Luxury houses for sale Singureni, Romania

Built by Italian stonemasons following the plans of three architects (George Sterian, H. Rick and Nicolae Ghica-Budești), the casino was erected in 1892-1894, thus being the first casino in Romania. It was quickly followed by casinos in Vatra Dornei (1898), Constanța (1910) and Sinaia (1912), all part of King Carol I's strategy to develop Romanian resorts after the model of more famous ones abroad (Slănic-Moldova was compared at the time to Karlovy Vary and Vichy, its mineral springs being awarded at international exhibitions in Paris, Frankfurt, Vienna). Although it is not an example of pure Art Nouveau, the casino in Slănic-Moldova manages to combine this dynamic and functional style with principles from other currents with surprising results. The decorative stone elements and the door and window frames come from the secular Neo-Romanian, but the towers are of Eastern religious architecture. Other elements are reminiscent of Neo-Renaissance correspondences - for example the symmetry of the composition and the painted decorative panels. The construction is arranged horizontally on UG + GF + 1F following the rules of perfect symmetry - a main building guarded by two towers connected to two other lower-rise buildings with covered corridors that function as terraces; the long row finishes with two pavilions that resume through the round roofs the idea of the main towers. Seen from a distance, the casino resembles a castle perched on a hillside, a slightly romantic, peaceful profile, with a discreet poetry enveloping it at dusk. In autumn, the forest in the distance lends it a bit of its leave’s auburne, winter dresses it all in white. However, from the front, it is obviously a building dedicated to community life - the platform with arched columns and a monumental stone staircase leaves no room for doubt, just as its location with the beautiful central park at the foot does not deny this either. After decades of listening to the sound of dice, spinning roulette and French Les jeux sont faits, rien ne va plus, witnessing the making of fortunes and the dissolution of marriages, the casino became a good citizen in 1948, functioning as a House of Culture, then performance hall, city library, art gallery and other public functions. The cinema functioned in the original hall with 350 seats, which today amazes us with its two colors - the white of the walls decorated with ton sur ton woodwork and the amber of the velvety chairs and curtains. The hall is still a jewel with its shell-based lodges, lacy arches and a chandelier, unfortunately not the original one, mounted on a rich ceiling decorated with a glass skylight captive in metal embroidery. Over time, the building has received two more terraces, a brasserie and a boarding house since 1960, and has undergone renovation and restoration work in the 1980s and 1994s and 1994s. Outside, street lamps guard the building in the typical Art Nouveau language - black wrought iron with gold accents and white glass bulbs like flower buds. Thanks to the spectacular architectural project and restoration works, the casino appears today vibrant, lively, dynamic, bold and not old or lethargic like, unfortunately, many other historical monuments of the time. Today, the casino is looking for its visionary owner who will exploit its tourist potential and give it back that joie de vivre that positioned it at the beginning of the 19th century as a symbol of Slănic-Moldova and beyond. Area attractions: - Nemira ski slope - mountain trails and hikes - Three hundred steps, Uzului Valley, Nemira Mare, etc. - salt mine from Târgu Ocna - Măgura Ocnei monastery - Valea Uzului dam Photo: Tudor Prisecaru

One of the very few fully renovated manors available in Bucharest's vicinity is located in Vadu-Lat, Giurgiu county. Only 51 km away from Bucharest, Radu Iliescu Manor can instantly become a permanent residence away from the buzz of the big city but with a fairly easy access to all its interest points, or it can become a weekend or vacation residence with all facilities and amenities needed. Built in 1900, the manor is listed as a historical and architectural monument of local importance, and it was fully renovated with a lot of attention for the details and great care for restoration and preservation of the original elements, and then furnished and decorated in line with its character and its history. The manor is set on a 3.834 land plot, with turf, stone alleys, ornamental landscape and a big orchard with fruit trees. We find also a few additional smaller constructions: a gazebo, a stand-alone house of the guardian that is fully renovated and ready-to-use, an old barn that is restored and used for decorative purpose, and a building that was used as stables and that is now transformed in 3 distinct rooms used as workshop, distillery and storage. The manor is built on two levels, semi-basement and ground floor, and since 2009 it is owned by a family who took care of the restoration process, a very thorough one, made using traditional methods and materials. After renovation the place was tastefully designed, from the garden's landscape all the way to furniture and the authentic decor pieces.If what you want is a property with an aristocratic heritage, that looks and feels authentic and natural, that happily blends together nature and history, then the Vadu-Lat manor may be your best choice!

Located nearby the elegant Carol I Park, in one of the most distinguished areas of the capital, this restored villa has a fairy-tale-like name- the house with pomegranates- inspired by the Art Nouveau paintings embellishing the cornice. The pomegranate is a symbol of virtue and wisdom, but also a sign of the importance of the family who once lived here. The refined peacock tail-shaped awning from the entrance, which, in time, became a symbol for the 19th-century Bucharest, catches the passerby’s eye unappealably. The property, located on a 212 square-meter land, is composed of two buildings that are connected. The first construction was built between 1870 and 1880 and was at that time one of the most stylish buildings in “Little Paris.” This building was initiated by a certain Sophie Steinfeld, member of the Steinfeld family, the owner of the property. The construction was part of the former Uranus District, one of the bohemian neighborhoods in Bucharest. The building received an extension in 1910-1920.In 2004 the property was purchased by an architect, directly from the heirs of Steinfeld family, and was extensively consolidated and restored to become today’s architectural gem. The property is located in a protected area, so that the restoration works took place in strict conditions. The structural walls have been consolidated and belt binding was used for the ground floor part, as well as fiber reinforced plaster. The two buildings are connected via a greenhouse that links the upper high floor to the old building’s attic. The attic’s volume is minimally modified in such a way that the facade’s fragility isn’t affected. The interior and exterior ornamentations have been largely recovered. Reproductions of old era paintings were used where the original painting on the cornice could not be recovered. There are several charming trees in the garden- an eight-meter birch, two magnolias and a pine tree. An 80 square-meter greenery oasis in the middle of the city. Photo: Tudor Prisecaru

Located in the north of the Bucharest, a short distance from Lake Pipera, this furnished villa offers all the modern living conditions and a potential for expansion for the future, in a quiet area, away from the specific noise of car and air traffic. In terms of comfort, all conditions are ensured by premium finishes and accessories such as: smart home system centralized on the Google Home platform with voice command, lighting control, electric access gate operation, temperature setting, air purification in the bedroom area, control to your TV and Sonos audio system. Tece underfloor heating system automated by Salus smart home system, air conditioning with LG Artcool Gallery, heating system secured by gas and ready for installation of solar panels and air-water heat pumps. Inside, we have a living room and dining room with generous glazed surfaces with laminated wood carpentry and double glazing, natural wood interior doors, ambient architectural lighting with spotlights and LED strips, decorative concrete flooring with heating system, concrete staircase finished with solid wood and safety glass balustrade, bioethanol fireplace, Rovere and Divani & Sofa furniture, Rovere kitchen furniture with ceramic slab island, wine refrigerator with a capacity of 36 bottles, Samsung side by side refrigerator, 3 bedrooms with bathrooms and walk- in dressing room, black-out curtains, spacious bathrooms with modern fittings, bathrooms clad with ceramic tiles and glass mosaic with Porcelanosa, Villeroy Boch, Dalet sanitary ware, freestanding sinks, built-in faucets, walk in rain shower, hygienic shower. The land is rectangular in shape with lawn, ornamental plants and automated irrigation system, heated swimming pool with countercurrent swimming system 25 sqm and automated ionization system, dedicated barbeque area clad with ceramic slab, equipped with professional ice machine, outdoor terrace of 220 sqm tiled with floating ceramic and drainage system, platform for 3 parking spaces in the yard and possibility of garage. Another advantage of the generous area of land is the existence of an approved project for the construction of a new villa on the land behind the existing villa, designed in a modern Mediterranean style, with a ventilated facade, glazed floor to ceiling surfaces with heights of 3.5 m, and a project at interior created by a design house in Marbella, Spain. In conclusion, it is a smart, stylish house, well-equipped for the present and the future, a suitable residence where you can feel at home.

Historical monument of class B, the building in Calea Plevnei encompasses a special architectural and historical value, thus being a reference of the past cultural life of Bucharest. The house was built in 1906 under the command of Ioan Clinciu, a renowned history professor. Born in 1864 in Poarta-Bran, Făgăraș county, in a poor family, he dedicated his childhood and youth to studying, facing many difficulties, detailed in his autobiography written in 1936. In 1883, he crossed the border slipping through the mountains, from Bran to Sinaia, in order to enroll in the Higher Normal School in Bucharest, where Alexandru Odobescu was director at that time. Professor Clinciu began his teaching career in 1889, when Gheorghe Lazăr was just a gymnasium that operated in the courtyard of St. Gheorghe Old church. In 1892, he founded, along with Gh. Popa-Lisseanu, his brother-in-law, Clinciu-Popa Boys Institute. This represented for 24 years one of the capital's elite educational establishments, under the French-Romanian High school. In politics, Clinciu was president of the Association of Secondary Teachers, then he became deputy and senator, first in the Conservative-Democratic party, then in the Romanian National party. In his autobiography, Professor Clinciu proudly recalls: I built a house in Bucharest, a villa in Bran and a wine cellar admired by many in Vadu Săpat. The house in Bucharest displays the refinement of the Art Nouveau style specific to the beginning of the 20th century, a mirror of La Belle Époque. The building with ground floor, first floor and attic has a slender figure, completed by a bow-window on the corner. The doors and windows bear Art Nouveau features, with curved, fluid profiles, crowned by stucco ornaments, details that offer an unquestioning elegance of the exterior. Inside, there are still preserved original elements, testimonies of the past bourgeois life of Bucharest: imposing carved wooden staircase, made by one of the most important workshops of the time, at Interlaken (Switzerland), terracotta stoves with carefully decorated tiles, ornamental stuccoes on the ceilings. The main entrance is grand, marked by a porch with a painted ceiling, delimited by the main hall through doors with rounded profiles of carved wood, with windows sandblasted in the Art Nouveau manner. Calea Plevnei from the former Livedea Gospod / St. Constantine slum hosted numerous homes for teachers and intellectuals, often built with their personal means, including the house where the poet George Coșbuc lived for the last years of his life (at no. 40). At the present no. 72 is the home of Gh. Popa-Lisseanu (1866-1945), brother-in-law of the reputed professor Clinciu, historian, philologist and archeologist. After more than 110 years since its construction, this architectural jewel can be brought back to life through a substantially restoration. An important advantage is the large area of the land and its layout, which generates real potential for further real estate development.

What is peace of mind if not the synergy between forest, lake and 8000 square meters of land? Quitude here means sun and air filtered by the crown of secular oaks, noises that once caught between the branches of willows become gentle sounds, a horizon line where the lake water waves imperceptibly and abundant vegetation that overwhelms the senses. The property is designed for a large family with children, guests, ponies, boats and cars. Regardless of age, status or mode of transport, each category is pampered in constructions made of wood that befriends the surrounding lush nature. A double laced wrought iron staircase offers a majestic entrance to the villa; inside, a generous living room and a carefully designed kitchen are ready to serve the occupants of the ten bedrooms full of light and optimism, just as well as the indoor pool, tennis court, wine cellar, sauna, salt mine and gym. The spaces are large and have harmonious proportions making the living light, comfortable - relaxed and distinguished. Outside, the green spaces are carefully manicured and intertwined without aggressive contrasts - secular trees with ornamental shrubs, hedges with weeping willows, ivy with geraniums. The playground is in the forest, in a clearing outlined around a tree in which a small towered wooden castle is perched (it can be reached by valiantly riding the ladder that embraces the tree trunk). Intimacy acquires on this property an extended meaning; guests have two self-catering cottages, and the staff can benefit from private accommodation. The pony too has its special place and is willing to offer joy to future owners if they want it. As a more agile means of transport, the boats share a garage, with the pontoon at hand for utilitarian trips or adrenaline-fuelled water sports (for those who prefer land underfoot there are jogging and cycling). Reverie lovers will quickly discover the sunbeds and the pier or any of the secular oaks - a rare treat indeed, a stone's throw from Bucharest and its hectic life.

The boyar house, now a historical monument, located in a charming zone of Bucharest, was built in 1894, according to J.E. D’Alfonce de Saint Omer’s project, a famous French architect, at the request of the Costa-Foru family, family which, for several generations, gave prominent personalities to the Romanian society, in the 19th century and at the beginning of the 20th century. The house still transmits the nostalgia of past times to the passersby, through the typical French architecture, beautifully framed in the alley which invites you to a walk on the way to the Mitropolie. From 1894 to 1935, Maria Costa-Foru, the niece of the banker Christophi Zerlenti, and Constantin Gh. Costa-Foru, son of the first rector of the University of Bucharest, the minister of justice during the reign of Alexandru I. Cuza, lived there together with their children. The noble style of the house fits perfectly in the late XX century French genre of “particulier hotel”, defined by the theme of the colossal piano noble windows of the living room, accentuated by the decorative wrought iron elements. The inside of the house dates back in the 1900’s, with changes in the late 1930's. The dominant style is eclectic French on the upper floors, and the restructuring of the lower floors shows Moorish-Florentine influences. The main feature is represented by the generous and elegant space, very well natural lighted, the rooftops decorated with stucco, Italian style floors made by tiles with optical motifs and venetian battuto, door frames with carved pediments, the main staircase decked with white marble, the stair ramp decorated with wrought iron elements, which represent Maria Costa-Foru’s intials. Fireplaces ordered and made in Vienna can be found in all the large living rooms, one of them being made of black marble, as well as very valuable tile stoves, with a unique character. The heating system is completed by steel radiators, connected to the boiler. This architectural jewel, in which you still can find the air of the pre-war period, invites you to contemplate it in peace. You will certainly be impressed of its space and light, characteristics that bring it closer to the great universal architecture. Photo: Gabriel Ghizdavu

Famous for having hosted the United States Embassy for over 70 years, the Palace located on Tudor Arghezi street regained its lost history for over a century. Known as Maurice Blank Palace, the residence of one of the most important bankers of modern Romania, was built in 1891, under the guidance of its first owner, by the hand and project of the famous Swiss architect Louis Pierre Blanc (1860-1903). He created some important Romanian public buildings, such as, the Palace of the Ministry of Agriculture, the Palace of the Faculty of Medicine, the University of Iaşi Headquarters and the Victor Babes Institute. Louis Blanc left behind an important series of private residences as well, having a great influence over the image of Bucharest from 1900 to this day. Working only 20 years in Romania, and especially in Bucharest, Louis Blanc arrived in the capital city in 1884, brought by his friendship with Ion Mincu, but also by a favourable environment for the development of an exceptional career. His style reminds us of the French Neoclassicism, especially in monumental buildings, and when it comes to private residences we notice an architect with a passion for the French taste, from Neo-Renaissance to beaux-arts. Louis Blanc succeeded within 5 to 10 years to become one of the most important architects and decorators of Bucharest at the end of the nineteenth century. The relations created through the two marriages, with Elena Şuţu and later Irina Berindei offered him contracts and contacts with the high Romanian society. Thus, in the spring of 1891, Louis Blanc, together with his associate Luigi Scolari, began the work at the Palace of Maurice Blank, co-founder of the well-known Marmorosch Blank & Co bank (1864) along Iacob Marmorosch being one of the most important bankers of the late nineteenth century (i.e. the bank lent the Romanian state in the campaign for the War of Independence). Even though today Maurice Blank is remembered mainly for having built the famous headquarters of the bank on Doamnei Street and the Băneasa Forest mausoleum, the palace on Tudor Arghezi Street is undoubtedly an architectural jewel that will remain permanently in the Romanian history and culture. Having a L-shaped design, 2.500 built square meters in the 50 rooms, and a generous garden decorated with pine trees and a fountain, the Maurice Blank palace became an architectural landmark for the residences located in the proximity of the University square. In 1934 the palace was purchased by the lawyer and politician Eduard Mirto, who was the last rightful owner until the installation of the Communist regime. Eduard Mirto will initiate the links between the Blank Palace and the United States Embassy, renting the building in 1939 after some authorized renovation, consolidation and modernization works. He installed a system of centralized heating and plumbing extending the construction in the area of its secondary façade right on the verge of the outbreak of the Second World War. The US Embassy will remain there until 2011 when the building re-entered the private circuit as one of Bucharest’s architectural masterpieces. Sources: Oana Marinache and Cristian Gache, „Louis Pierre Blanc. o plansetă elvetiană în serviciul României”, Istoria Artei publishing house, 2014 Photo: Reptilianul

Built a short distance from the Royal Palace and the Romanian Athenaeum, in the center of Little Paris, the house of doctor Iosif Patzelt, former primary doctor of the Saint Ana Hospital, is one of the architectural jewels that keep in our memory the beauty of the historical buildings of pre-war Bucharest. Over the years, among the owners of the house were public figures from that period, such as General Vasile Zottu and the scientist Alexandru C. Mironescu, so that later it became the property of the Saint Mary's Institute, serving as an auxiliary body of the pensioner of girls (1936). Adorned with coats of arms, frames and floral friezes on the outside, the house still exudes the perfume of the period. With a constructed area of 843 square meters, the building has a basement, ground floor, first floor and attic, it has 23 rooms, 7 bathrooms and various storage spaces. It was designed to serve as a residence but can be re-compartmentalized for various future business destinations. Photo: Gabriel Ghizdavu

The Interwar Cotroceni, a synonym for luxury in terms of residential, kept its seductive power untainted. And the Neo-Romanian villa is still an example of good taste. Built in 1929 and located close to the BNR Arenas, the spectacular home has all the attributes of a luxury property. Generous surfaces, furniture chosen by the owner and his team of designers, a fitness room, a massage room, and a food elevator - are just a few of the elitist traits inside the building. The exterior is just as spectacular. The villa, built in Neo-Romanian style with Byzantine accents, is surrounded by secular sycamores, which are declared natural monuments. The terrace is arranged in accordance with the architectural features of the building, and the garage of the residence can accommodate two cars. The villa is up for sale along the entire furniture, all the facilities and decorations, from LED TVs and fitness machines to decorative and art objects from the nineteenth or twentieth century. The property was completely renovated in 2017. Photo: Reptilianul

Luxurious residence with superb architectural elements, located in the Armenească historical area, at the confluence of Logofat Luca Stroici and Speranței streets, where Mihai Eminescu's first home was located after his arrival in Bucharest. In the Bucharest of the seventeenth century, the Armenească suburb was formed from craft workshops, stalls and alehouses, all beautifully built around the Armenească Church, bringing into the capital the goods, the eatables and the culture of the ethnicity that gave the name of the area. Our house belonged to Ecaterina Procopie Dumitrescu, doctor’s daughter and wife of the mayor Procopie Ioan Dumitrescu, former lawyer, liberal Romanian politician and mayor of Bucharest in the period of April 1901 - November 1902 and February 1910 - January 1911. Between 1877 - 1878, while Romania was involved in the War of Independence, the capital did not have a mayor, his place being taken by his deputy, in the person of the same Procopie I. Dumitrescu. He studied law in Paris and since 1870 he entered the magistracy, where he stayed only six years, devoting himself to the political career afterwards. At the beginning of his career he was the prefect of the Capital Police, in 1876 - 1877. For his activity he was decorated Commander of the National Order Steaua României. The house has 21 rooms, an interior summer terrace and has a courtyard of approximately 500 sqm. Besides the specific fragrance of the area, the exterior appearance of the mansion is blended with the refinement of the interior architectural elements, impeccably restrained. Starting from the walls carved with massive wood and silk wallpaper, from the monumental doors and windows, to the stained glass windows, everything takes us in the brilliant times of Bucharest during the Belle Époque. The garden around the house, flooded in greenery, with an artesian fountain and gazebo, invites at relaxation, close but at the same time away from the agitation of the metropolis. Photo: Cristina Budușan

Dacia Boulevard was the last boulevard designed before the First World War, during the mayor Vintilă Brătianu. The new boulevard, as it was originally called, was designed to create an important connection between Gara de Nord and Gara Obor. Being a designed boulevard, it had to make its way through the old districts of Bucharest, around the current Spanish Market Square, to the confluence with Mihai Eminescu Street and Calea Moșilor. Mihai Eminescu Street, called Romană Street until 1948, is a historic street in Bucharest that connected the Herăstrăului Street, the current Calea Dorobanţilor, with the Târgului de Afară Bridge, today Calea Moșilor. A short distance from the confluence of Dacia Boulevard with Mihai Eminescu Street, in the former Silvestru slum, this historic four-level villa with rooms over 3.5 m high, arranged on Bs + Gf + 1F + A, was founded at the beginning of the 20th century, made in a neoclassical style, typical of the beginning of the century, at the command of General Coandă, former prime minister in the interwar period. The house integrates very well in the architectural style of the area, next to the twin house in the immediate vicinity. Being built on the corner, it has the advantage of a panoramic opening to two streets. The building escaped nationalization, remaining in the family by succession, this advantage helping it to keep all the original architectural details. Then, in 2010, it underwent an extensive consolidation and restoration action, on which occasion it benefited from increased attention to the strengthening of the foundation, but also to a series of very practical finishes and equipment with quality materials. In addition to the impeccable restoration of parquet, solid wood joinery, wooden doors with glass windows, it now also benefits from a central heating system with gas boiler and fan coils in each room, chiller unit for air conditioning and fan coils in each room, chandeliers and vintage lighting lamps, time-specific switches for lighting fixtures. In addition, at the time of the renovation, investment was made in the construction of a tower in the attic, which became an important attraction of the house. He also received a glass art staircase with wrought iron floral elements, which provides access to the upper levels, designed and executed by the famous plastic designer Cornelia Moldoveanu. The exterior, thermally rehabilitated by complete cladding with Austro-therm rigid terrestrial system, is symmetrically decorated with friezes and laurel window frames without an exaggerated load. The predominant floral tones continue in the interior starting with the double entrance door, restored, glazed with flowers, with the marble floor decorated with floral elements framed by the line of life, above which is a skylight with floral stained glass and a Viennese ceramic stove white located in the living room. This house welcomes you inside with an enviable positive energy, offering the pleasure of going through a setting designed to fascinate you from the first step. It may have multiple destinations in the future, such as residence, company headquarters, notary or law firm. The villa is also available for rent at the price of 4,000 euros/month. Photo: Gabriel Ghizdavu

Residence is an understatement. Rather, it is about a large-scale residential concept, surrounded by positive energy, built in the heart of Codril Vlăsiei, a short distance from the future A0 - ring highway, Henri Coandă International Airport and Băneasa Shopping City. Hidden from the hectic life and pollution of the city, in an area where you can hear the chirping of wild birds from the window, this unique property has a plot of 14,000 square meters, a privilege that few residential properties enjoy in the immediate vicinity of the Capital. Generous rooms, solid wood floors, stained glass windows, woodwork and classic, timeless finishes are just a few of the attributes of the home that looks like something out of a modern fairy tale. The indoor pool and fireplace welcome frosty days, and the seemingly endless garden, which together with the tree-lined lake and relaxing walks through the private forest, emphasize the true definition of luxury. The property has photovoltaic panels with a power of 17 kw and a prosumer function, an internal elevator and a covered garage for 3 cars. It is a rare purchase opportunity with a beautiful story behind it, where the owner over time joined several parcels of land, including a piece of oak forest, which is now an integral part of the property. In addition to practical compartmentalization and tasteful finishes, the house can be lived in by two families by separating the areas. Being at the first sale since the construction, the owner confesses that it is hard to part with it, sharing the following story: Many times when I was preparing for the launch of the project I asked myself, what should my house look like? I browsed dozens of sites with famous projects, photos of famous houses, medieval villas and historical monuments. Neither seemed to be the expression of my expectation. I always told myself that I wanted it to reflect the situation of my childhood home, where no one could look in unless invited but, on the other hand, it had its back to the garden and the forest. And at the same time, to have a wide opening to the forest, to be separate but also connected to a service area. Well, if they could let the forest penetrate inside, that would be even better. And if I can get the vegetation to spread, symbolically, into the house, it would be wonderful to be able to light a fire that doesn't screen my view of the garden and the oak trees. From the beginning, I imagined a house with large windows, the size of a football goal, with wide doors, with openings through which nature and the forest could pass and embrace it from all sides. When I first stepped into the clearing with waist-deep grass, surrounded by tall oaks, I said to myself: This is the place for my house! Photo: Dan Călin

Somewhere in the heart of Bucharest, on a small street in the Capitalelor area, a 19th century villa surprises by preserving, on a small scale, the spirit of a Renaissance palace. The interiors are dominated by solid pieces of furniture and heavy textiles, be it the velvets upholstering the canvases or the flowing draperies and exquisite carpets. Wood dresses, in delicate robes of pale grey, the interior window surrounds, the joinery of the double glazed doors and the panelled walls, in line with the rest of the complex woodwork. In counterpoint are the furniture and impressive staircase, which retain the natural warmth of natural wood, discreetly lacquered but carved with visible craftsmanship. It is obvious that the painstaking restoration process has preserved and highlighted many of the original decorative elements - stuccowork, woodwork, etc. On the other hand, the interior design manages spectacularly to avoid shrinking in time, living in the present through an interesting mix of new and old in terms of fine arts and functional-decorative - classic paintings coexist wonderfully with contemporary ones, just as the light fittings and kitchen retain their modern character. The space is laid out over four levels, which allows for a good sharing of areas. On the basement level there is a guest bedroom, a hobby room, a gym with a bathroom, as well as a wine cellar, a laundry room and a technical room. The ground floor has common areas - a living room and a dining room, complemented by an office, a kitchen and a bathroom. Three further bedrooms and a bathroom are fitted upstairs; the attic has yet to find its purpose, awaiting a plan, an idea. Part of the Louis Blanc subdivision, the villa offers the future owner a rare opportunity to live in the city's super premium area without the compromises classically associated with it - limited space, old construction, etc. The photos present only an interior design solution.

Historic house with neo-Romanian style architecture, located between the Căderea Bastiliei and Calea Dorobantilor, built in 1911 according to the plans of the engineer Athanasie Bolintineanu, to serve as his residence. Athanasie Bolintineanu was a descendant by alliance of the famous Bolintineanu family, represented by the poet and diplomat Dimitrie Bolintineanu. As chief engineer of Bucharest City Hall, Athanasie Bolintineanu coordinated the development of boulevards Elisabeta, Carol I and the construction of the Capital City Hall headquarters in front of Cișmigiu Park. He laid the foundations of the first cement factory in Romania, then called the Bolintineanu Brothers Factory. The house of engineer Bolintineanu is represented by an imposing building with ample elements of neo-Romanian architecture, concentrated both on the facades of the house and on the interior in the most important rooms, built on a plot of 1,725 square meters and arranged on a basement, semi-basement, upper ground floor and attic. Its massive presence is given especially by the ratio between full and empty, very well emphasized by the windows of the rooms on the ground floor placed on either side of the gazebo that occupies the central position. The gazebo is decorated with circular medallions, grouped in the free space left by three columns, decorated in turn with floral capitals. The covered terrace in the south-west corner of the house also has a pronounced decorative character, with wooden pillars carved with motifs inspired by folk architecture. The other sides of the house have a much more sober architecture, the only decorative elements being the stone plinth, the wooden lintel inlaid with folk motifs and the borders of the openings on the ground floor. The building benefits from four access ways, two of which are on the main facade and one each on the east and west sides. In addition to the distinctive architectural style, another important element of attraction of this property is the potential for future development by extending the building to the rear, with the possibility of it being converted into an apartment complex that combines the current historical style with the modern one. , in a privileged area of Bucharest. Photo: Gabriel Ghizdavu

Ideally situated in the exclusivist Northern area of Bucharest, this 3-floor villa is built on the Lake Tei shore. It benefits from both the vicinity of the Pipera office area and the quietness of an intimate area, with only a few neighbouring constructions. Built in 2018, it stands out by its original architecture, a mix of modern materials: cement, glass, iron, that grant it expressivity and set it apart from the villas around. During the hot season, the generous 200 sqm garden becomes a comforting shaded oasis, with the nearby lake’s breeze blowing gently. The villa offers a splendid view towards Lake Tei, from the living room, terrace and garden. The ample surface of 1350 sqm accommodates 12 rooms and 6 bathrooms. The natural light floods the neo-Baroque interior, with decorative stucco mouldings, golden details, columns, sculptures, oversized Italian mosaic panels and precious curtains. The day area is situated at the ground floor, with a wide living room with chimney, dining area and kitchen. The spaces are marked by recessed lighting and chandeliers, carefully coordinated to create a welcoming atmosphere during the night. The imposing staircase, decorated with mosaic, leads to the upper floors, where the bedrooms and lounge area are. The bathrooms preserve the neo-Baroque design, with their elegant details. The superior floor has a skylight, offering an energising light. Each space of this imposing villa was conceived in detail and personalized to express the sophisticated elegance of its royal style, maintaining however the warm and inviting atmosphere of a home.

Built in neoclassical style at the end of the 19th century, in the Historic Center of the Capital, a short distance from Rosetti Square, this merchant villa remains an important testimony of Bucharest from the interwar period. Located in the Bucharest perimeter of Negustori, which marked Mircea Eliade's childhood, this building proposes a return to Bucharest from another time. The house with basement, ground floor, first floor and attic, is distinguished by its balanced proportions, its arrangement being perfectly symmetrical. The main façade is marked by the central door flanked by two single-sided windows, raised with a masonry sill. In turn, the floor is distinguished by the central balcony, with wrought iron railing and arched arched door, flanked by two windows with ornaments representing acanthus leaves and ribbons. With a total area of ​​280 sqm, it has 7 rooms, 3 bathrooms, an inner courtyard, storage spaces in the basement and attic. The exterior carpentry is made of laminated wood with double glazing, the interior is made of wood, the main wrought iron staircase, continued by two other oak stairs that make the connection with the basement and the attic, respectively. The whole building is connected to all utilities, including the three-phase electrical network. Undergoing a complete renovation in 2021, the building has retained all the original architectural elements. The new owner will have the opportunity to own a period villa, emblematic of an old district of Bucharest.

An ensemble of historic houses located in the Jewish quarter of the Capital, more precisely on Romulus Street, which became a historical monument representative of the local cultural heritage, built for Colonel Teodor Vera, commander of the Howitzer Regiment, fighter of the Romanian army in the war for Romania's unifying 1916-1919, in the battles of Mărăști and Mărășești. Romulus Street, in the former Lucaci slum, is one of the most important historical streets in Bucharest, which still preserves the scent of the past. Here, in 1867, next to the house of Hermann I. Rieber, the first Rieber carriage factory was founded, which would later become a luxury car factory. Whether they lived in sumptuous villas built in the pre-war period, or in chic blocks of flats built between the two world wars, over time personalities such as Ionel Teodoreanu, M.I. Demetrescu, Anton Pann, Eugen Lovinescu, George Vraca, Ionescu Gion. Here we meet two architectural styles that form a mixed, composed of two houses built in stages, on a plot of 1,030 sqm, the main body in French neoclassical architectural style, built in 1888, and the secondary body in neo-Romanian architectural style, built in 1929 according to the plans of the architect Grigore Cerchez. The architecture of the buildings was well preserved, the architectural elements were restored after the original ones in the 2000s, preserving the geometry, texture and color of the facades, windows, doors and all the particular elements. At present, the general configuration of the ensemble represents a good opportunity for many types of activities through the multitude of access roads, both from the street and from the courtyard, the generous spaces of the rooms, the height of the ceilings and the practical compartments. The main building, built in French neoclassical style, with a height of GF + M, has an area of ​​708 sqm, and consists of 14 rooms, 2 kitchens, 5 bathrooms and 4 access doors. Decorated at the main entrance, built in rezalit, with massive Corinthian columns and continuing with the door and window frames, rich in triangles and caryatids, the main building is the point of attraction of the ensemble. The secondary building, built in 1929 in neo-Romanian style, according to the plans of the architect Grigore Cerchez, with a height of Ug + Gf + 1F + At and an area of ​​577 sqm, consists of 17 rooms, 2 kitchens, 7 bathrooms and 4 access doors. It also has a basement on 3 levels, one of which is arranged with a wine cellar. The entire basement benefits from natural ventilation, has a usable area of ​​77 sqm, and consists of a wine cellar, 5 storage rooms grouped on separate spaces. The general condition of the interior is good, with finishes such as carved solid wood doors, 2 m high windows with wooden joinery and double glazing, velux windows in the attic, marble floors, air conditioning, monitoring and alarm system 24h, internal cabling for own servers. There is independent metering for water, electricity and gas on each building, heating system with its own boiler, radiators with thermostat and temperature control on areas. The free yard with an area of ​​491 sqm, paved and equipped with night lighting system, is composed of two fragments with street access and a separate inner courtyard. The layout of the main courtyard allows the parking of up to 12 cars. This historic ensemble offers many opportunities in terms of future destinations, in the sense that it can be converted into a medical clinic, currently partly rented by a clinic, a restaurant, boutique hotel, various office activities, representation, showroom, or in a mixed-purpose, residential and business purpose at the same time. Photo: Gabriel Ghizdavu

Lining the cobbled streets named after the furriers and lipscani of yesteryear, the inn first shows off its wide, tall, arched ground-floor windows colored by faux stained glass. However, the upper floor retains its former glory, carefully decorated with rich elements such as the arms that support the wrought iron balcony, the common border that functions as a frame for the tall and narrow windows and the denticles that keep the rhythm under the roof. Today, the interior of the inn is dedicated to corporate and private events, which it hosts in three large areas – the conference center, the reception-foyer and the event hall. The space for business or cultural events is modern, bright and impeccably arranged for today's requirements (it has a capacity of 50-300+ people and is equipped with high-speed wi-fi internet, Video Wall Display, flip charts and systems professional sound system); instead, the event hall preserves accents of the past through sumptuous chandeliers, reinterpreted capitals and boiserie pieces that encapsulate old school sophistication. Spectacular by the contrast between ultramarine chairs, glass tables and boxed mirrors, this room discreetly resumes the English motif much more present in the reception area. The hall is served by its own kitchen equipped with modern equipment. The one that preserves the charm of the old inn is the inner courtyard, through the doors that the small traders hold open like welcoming arms, eager to show their treasures. Once upon a time there were majestic linden trees that shaded the yard, the name of the property coming from them. Atanasie Hagi, Gheorghe Polizu and Ștefan Popovici are the ones who built this inn in 1833, already having shops on the land which they expanded by buying from the neighbors. They built in their place, from the ground up, and in perfect companionship the Linden Inn, or as they called the Bezesten, from the main street of Marchitani (Strada Lipscani) which can be seen marked with our brands (initials) above both gates, with all the expenses of companionship are not out of two, brothers, a penny and a penny, from the warp (beginning) to the end of the key writes Constantin Bacalbaşa in București de altadată. The good camaraderie, the initials of which can still be seen today, did not last long because in 1835 the inn was shared, each owner receiving 14 shops and two warehouses; they kept in common only the toilet and the room where the innkeeper lives. Over time, the shops will continue to change their owners and close their doors well at night to protect travelers and merchants, as the Bacalbaşa writes: the shops were on one side and the other, and between them a street, which until 1916 it was paved with river stone. (…) All the shops were placed on deep cellars with large vaults that can still be seen today, the ceilings of the shops were also made in vaults. As in other inns, the windows and doors of the shops had iron shutters which were closed at night, and on top of them were placed crossbeams bent at the ends. At the entrances of the inn, on one side and on the other, next to the building, there were some stone pillars, about a meter high and quite thick, intended to protect the walls from damage by carts with goods that entered and left the inn.

The last few years have brought to our attention areas, names and ancient histories that put in context and humanize the town we live in and the buildings we pass by in a hurry. The House of Guilds is one of those witness-houses, few and often in danger of extinction, which recover the history of the city and its largest minority, the Jews. Sephardic refugees from Spain and later, after the Principalities Union, Ashkenazi from Galitia, the Jews are doctors, potters, merchants, samsari, tailors, painters, craftsmen specialized in metalworking and are useful to the city because it contributes to its urbanization. They settled on the left bank of Dâmbovița, near the Royal Court and later in the area that became the Jewish Quarter. They built houses with shops on the ground floor, public baths, kosher butchers shops and dairies, teahouses where religious music was listened to, temples and synagogues. Today few remember this community; the legionary fires of 1941 and the massive demolition of the 1980s changed the appearance of the neighborhood considerably. At present, the toponym Jewish Quarter encapsulates more storrytelling than material evidence, which makes the property proposed for sale even more valuable. On Spătaru Street at number 10A we find today this neo-Gothic building, richly decorated, Casa Breslelor, the work of the architect Luigi Ludovic Lipizer, who arrived in Bucharest from the Austrian Empire in the middle of the 19th century. The building has not only a unique architecture but also a historical and architectural value that the restoration and extension project carried out by an architectural office specialized in the rehabilitation of historical monuments intends to preserve (the project is currently subject to approval). Lipizer embraces the neo-Gothic style, expressed in Europe in the18th and 19th centuries, and this option makes the building look like a commercial hall from the Middle Ages and is known today as the House of Guilds - it is believed that the statues placed on the columns with capitals and protected by meticulously decorated canopies represent various professions. The access is made through an arched door under a noble broken arch, but the neo-Gothic remains outside; inside, only the light entering the house brings with it the beauty of the windows. On the ground floor, besides the hall and stairwell, there will be, according to the restoration and extension project, an office, a living room with dinning area, a bathroom and a kitchen. Upstairs it is proposed to redistribute the space into a master bedroom, a bathroom, another bedroom plus a family room and the current loggia. The architects propose an additional floor with a bedroom and terrace; also here the restoration and extension project includes the transformation of a portion of the roof into a glass roof. In the basement generous areas have been designed for the technical room, laundry/ bathroom and cellar, plus living quarters for staff. An open cellar is provided with access from the courtyard, where the demolition of the adjoining bodies without residential and architectural-historical value is taken into account with the preservation of some brick walls as decorative elements of the green spaces that will form the interior garden. The present values the past, shakes it from the dust and sees its future. The House of Guilds, one of the few left standing despite its 160th anniversary, has the chance to shine again as a magnificent private home, unique in its history and architecture, comfortable and warm through its planned restoration works. Sources: bucurestiivechisinoi.ro turismistoric.ro arhivadearhitectura.ro 1001calatorii.ro