luxury houses for sale Bucharest, Romania

Built by Italian stonemasons following the plans of three architects (George Sterian, H. Rick and Nicolae Ghica-Budești), the casino was erected in 1892-1894, thus being the first casino in Romania. It was quickly followed by casinos in Vatra Dornei (1898), Constanța (1910) and Sinaia (1912), all part of King Carol I's strategy to develop Romanian resorts after the model of more famous ones abroad (Slănic-Moldova was compared at the time to Karlovy Vary and Vichy, its mineral springs being awarded at international exhibitions in Paris, Frankfurt, Vienna). Although it is not an example of pure Art Nouveau, the casino in Slănic-Moldova manages to combine this dynamic and functional style with principles from other currents with surprising results. The decorative stone elements and the door and window frames come from the secular Neo-Romanian, but the towers are of Eastern religious architecture. Other elements are reminiscent of Neo-Renaissance correspondences - for example the symmetry of the composition and the painted decorative panels. The construction is arranged horizontally on UG + GF + 1F following the rules of perfect symmetry - a main building guarded by two towers connected to two other lower-rise buildings with covered corridors that function as terraces; the long row finishes with two pavilions that resume through the round roofs the idea of the main towers. Seen from a distance, the casino resembles a castle perched on a hillside, a slightly romantic, peaceful profile, with a discreet poetry enveloping it at dusk. In autumn, the forest in the distance lends it a bit of its leave’s auburne, winter dresses it all in white. However, from the front, it is obviously a building dedicated to community life - the platform with arched columns and a monumental stone staircase leaves no room for doubt, just as its location with the beautiful central park at the foot does not deny this either. After decades of listening to the sound of dice, spinning roulette and French Les jeux sont faits, rien ne va plus, witnessing the making of fortunes and the dissolution of marriages, the casino became a good citizen in 1948, functioning as a House of Culture, then performance hall, city library, art gallery and other public functions. The cinema functioned in the original hall with 350 seats, which today amazes us with its two colors - the white of the walls decorated with ton sur ton woodwork and the amber of the velvety chairs and curtains. The hall is still a jewel with its shell-based lodges, lacy arches and a chandelier, unfortunately not the original one, mounted on a rich ceiling decorated with a glass skylight captive in metal embroidery. Over time, the building has received two more terraces, a brasserie and a boarding house since 1960, and has undergone renovation and restoration work in the 1980s and 1994s and 1994s. Outside, street lamps guard the building in the typical Art Nouveau language - black wrought iron with gold accents and white glass bulbs like flower buds. Thanks to the spectacular architectural project and restoration works, the casino appears today vibrant, lively, dynamic, bold and not old or lethargic like, unfortunately, many other historical monuments of the time. Today, the casino is looking for its visionary owner who will exploit its tourist potential and give it back that joie de vivre that positioned it at the beginning of the 19th century as a symbol of Slănic-Moldova and beyond. Area attractions: - Nemira ski slope - mountain trails and hikes - Three hundred steps, Uzului Valley, Nemira Mare, etc. - salt mine from Târgu Ocna - Măgura Ocnei monastery - Valea Uzului dam Photo: Tudor Prisecaru

Located in the north of the Bucharest, a short distance from Lake Pipera, this furnished villa offers all the modern living conditions and a potential for expansion for the future, in a quiet area, away from the specific noise of car and air traffic. In terms of comfort, all conditions are ensured by premium finishes and accessories such as: smart home system centralized on the Google Home platform with voice command, lighting control, electric access gate operation, temperature setting, air purification in the bedroom area, control to your TV and Sonos audio system. Tece underfloor heating system automated by Salus smart home system, air conditioning with LG Artcool Gallery, heating system secured by gas and ready for installation of solar panels and air-water heat pumps. Inside, we have a living room and dining room with generous glazed surfaces with laminated wood carpentry and double glazing, natural wood interior doors, ambient architectural lighting with spotlights and LED strips, decorative concrete flooring with heating system, concrete staircase finished with solid wood and safety glass balustrade, bioethanol fireplace, Rovere and Divani & Sofa furniture, Rovere kitchen furniture with ceramic slab island, wine refrigerator with a capacity of 36 bottles, Samsung side by side refrigerator, 3 bedrooms with bathrooms and walk- in dressing room, black-out curtains, spacious bathrooms with modern fittings, bathrooms clad with ceramic tiles and glass mosaic with Porcelanosa, Villeroy Boch, Dalet sanitary ware, freestanding sinks, built-in faucets, walk in rain shower, hygienic shower. The land is rectangular in shape with lawn, ornamental plants and automated irrigation system, heated swimming pool with countercurrent swimming system 25 sqm and automated ionization system, dedicated barbeque area clad with ceramic slab, equipped with professional ice machine, outdoor terrace of 220 sqm tiled with floating ceramic and drainage system, platform for 3 parking spaces in the yard and possibility of garage. Another advantage of the generous area of land is the existence of an approved project for the construction of a new villa on the land behind the existing villa, designed in a modern Mediterranean style, with a ventilated facade, glazed floor to ceiling surfaces with heights of 3.5 m, and a project at interior created by a design house in Marbella, Spain. In conclusion, it is a smart, stylish house, well-equipped for the present and the future, a suitable residence where you can feel at home.

Architectural rebirth with minimalist design and interwar accents. The luxurious villa was built by renovating, consolidating, repartitioning, refurbishing and technically modernizing a small interwar block. The resulting minimalist architectural image brought into the first plan the functionality of the spaces and maximixation of comfort. The aim was to integrate the exterior into the urban fabric of the area and there was a special concern for the sustainability of the construction, through the materials used. The villa is divided into three residential units that can be used together or individually: a duplex apartment comprising the basement, ground floor and first floor and a 3-room apartment, kitchen and two bathrooms, with similar subdivision, on the 2nd floor and attic. The interior staircase has been refurbished keeping an interwar Art Deco design. The interior elevator leads from the ground floor to the attic. The duplex apartment includes, on the ground floor, a large living area, dining room and kitchen with access to a chic and intimate terrace. The laundry room is set up in the basement, along with a room with a flexible function and access to an English courtyard. The first floor consists of three bedrooms and two bathrooms, with access to a terrace from the master bedroom. The two apartments located on the 2nd floor and attic comprise 3 bedrooms, two bathrooms and a kitchen. The remodeling and arrangement of the building was done with special attention paid to the smallest details. This involved, among other things, widening the glazed spaces to create bright rooms and managed to keep a special charm of the property. The exterior has been rebuilt using a combination of brick and corrugated iron. The generous space of the courtyard of the building allows the parking of 3 cars. The property has an additional rented parking space outside the courtyard.

Built a short distance from the Royal Palace and the Romanian Athenaeum, in the center of Little Paris, the house of doctor Iosif Patzelt, former primary doctor of the Saint Ana Hospital, is one of the architectural jewels that keep in our memory the beauty of the historical buildings of pre-war Bucharest. Over the years, among the owners of the house were public figures from that period, such as General Vasile Zottu and the scientist Alexandru C. Mironescu, so that later it became the property of the Saint Mary's Institute, serving as an auxiliary body of the pensioner of girls (1936). Adorned with coats of arms, frames and floral friezes on the outside, the house still exudes the perfume of the period. With a constructed area of 843 square meters, the building has a basement, ground floor, first floor and attic, it has 23 rooms, 7 bathrooms and various storage spaces. It was designed to serve as a residence but can be re-compartmentalized for various future business destinations. Photo: Gabriel Ghizdavu

Luxurious residence with superb architectural elements, located in the Armenească historical area, at the confluence of Logofat Luca Stroici and Speranței streets, where Mihai Eminescu's first home was located after his arrival in Bucharest. In the Bucharest of the seventeenth century, the Armenească suburb was formed from craft workshops, stalls and alehouses, all beautifully built around the Armenească Church, bringing into the capital the goods, the eatables and the culture of the ethnicity that gave the name of the area. Our house belonged to Ecaterina Procopie Dumitrescu, doctor’s daughter and wife of the mayor Procopie Ioan Dumitrescu, former lawyer, liberal Romanian politician and mayor of Bucharest in the period of April 1901 - November 1902 and February 1910 - January 1911. Between 1877 - 1878, while Romania was involved in the War of Independence, the capital did not have a mayor, his place being taken by his deputy, in the person of the same Procopie I. Dumitrescu. He studied law in Paris and since 1870 he entered the magistracy, where he stayed only six years, devoting himself to the political career afterwards. At the beginning of his career he was the prefect of the Capital Police, in 1876 - 1877. For his activity he was decorated Commander of the National Order Steaua României. The house has 21 rooms, an interior summer terrace and has a courtyard of approximately 500 sqm. Besides the specific fragrance of the area, the exterior appearance of the mansion is blended with the refinement of the interior architectural elements, impeccably restrained. Starting from the walls carved with massive wood and silk wallpaper, from the monumental doors and windows, to the stained glass windows, everything takes us in the brilliant times of Bucharest during the Belle Époque. The garden around the house, flooded in greenery, with an artesian fountain and gazebo, invites at relaxation, close but at the same time away from the agitation of the metropolis. Photo: Cristina Budușan

This real architectural gem part of the historic woven of the city is signed by Architect Radu Culcer. Initially, the residence of the reputable lawyer and Law Professor Mihail Pascanu, the property from 53, Carol I Boulevard has been through a life full of changes. During the interwar period, the property hosted the Embassy of Turkey, and once nationalised it has been adapted to the new social environment and was the address of the Unions’ House. Starting from 1954, the social and economic conditions of the times have determined the conversion of the building into a condominium, being fragmented into apartments. Currently, the total area of approximately 1,000 sqm of the building on four levels includes the space where creativity activities are taking place – architecture, decorative arts, painting and silk-screen printing, theater, music. Under the poplar form the courtyard, the atmosphere is animated by various shows, cinema events, hand-made fairs and musical events. Inside, the exposed bricks, the elaborated wood paneling, the wooden staircase and the baroque coffered ceiling contribute to the timeless charm of the space, reminding of the old time prestige of the place, but, in the same time, being a source of inspiration for the potential of the property. Embodying the vibrant spirit of the downtown, the space is versatile and can be converted into both a cultural centre, a space with commercial functions for those who want a central address or even a residence for those looking to stay connected to the urban life of the heart the city.

Historic house with neo-Romanian style architecture, located between the Căderea Bastiliei and Calea Dorobantilor, built in 1911 according to the plans of the engineer Athanasie Bolintineanu, to serve as his residence. Athanasie Bolintineanu was a descendant by alliance of the famous Bolintineanu family, represented by the poet and diplomat Dimitrie Bolintineanu. As chief engineer of Bucharest City Hall, Athanasie Bolintineanu coordinated the development of boulevards Elisabeta, Carol I and the construction of the Capital City Hall headquarters in front of Cișmigiu Park. He laid the foundations of the first cement factory in Romania, then called the Bolintineanu Brothers Factory. The house of engineer Bolintineanu is represented by an imposing building with ample elements of neo-Romanian architecture, concentrated both on the facades of the house and on the interior in the most important rooms, built on a plot of 1,725 square meters and arranged on a basement, semi-basement, upper ground floor and attic. Its massive presence is given especially by the ratio between full and empty, very well emphasized by the windows of the rooms on the ground floor placed on either side of the gazebo that occupies the central position. The gazebo is decorated with circular medallions, grouped in the free space left by three columns, decorated in turn with floral capitals. The covered terrace in the south-west corner of the house also has a pronounced decorative character, with wooden pillars carved with motifs inspired by folk architecture. The other sides of the house have a much more sober architecture, the only decorative elements being the stone plinth, the wooden lintel inlaid with folk motifs and the borders of the openings on the ground floor. The building benefits from four access ways, two of which are on the main facade and one each on the east and west sides. In addition to the distinctive architectural style, another important element of attraction of this property is the potential for future development by extending the building to the rear, with the possibility of it being converted into an apartment complex that combines the current historical style with the modern one. , in a privileged area of Bucharest. Photo: Gabriel Ghizdavu

What is peace of mind if not the synergy between forest, lake and 8000 square meters of land? Quitude here means sun and air filtered by the crown of secular oaks, noises that once caught between the branches of willows become gentle sounds, a horizon line where the lake water waves imperceptibly and abundant vegetation that overwhelms the senses. The property is designed for a large family with children, guests, ponies, boats and cars. Regardless of age, status or mode of transport, each category is pampered in constructions made of wood that befriends the surrounding lush nature. A double laced wrought iron staircase offers a majestic entrance to the villa; inside, a generous living room and a carefully designed kitchen are ready to serve the occupants of the ten bedrooms full of light and optimism, just as well as the indoor pool, tennis court, wine cellar, sauna, salt mine and gym. The spaces are large and have harmonious proportions making the living light, comfortable - relaxed and distinguished. Outside, the green spaces are carefully manicured and intertwined without aggressive contrasts - secular trees with ornamental shrubs, hedges with weeping willows, ivy with geraniums. The playground is in the forest, in a clearing outlined around a tree in which a small towered wooden castle is perched (it can be reached by valiantly riding the ladder that embraces the tree trunk). Intimacy acquires on this property an extended meaning; guests have two self-catering cottages, and the staff can benefit from private accommodation. The pony too has its special place and is willing to offer joy to future owners if they want it. As a more agile means of transport, the boats share a garage, with the pontoon at hand for utilitarian trips or adrenaline-fuelled water sports (for those who prefer land underfoot there are jogging and cycling). Reverie lovers will quickly discover the sunbeds and the pier or any of the secular oaks - a rare treat indeed, a stone's throw from Bucharest and its hectic life.

Somewhere in the heart of Bucharest, on a small street in the Capitalelor area, a 19th century villa surprises by preserving, on a small scale, the spirit of a Renaissance palace. The interiors are dominated by solid pieces of furniture and heavy textiles, be it the velvets upholstering the canvases or the flowing draperies and exquisite carpets. Wood dresses, in delicate robes of pale grey, the interior window surrounds, the joinery of the double glazed doors and the panelled walls, in line with the rest of the complex woodwork. In counterpoint are the furniture and impressive staircase, which retain the natural warmth of natural wood, discreetly lacquered but carved with visible craftsmanship. It is obvious that the painstaking restoration process has preserved and highlighted many of the original decorative elements - stuccowork, woodwork, etc. On the other hand, the interior design manages spectacularly to avoid shrinking in time, living in the present through an interesting mix of new and old in terms of fine arts and functional-decorative - classic paintings coexist wonderfully with contemporary ones, just as the light fittings and kitchen retain their modern character. The space is laid out over four levels, which allows for a good sharing of areas. On the basement level there is a guest bedroom, a hobby room, a gym with a bathroom, as well as a wine cellar, a laundry room and a technical room. The ground floor has common areas - a living room and a dining room, complemented by an office, a kitchen and a bathroom. Three further bedrooms and a bathroom are fitted upstairs; the attic has yet to find its purpose, awaiting a plan, an idea. Part of the Louis Blanc subdivision, the villa offers the future owner a rare opportunity to live in the city's super premium area without the compromises classically associated with it - limited space, old construction, etc. The photos present only an interior design solution.

The Interwar Cotroceni, a synonym for luxury in terms of residential, kept its seductive power untainted. And the Neo-Romanian villa is still an example of good taste. Built in 1929 and located close to the BNR Arenas, the spectacular home has all the attributes of a luxury property. Generous surfaces, furniture chosen by the owner and his team of designers, a fitness room, a massage room, and a food elevator - are just a few of the elitist traits inside the building. The exterior is just as spectacular. The villa, built in Neo-Romanian style with Byzantine accents, is surrounded by secular sycamores, which are declared natural monuments. The terrace is arranged in accordance with the architectural features of the building, and the garage of the residence can accommodate two cars. The villa is up for sale along the entire furniture, all the facilities and decorations, from LED TVs and fitness machines to decorative and art objects from the nineteenth or twentieth century. The property was completely renovated in 2017. Photo: Reptilianul

Lining the cobbled streets named after the furriers and lipscani of yesteryear, the inn first shows off its wide, tall, arched ground-floor windows colored by faux stained glass. However, the upper floor retains its former glory, carefully decorated with rich elements such as the arms that support the wrought iron balcony, the common border that functions as a frame for the tall and narrow windows and the denticles that keep the rhythm under the roof. Today, the interior of the inn is dedicated to corporate and private events, which it hosts in three large areas – the conference center, the reception-foyer and the event hall. The space for business or cultural events is modern, bright and impeccably arranged for today's requirements (it has a capacity of 50-300+ people and is equipped with high-speed wi-fi internet, Video Wall Display, flip charts and systems professional sound system); instead, the event hall preserves accents of the past through sumptuous chandeliers, reinterpreted capitals and boiserie pieces that encapsulate old school sophistication. Spectacular by the contrast between ultramarine chairs, glass tables and boxed mirrors, this room discreetly resumes the English motif much more present in the reception area. The hall is served by its own kitchen equipped with modern equipment. The one that preserves the charm of the old inn is the inner courtyard, through the doors that the small traders hold open like welcoming arms, eager to show their treasures. Once upon a time there were majestic linden trees that shaded the yard, the name of the property coming from them. Atanasie Hagi, Gheorghe Polizu and Ștefan Popovici are the ones who built this inn in 1833, already having shops on the land which they expanded by buying from the neighbors. They built in their place, from the ground up, and in perfect companionship the Linden Inn, or as they called the Bezesten, from the main street of Marchitani (Strada Lipscani) which can be seen marked with our brands (initials) above both gates, with all the expenses of companionship are not out of two, brothers, a penny and a penny, from the warp (beginning) to the end of the key writes Constantin Bacalbaşa in București de altadată. The good camaraderie, the initials of which can still be seen today, did not last long because in 1835 the inn was shared, each owner receiving 14 shops and two warehouses; they kept in common only the toilet and the room where the innkeeper lives. Over time, the shops will continue to change their owners and close their doors well at night to protect travelers and merchants, as the Bacalbaşa writes: the shops were on one side and the other, and between them a street, which until 1916 it was paved with river stone. (…) All the shops were placed on deep cellars with large vaults that can still be seen today, the ceilings of the shops were also made in vaults. As in other inns, the windows and doors of the shops had iron shutters which were closed at night, and on top of them were placed crossbeams bent at the ends. At the entrances of the inn, on one side and on the other, next to the building, there were some stone pillars, about a meter high and quite thick, intended to protect the walls from damage by carts with goods that entered and left the inn.

Built in neoclassical style at the end of the 19th century, in the Historic Center of the Capital, a short distance from Rosetti Square, this merchant villa remains an important testimony of Bucharest from the interwar period. Located in the Bucharest perimeter of Negustori, which marked Mircea Eliade's childhood, this building proposes a return to Bucharest from another time. The house with basement, ground floor, first floor and attic, is distinguished by its balanced proportions, its arrangement being perfectly symmetrical. The main façade is marked by the central door flanked by two single-sided windows, raised with a masonry sill. In turn, the floor is distinguished by the central balcony, with wrought iron railing and arched arched door, flanked by two windows with ornaments representing acanthus leaves and ribbons. With a total area of ​​280 sqm, it has 7 rooms, 3 bathrooms, an inner courtyard, storage spaces in the basement and attic. The exterior carpentry is made of laminated wood with double glazing, the interior is made of wood, the main wrought iron staircase, continued by two other oak stairs that make the connection with the basement and the attic, respectively. The whole building is connected to all utilities, including the three-phase electrical network. Undergoing a complete renovation in 2021, the building has retained all the original architectural elements. The new owner will have the opportunity to own a period villa, emblematic of an old district of Bucharest.

Historical monument of class B, the building in Calea Plevnei encompasses a special architectural and historical value, thus being a reference of the past cultural life of Bucharest. The house was built in 1906 under the command of Ioan Clinciu, a renowned history professor. Born in 1864 in Poarta-Bran, Făgăraș county, in a poor family, he dedicated his childhood and youth to studying, facing many difficulties, detailed in his autobiography written in 1936. In 1883, he crossed the border slipping through the mountains, from Bran to Sinaia, in order to enroll in the Higher Normal School in Bucharest, where Alexandru Odobescu was director at that time. Professor Clinciu began his teaching career in 1889, when Gheorghe Lazăr was just a gymnasium that operated in the courtyard of St. Gheorghe Old church. In 1892, he founded, along with Gh. Popa-Lisseanu, his brother-in-law, Clinciu-Popa Boys Institute. This represented for 24 years one of the capital's elite educational establishments, under the French-Romanian High school. In politics, Clinciu was president of the Association of Secondary Teachers, then he became deputy and senator, first in the Conservative-Democratic party, then in the Romanian National party. In his autobiography, Professor Clinciu proudly recalls: I built a house in Bucharest, a villa in Bran and a wine cellar admired by many in Vadu Săpat. The house in Bucharest displays the refinement of the Art Nouveau style specific to the beginning of the 20th century, a mirror of La Belle Époque. The building with ground floor, first floor and attic has a slender figure, completed by a bow-window on the corner. The doors and windows bear Art Nouveau features, with curved, fluid profiles, crowned by stucco ornaments, details that offer an unquestioning elegance of the exterior. Inside, there are still preserved original elements, testimonies of the past bourgeois life of Bucharest: imposing carved wooden staircase, made by one of the most important workshops of the time, at Interlaken (Switzerland), terracotta stoves with carefully decorated tiles, ornamental stuccoes on the ceilings. The main entrance is grand, marked by a porch with a painted ceiling, delimited by the main hall through doors with rounded profiles of carved wood, with windows sandblasted in the Art Nouveau manner. Calea Plevnei from the former Livedea Gospod / St. Constantine slum hosted numerous homes for teachers and intellectuals, often built with their personal means, including the house where the poet George Coșbuc lived for the last years of his life (at no. 40). At the present no. 72 is the home of Gh. Popa-Lisseanu (1866-1945), brother-in-law of the reputed professor Clinciu, historian, philologist and archeologist. After more than 110 years since its construction, this architectural jewel can be brought back to life through a substantially restoration. An important advantage is the large area of the land and its layout, which generates real potential for further real estate development.

Located on Dinicu Golescu Boulevard, The Villa with Gorgons is one of the few buildings from the beginning of the 20th century that has been preserved on this important artery of Bucharest. The building was built in 1913 and bears the signature of Ion D. Berindey, one of the most famous and prolific Romanian architects of the first three decades of the 20th century. Among the 29 works classified as historical monuments of Ion D. Berindey are the Gheorghe Grigore Cantacuzino Palace (today the headquarters of the George Enescu National Museum and the Romanian Composers Union), the George G. Assan House (today the House of Scientists), Palace of the Journalists' Union (today the Very Small Theatre). The Villa with Gorgons was built as Colonel Andreescu's private residence as explained by Revista Poporului, a newspaper of the time, which emphasizes how a good architect can with a modest amount easily obtain a completely satisfactory construction from the aesthetic and comfortable point of view. From an aesthetic point of view, the building is tributary to the romantic style and has as a distinctive sign the gorgonles, sculptures that decorate the facade. Gorgons are taken from Greek culture where symbols on doors, walls, windows, floors and shields were intended to protect the ancient Greeks from evil. In terms of use, the villa is truly versatile and can be set up as a home, office space or a bohemian restaurant. Located on a land area of ​​309 square meters, with a footprint of 101 square meters, Vila cu Gorgone is a slim building, with a D+D+1E+M height regime. The spaces are generous and balanced on levels. The ground floor and first floor have three rooms each and spacious entrance halls. The rooms have wide windows and are bright. The same generous space also exists in the mezzanine, and the attic is open space and perfect for a bohemian design. The villa has two access ways: one pedestrian and another for car access. The building is strengthened and the facade is completely restored. Photo: Tudor Prisecaru, Alex Canjea.

The building is a small jewel, richly decorated and preserving a classic elegance and the distinction of the era in which it was built. The archives mention that in 1911 the house belonged to a certain lieutenant Ionescu about whom today we don't know much, only the essential - he was a man of taste. The building is a former private residence with a low height regime but it offers sufficient and intelligently designed space for the needs of a modern family or company. Until recently, the Austrian Consulate functioned in the building. There are pilasters with capitals that guard the bay window both inside and outside in the living area; they are also found, though with reduced height, as decorative pillars of the entrance porch. The semicircle is the geometric figure chosen to complement and sweeten the straight lines of the window boxes and blazons on the facade; it is found at the bay window, at the windows facing the street and in the double-arched pediment. The double doors at the entrance complement the classic style of the building with decorative garlands and paneling. The windows are high, and the window casing adds an extra touch of elegance; the same role is played by the small iron decorations that serve as fasteners for downspouts. The ground floor is located on a high basement and this lends it presence. Inside, the building requires renovation work but it promises to reward you with spaces with personality that still preserve, in some rooms, the original parquet flooring and stoves with beautiful ironwork. The upper floor is not fully visible from the front; it reveals itself on the side, where there is also a secondary entrance to the building. The unfurnished attic can be lofted as a storage space. The area still retains many buildings from the end of the 19th century, which gives it a bohemian air and guarantees protection from an urban planning point of view. Some of the buildings have been restored and many others are waiting for their chance at a new life. The centrality of the area invites commercial investment in both office space and commercial units and makes it attractive for future developments. For development purposes only For development purposes only For development purposes only For development purposes only For development purposes only For development purposes only For development purposes only For development purposes only Keyboard shortcuts Map data ©2023 Imagery ©2023 , CNES / Airbus, Maxar Technologies Terms of Use Report a map error This page can't load Google Maps correctly. Do you own this website? OK

Innovative concept of vertical urban living, with minimalist architecture. The „Georgia” Townhouse is part of a residential project that brings urban regeneration to front. The concept of this residential project integrates modern architecture in an urban landscape where the French influence architectural styles, such as the classicized eclectic and the later emerged Art Deco intertwine. If we were to transpose this cosy villa into the scent of a perfume, it would be named Belle. The enclave created by the layout of the project resembles a small intimate entrance, characteristic of the streets in the ultra-central area of the Capital. The project, authorized and with a completion date for the second part of 2024, will include 5 townhouse type villas with spaces designed to surprise with utility and provide the necessary comfort for an urban and dynamic lifestyle. The attention to detail is found in every aspect and is the mark of a developer and architects with numerous projects, that decorate the city with splendid modern facets of the new Little Paris. The previous projects are appreciated and built to high standards, both in terms of the quality of the execution and the materials used, as well as through the characteristics that meet the demands of European standards for new residential buildings. The design of this project includes intimate private terraces and gardens, large glazed spaces that make light abound in rooms arranged with an unusual sense of space. The underground parking lots, with individual access to each of the houses, complete the landscape of a modern home. The villa`s layout can also transform it into a multi-family building, having two distinct external access stairs, which go up from the veranda area both to the ground floor and to the first level. One of the assets of this property is the intimate terrace designed on the 1st floor which will also have a future summer kitchen, delightful for the hot summer nights. The Georgia townhouse villa can be purchased completed at the grey stage, for the price of 620,500 euros, plus VAT, or with the interior finishes completed, at the price of 650,700 euros, plus VAT. Two underground parking spaces and a storage space are included in the price. Note: the renderings are for presentation purpose only. The project is under construction and due to be finished in the 2nd part of 2024.

Innovative concept of vertical urban living, with minimalist architecture. The „Philip” Townhouse is part of a residential project that brings urban regeneration to front. The concept of this residential project integrates modern architecture in an urban landscape where the French influence architectural styles, such as the classicized eclectic and the later emerged Art Deco intertwine. If we were to transpose this elegant villa into the scent of a perfume, it would be named Attitude. The enclave created by the layout of the project resembles a small intimate entrance, characteristic of the streets in the ultra-central area of the Capital. The project, authorized and with a completion date for the second part of 2024, will include 5 townhouse type villas with spaces designed to surprise with utility and provide the necessary comfort for an urban and dynamic lifestyle. The attention to detail is found in every aspect and is the mark of a developer and architects with numerous projects, that decorate the city with splendid modern facets of the new Little Paris. The previous projects are appreciated and built to high standards, both in terms of the quality of the execution and the materials used, as well as through the characteristics that meet the demands of European standards for new residential buildings. The design of this project includes intimate private terraces and gardens, large glazed spaces that make light abound in rooms arranged with an unusual sense of space. The underground parking lots, with individual access to each of the houses, complete the landscape of a modern home. The villa`s layout can combine intimacy created by a well-thought disposal of the windows with functional interior spatial design. One of the assets of this property is the intimate terrace designed on the 1st floor which will also have a future summer kitchen, delightful for the hot summer nights. The Phillip townhouse villa can be purchased completed at the grey stage, for the price of 569,500 euros, plus VAT, or with the interior finishes completed, at the price of 596,500 euros, plus VAT. Two underground parking spaces and a storage space are included in the price. Note: the renderings are for presentation purpose only. The project is under construction and due to be finished in the 2nd part of 2024.

Townhouse Irina is part of a residential project that brings urban regeneration forward. The concept of this residential project integrates modern architecture into an urban landscape in which French-influenced architectural styles such as classicist eclecticism and the later Art Deco style are interwoven. If we were to translate this cosy villa into the scent of a perfume, it would be called Belle. The enclave created by the design resembles a small, intimate entrance characteristic of the streets of the ultra-central area of the capital. The project, authorised and due for completion in the second half of 2024, will comprise 5 townhouse-style villas, with spaces designed to surprise with their utility and offer the comfort required for a dynamic urban lifestyle. Attention to detail is in every aspect and is the hallmark of a developer and architects with numerous projects, who are decorating the city with splendid modern facets of the new Little Paris. Previous projects are appreciated and built to high standards, both in terms of the quality of workmanship and materials used, as well as features that meet the requirements of European standards for new residential buildings. The design of this project includes intimate private terraces and gardens, large glazed spaces that allow light to flood into rooms designed with an unusual sense of space. Underground parking, with individual access to each of the houses, completes the landscape of a modern home. The townhouse villa Irina can be purchased completed in the grey stage, at a price of 585,000 euros plus VAT, or with the interior finishes completed, at a price of 615,000 euros plus VAT. Included in the price are two underground parking spaces and a storage space. Note: the renderings are for presentation purposes only. The project is under construction and is due to be completed in the second part of 2024.

The buildings in the Old Center incite, attract, tempt; we stare at the facades trying to take in everything with our eyes and hope that a heavy door opens, a window with the curtain drawn to see, understand, discern the mystery of these merchant houses that make up the Old City. At number 27 is one of these, large and stylish enough to attract attention and give rise to curiosities. Its French-influenced facade features the typical first-floor wide wrought-iron balcony, floor-to-ceiling windows, and false balconies/balustrades on the second floor. The attic has elegant arched protective gables. The ground floor is a commercial space – traces of the bar can still be seen and echoes of recent laughters can be heard. It is a high space, about 92 square meters; an additional level was built on its side. On the upper floors there are rooms and bathrooms - on the 1st floor we find 6 rooms of 8-30 sqm and 5 bathrooms; the 2nd floor has 6 rooms with surfaces between 7 and 32 m plus 5 sanitary groups and passage spaces. The high and functional bridge measures 391 sq m. Each floor has its own individual cadastral number. The basement also adds ample space, the function of which remains to be explored through the lens of current regulations. There is also an inner courtyard. The apartments are accessed through a separate entrance from that of the commercial space. The building requires repair and renovation and can be converted into an apart-hotel, residential units or space for commercial and cultural activities. An old street of the city, Smârdan street appeared in the 17th century, being known a century later as Uliţa Târgului din Năuntru, then in the 19th century as The bridge that goes from the Old Court to the Şerban Vodă Inn, German or German Street It was called Smârdan after the war of independence. Not far from the property, at number 39, was the old Hotel Concordia in whose room 5 Alexandru Ioan's double election was decided on January 23, 1859. In the villa at number 27 we know that in 1927 Anette Horoviceanu was making haute couture creations parisiennes and in 1938 the Gla Company operated Trade ind. and the representative Electrical items, offices, Electro-Technical - Electrotechnical, enterprises; Romanian Technical Warehouse - Technical Offices, Company Flă. Ind. and Rep. Central heating. Sources: https://turistinbucurestiro.blogspot.com/2014/02/strada-smardan.html Photo: Tudor Prisecaru.