luxury houses for sale Le Centre district of Meudon, France

MEUDON CENTER, a few minutes from the Line N train station (Montparnasse in 10 min) and the RER C Meudon Val Fleury, shops and schools. In good condition and ideally located, this dual-aspect house of approximately 180 m² will seduce you with its location, its brightness and its layout. It includes: on the ground floor, a beautiful sunny living room with a fireplace, a large separate kitchen opening onto the garden, an office space, a toilet. On the first floor, 3 bedrooms, a shower room, a toilet. On the top floor, a bedroom, a dressing room and a bathroom. A total basement of more than 64 m² (not included in the calculation of the surface area), two garages, a garden and a beautiful terrace complete this property. With a separate entrance or accessible from the house, a studio comprising a bedroom, a kitchen, a shower room and a toilet. Les honoraires sont à la charge du vendeur. Les informations sur les risques auxquels ce bien est exposé sont disponibles sur le site Géorisques : www. georisques. gouv. fr. ** ENGLISH SPEAKERS: please note that Capifrance has an international department that can help with translations. To see our range of 20,000 properties for sale in France, please visit our Capifrance website directly. We look forward to finding your dream home!

André Bloc’s studio, a tribute to the 1950s & a Historical Monument to be restored, designed by Claude Parent, on 2,000-m² grounds, in Meudon-Bellevue. Sheltered by a long enclosure wall and dense foliage, the property is accessible via an understated recessed entrance, while the dwelling itself was designed between 1955 and 1956 by Claude Parent, 'architect of the oblique' and a supporter of avant-garde architecture in the service of the imagination and utopian ideals. Commissioned by André Bloc, an advocate of integrating the arts into architecture and a polyvalent creator who worked as a sculptor, architect, painter and publisher, the studio was added to the lot on which the artist’s dwelling, known as the 'Bloc house', had been previously constructed and whose garden features some of Bloc’s immense inhabitable sculptures. Forming a wooded and private setting, the sloping grounds, of approximately 2,000 m², is the ideal environment for the premises’ original vocation, the purpose of which was to create a retreat focussed on concentration, whereas an ornamental pond, no longer in use, could easily become operational again or, why not, transformed into a swimming pool. As for the studio/dwelling, baptised the 'Caretaker’s cottage' and located on the lower section of the tree-filled grounds, with more than 2,000 m² and sheltered from view, it is concealed from the 'Bloc' house thanks to a screen of bamboo, while together these two edifices form a single commonhold property (no commonhold property fees or right of way). Combining several materials – stone, concrete, glass and metal – the Caretaker’s cottage, eschewing all symmetry, blends straight, curved and oblique lines together, whereas, far from the functionalism of 1950s classical architecture, it was designed to hug the property’s slope. Atypical, it is much a dwelling as a work of art and, today, includes, on the garden level, a living room, sheltered from view, where the light from the south and west is filtered by dense foliage, an immense dining room with a fireplace and a picture window overlooking the garden, as well as a separate kitchen featuring a glass door that also gives on to the garden, whereas a spiral staircase (a Roger Tallon design) provides access to the upstairs level, which contains three bedrooms each facing the outside thanks to large picture windows, as well as two shower rooms and a lavatory. In addition, the large primary bedroom comes with a patio surrounded by vegetation, while a garage, of more than 30 m², stands adjacent to the dwelling. It should be noted that the edifice will require a full renovation in order to update it to current standards, all the while making sure to preserve its bold architectural choices. Lastly, the entrance, indicated by a red metal pedestrian gate, is reminiscent of Calder’s creations, even though it was created by Bloc and Parent, while, André Bloc’s three small statues, which are located in the garden, but are not listed as historical monuments, could be acquired at an additional cost.