holds the signature of the Architect Paul Smărăndescu, one of the most prolific architects of the XXth century in Romania. In about the same period with erecting the building at 7 Matei Millo Street, Paul Smărăndescu has planned other architectural monuments such as Palatul Societății Astra Română (Rosetti Square), Palatul Dacia România (Magheru Boulevard) or Palatul Societății Creditul Rural (Brătianu Boulevard/Doamnei Street). The intense activity of the area has lead to the development of this property as a real business center of those times. The area limited by Calea Victoriei, Regina Elisabeta Boulevard (as called today) and Cișmigiu Park included the offices of the most important press offices and printing houses in the country, such as Adevărul or Universul. The latter has established its headquarters into another impressive building signed by Arch. Paul Smărăndescu at 23 Brezoianu St.. In the same time, the importance of the district has driven the erecting of the Palatul Telefoanelor, 1931-1933, being the first major modernist building in town, only few steps away from 7 Matei Millo St. The '30 years represented a consolidation period for the notoriety of the building from 7 Matei Millo St. as a true business center with occupants such as the Letea Paper Factory, an advertising agency (Rador Orient Radio), a tiles factory (Salzberg&Gronen), the Brătianu Wines, the Bukarest Post Newspaper, as well as the offices of various free lancers such as engineers and doctors. Although along time the area has changes its occupants, still, the location in the heart of Bucharest has allowed it to maintain its attractivity over years. Universul Palace has been consolidated and became a hub with tenants from various creative industries. In the next vicinity, on the former address of the National Theather, a successful hotel concept has been implemented - Novotel, and 2021 will mark the delivery of two important buildings on the offices market - Matei Millo and Tandem. Currently, the former Palace of Letea Factory has a versatile character so that the 2,700 sqm could be converted into residential spaces for the urban lifestyle aficionados, into offices for those that would like to remain connected to the city life, or could be turned into a hotel. The space layout, as well as the access allow various partition solutions and use of the space. There is already a project prepared that comes along with the relevant valid building permit.

Standing proudly in central Bucharest, this exceptional property was once the residence of an outstanding intellectual family - the Teodoreanu family. The family's origins stretch far beyond the 1848 Revolution, and included both famous lawyers and engineers with spectacular lives. All three sons of the Teodoreanu family were at the front in the war that gave birth to Greater Romania, but they remained emotionally attached to the property, so Alexandru, one of them would buy back the building. At the same time, the family name is closely linked to Romanian culture, Ionel Teodoreanu leaving a strong mark on the Romanian literary landscape through his evocative writings of childhood and adolescence. With a rich history and remarkable architecture, this property was even the scene of famous moments contained in the wonderful trilogy La Medeleni. Being a home full of inspiration and creation, the residence itself has been both witness to events and moments full of life, and the focal point of the existence of the family members so that they have also acquired colour and character under the pen of Ionel Teodoreanu's talent. Built in 1912 in a period of economic prosperity typical of the Belle Epoque, this residence is much more than a living space - it is a cultural testimony to a remarkable period in Romanian history. This building preserves a fragment of the atmosphere of inter-war Bucharest, perhaps the most flourishing period of Great Romania. The residence was also built with rigour, with a view to its durability and longevity for future generations.

Built in neoclassical style at the end of the 19th century, in the Historic Center of the Capital, a short distance from Rosetti Square, this merchant villa remains an important testimony of Bucharest from the interwar period. Located in the Bucharest perimeter of Negustori, which marked Mircea Eliade's childhood, this building proposes a return to Bucharest from another time. The house with basement, ground floor, first floor and attic, is distinguished by its balanced proportions, its arrangement being perfectly symmetrical. The main façade is marked by the central door flanked by two single-sided windows, raised with a masonry sill. In turn, the floor is distinguished by the central balcony, with wrought iron railing and arched arched door, flanked by two windows with ornaments representing acanthus leaves and ribbons. With a total area of ​​280 sqm, it has 7 rooms, 3 bathrooms, an inner courtyard, storage spaces in the basement and attic. The exterior carpentry is made of laminated wood with double glazing, the interior is made of wood, the main wrought iron staircase, continued by two other oak stairs that make the connection with the basement and the attic, respectively. The whole building is connected to all utilities, including the three-phase electrical network. Undergoing a complete renovation in 2021, the building has retained all the original architectural elements. The new owner will have the opportunity to own a period villa, emblematic of an old district of Bucharest.

Famous for having hosted the United States Embassy for over 70 years, the Palace located on Tudor Arghezi street regained its lost history for over a century. Known as Maurice Blank Palace, the residence of one of the most important bankers of modern Romania, was built in 1891, under the guidance of its first owner, by the hand and project of the famous Swiss architect Louis Pierre Blanc (1860-1903). He created some important Romanian public buildings, such as, the Palace of the Ministry of Agriculture, the Palace of the Faculty of Medicine, the University of Iaşi Headquarters and the Victor Babes Institute. Louis Blanc left behind an important series of private residences as well, having a great influence over the image of Bucharest from 1900 to this day. Working only 20 years in Romania, and especially in Bucharest, Louis Blanc arrived in the capital city in 1884, brought by his friendship with Ion Mincu, but also by a favourable environment for the development of an exceptional career. His style reminds us of the French Neoclassicism, especially in monumental buildings, and when it comes to private residences we notice an architect with a passion for the French taste, from Neo-Renaissance to beaux-arts. Louis Blanc succeeded within 5 to 10 years to become one of the most important architects and decorators of Bucharest at the end of the nineteenth century. The relations created through the two marriages, with Elena Şuţu and later Irina Berindei offered him contracts and contacts with the high Romanian society. Thus, in the spring of 1891, Louis Blanc, together with his associate Luigi Scolari, began the work at the Palace of Maurice Blank, co-founder of the well-known Marmorosch Blank & Co bank (1864) along Iacob Marmorosch being one of the most important bankers of the late nineteenth century (i.e. the bank lent the Romanian state in the campaign for the War of Independence). Even though today Maurice Blank is remembered mainly for having built the famous headquarters of the bank on Doamnei Street and the Băneasa Forest mausoleum, the palace on Tudor Arghezi Street is undoubtedly an architectural jewel that will remain permanently in the Romanian history and culture. Having a L-shaped design, 2.500 built square meters in the 50 rooms, and a generous garden decorated with pine trees and a fountain, the Maurice Blank palace became an architectural landmark for the residences located in the proximity of the University square. In 1934 the palace was purchased by the lawyer and politician Eduard Mirto, who was the last rightful owner until the installation of the Communist regime. Eduard Mirto will initiate the links between the Blank Palace and the United States Embassy, renting the building in 1939 after some authorized renovation, consolidation and modernization works. He installed a system of centralized heating and plumbing extending the construction in the area of its secondary façade right on the verge of the outbreak of the Second World War. The US Embassy will remain there until 2011 when the building re-entered the private circuit as one of Bucharest’s architectural masterpieces. Sources: Oana Marinache and Cristian Gache, „Louis Pierre Blanc. o plansetă elvetiană în serviciul României”, Istoria Artei publishing house, 2014 Photo: Reptilianul

Developed in the distinguished Primăverii quarter, the project has a B+GF+4F+5Fstepped-back structure. The 35 exclusive apartments benefit from 70 parking lots, underground and over-ground. The project is planned to be delivered in 2022. Primãverii neighbourhood was designed in the 30s by Octav Doicescu (1902-1981), one of the most important Romanian architects in the interwar period. Here lived King Carol II of Romania with Elena Lupescu, until 1940. During the communist period, the neighbourhood was chosen as a residential area for the nomenclature of the time and became the Forbidden Quarter - the access was allowed only to the residents. All the presidents after 1990 lived in this area.

Developed in the distinguished Primăverii quarter, the project has a B+GF+4F+5Fstepped-back structure. The 35 exclusive apartments benefit from 70 parking lots, underground and over-ground. The project is planned to be delivered in 2022. Primãverii neighbourhood was designed in the 30s by Octav Doicescu (1902-1981), one of the most important Romanian architects in the interwar period. Here lived King Carol II of Romania with Elena Lupescu, until 1940. During the communist period, the neighbourhood was chosen as a residential area for the nomenclature of the time and became the Forbidden Quarter - the access was allowed only to the residents. All the presidents after 1990 lived in this area.

Standing proudly in central Bucharest, this exceptional property was once the residence of an outstanding intellectual family - the Teodoreanu family. The family's origins stretch far beyond the 1848 Revolution, and included both famous lawyers and engineers with spectacular lives. All three sons of the Teodoreanu family were at the front in the war that gave birth to Greater Romania, but they remained emotionally attached to the property, so Alexandru, one of them would buy back the building. At the same time, the family name is closely linked to Romanian culture, Ionel Teodoreanu leaving a strong mark on the Romanian literary landscape through his evocative writings of childhood and adolescence. With a rich history and remarkable architecture, this property was even the scene of famous moments contained in the wonderful trilogy La Medeleni. Being a home full of inspiration and creation, the residence itself has been both witness to events and moments full of life, and the focal point of the existence of the family members so that they have also acquired colour and character under the pen of Ionel Teodoreanu's talent. Built in 1912 in a period of economic prosperity typical of the Belle Epoque, this residence is much more than a living space - it is a cultural testimony to a remarkable period in Romanian history. This building preserves a fragment of the atmosphere of inter-war Bucharest, perhaps the most flourishing period of Great Romania. The residence was also built with rigour, with a view to its durability and longevity for future generations.

Ideally situated in the exclusivist Northern area of Bucharest, this 3-floor villa is built on the Lake Tei shore. It benefits from both the vicinity of the Pipera office area and the quietness of an intimate area, with only a few neighbouring constructions. Built in 2018, it stands out by its original architecture, a mix of modern materials: cement, glass, iron, that grant it expressivity and set it apart from the villas around. During the hot season, the generous 200 sqm garden becomes a comforting shaded oasis, with the nearby lake’s breeze blowing gently. The villa offers a splendid view towards Lake Tei, from the living room, terrace and garden. The ample surface of 1350 sqm accommodates 12 rooms and 6 bathrooms. The natural light floods the neo-Baroque interior, with decorative stucco mouldings, golden details, columns, sculptures, oversized Italian mosaic panels and precious curtains. The day area is situated at the ground floor, with a wide living room with chimney, dining area and kitchen. The spaces are marked by recessed lighting and chandeliers, carefully coordinated to create a welcoming atmosphere during the night. The imposing staircase, decorated with mosaic, leads to the upper floors, where the bedrooms and lounge area are. The bathrooms preserve the neo-Baroque design, with their elegant details. The superior floor has a skylight, offering an energising light. Each space of this imposing villa was conceived in detail and personalized to express the sophisticated elegance of its royal style, maintaining however the warm and inviting atmosphere of a home.

The boyar house, now a historical monument, located in a charming zone of Bucharest, was built in 1894, according to J.E. D’Alfonce de Saint Omer’s project, a famous French architect, at the request of the Costa-Foru family, family which, for several generations, gave prominent personalities to the Romanian society, in the 19th century and at the beginning of the 20th century. The house still transmits the nostalgia of past times to the passersby, through the typical French architecture, beautifully framed in the alley which invites you to a walk on the way to the Mitropolie. From 1894 to 1935, Maria Costa-Foru, the niece of the banker Christophi Zerlenti, and Constantin Gh. Costa-Foru, son of the first rector of the University of Bucharest, the minister of justice during the reign of Alexandru I. Cuza, lived there together with their children. The noble style of the house fits perfectly in the late XX century French genre of “particulier hotel”, defined by the theme of the colossal piano noble windows of the living room, accentuated by the decorative wrought iron elements. The inside of the house dates back in the 1900’s, with changes in the late 1930's. The dominant style is eclectic French on the upper floors, and the restructuring of the lower floors shows Moorish-Florentine influences. The main feature is represented by the generous and elegant space, very well natural lighted, the rooftops decorated with stucco, Italian style floors made by tiles with optical motifs and venetian battuto, door frames with carved pediments, the main staircase decked with white marble, the stair ramp decorated with wrought iron elements, which represent Maria Costa-Foru’s intials. Fireplaces ordered and made in Vienna can be found in all the large living rooms, one of them being made of black marble, as well as very valuable tile stoves, with a unique character. The heating system is completed by steel radiators, connected to the boiler. This architectural jewel, in which you still can find the air of the pre-war period, invites you to contemplate it in peace. You will certainly be impressed of its space and light, characteristics that bring it closer to the great universal architecture. Photo: Gabriel Ghizdavu

Historic house with neo-Romanian style architecture, located between the Căderea Bastiliei and Calea Dorobantilor, built in 1911 according to the plans of the engineer Athanasie Bolintineanu, to serve as his residence. Athanasie Bolintineanu was a descendant by alliance of the famous Bolintineanu family, represented by the poet and diplomat Dimitrie Bolintineanu. As chief engineer of Bucharest City Hall, Athanasie Bolintineanu coordinated the development of boulevards Elisabeta, Carol I and the construction of the Capital City Hall headquarters in front of Cișmigiu Park. He laid the foundations of the first cement factory in Romania, then called the Bolintineanu Brothers Factory. The house of engineer Bolintineanu is represented by an imposing building with ample elements of neo-Romanian architecture, concentrated both on the facades of the house and on the interior in the most important rooms, built on a plot of 1,725 square meters and arranged on a basement, semi-basement, upper ground floor and attic. Its massive presence is given especially by the ratio between full and empty, very well emphasized by the windows of the rooms on the ground floor placed on either side of the gazebo that occupies the central position. The gazebo is decorated with circular medallions, grouped in the free space left by three columns, decorated in turn with floral capitals. The covered terrace in the south-west corner of the house also has a pronounced decorative character, with wooden pillars carved with motifs inspired by folk architecture. The other sides of the house have a much more sober architecture, the only decorative elements being the stone plinth, the wooden lintel inlaid with folk motifs and the borders of the openings on the ground floor. The building benefits from four access ways, two of which are on the main facade and one each on the east and west sides. In addition to the distinctive architectural style, another important element of attraction of this property is the potential for future development by extending the building to the rear, with the possibility of it being converted into an apartment complex that combines the current historical style with the modern one. , in a privileged area of Bucharest. Photo: Gabriel Ghizdavu