luxury listed houses for sale Romania

A unique ethnographic area in Romania is “Mărginimea Sibiului” (the surroundings of Sibiu) with its picturesque lands at the west of Sibiu, stretches from the Sadului Valley to the Săliște River Valley, comprising 18 fairytale settlements, including Săliște. This area represents without a doubt one of the strongest tourist brands in Romania and one of the most beautiful, picturesque and authentic traditional areas in Europe, receiving in the past the title of European Destination of Excellence from the European Commission. The charm of the location is given by the spectacular landscapes, the villages seem frozen in time with customs and traditions preserved with sanctity to this day, with the old buildings and churches classified as historical monuments with their special charm, with local festivals and fairs but also with the traditional gastronomy now famous in the whole country and beyond. Săliște , situated only 21 km away from Sibiu, fits perfectly in the typology of these places, it was documented for the first time in 1354 and became a city in 2003. In a city filled with historical beauty, one of the buildings really stands out through its spectacular architecture and its really great positioning right on the river bank, in the city center. It is castle dating back to the beginning of the last century, that is today partially renovated, with the interior in a pretty good condition requiring only finishings, while the exterior requires an overall renovation of the facades. The castle has a 350 sqm footprint and is built on 3 levels: demibasement, groundfloor and first floor, to which we can add the attic that can also be turned into usable space. The demibasement has large salons and a few small rooms, while at the next 2 levels we find 18 rooms with en-suite bathrooms plus two more free standing rooms. The first floor also has two large terraces that offer an amazing view of the mountains around. The interior maintains the historical character of the building, with beautiful brick decorations, high ceiling rooms with large windows, while the large cast iron stairway is the central piece that brings all elements together. Separately there is an additional smaller building with a small and charming apartment on the first floor, and free space to be used at will at the groundfloor. Being very close to Sibiu, with a beautiful architecture and in a good condition, this castle in Săliște can be easily turned into a charming boutique hotel, or maybe a clinic or a cultural center.

Located in the Historic Center of Bucharest, Kiriazi Hotel is a property of remarkable historical value, set on a 1,015 sqm plot at the intersection of Blănari Street and Băcani Street, in the immediate vicinity of the iconic Hanul cu Tei. The property benefits from a privileged position within the protected Lipscani area — a historic “lipscănie”-type commercial ensemble, unique in Bucharest and rare at a national level — offering direct access to major urban landmarks such as Lipscani Street, Calea Victoriei, Smârdan Street, and Calea Moșilor. The building is configured as basement + ground floor + two upper floors (S+P+2E), comprising commercial spaces at the basement and ground floor levels and leased residential units on the upper floors. These functions have remained consistent throughout its evolution — commercial activity combined with residential and temporary accommodation use, characteristic of the traditional inn-hotel typology. Constructed in its present form between 1882 and 1884, the building is organized around an interior courtyard and features two principal façades facing Blănari and Băcani Streets, preserving a high degree of architectural and compositional authenticity. The parcel has formed part of the city’s historic urban fabric since the 18th century, when it was occupied by Zamfir’s Inn, erected during that period and later owned by the Sărindar Monastery until the secularization of monastic estates in 1863. Analysis of historical sale and redemption documents indicates that Dr. G. Kiriazi initially acquired portions of Zamfir’s Inn through emphyteusis rights, subsequently purchasing the associated land. Following these acquisitions, he established the hotel along the eastern wing of the former inn, oriented toward Băcani Street, with contemporary press references documenting the early operation of Kiriazi Hotel. After successive acquisitions completed by Dr. G. Kiriazi in 1880 and 1882, Kiriazi Hotel was constructed as a representative example of late 19th-century public hospitality architecture. The building operated as a hotel until its nationalization in 1950, after which it was converted into a residential property — a function it retains today. The property holds significant memorial and symbolic value, being associated both with the personality of Dr. G. Kiriazi and with important cultural and social activities of the era. Within its premises operated Ștefănescu’s Tavern, a venue frequented by Mihai Eminescu, while the newspaper Voința Națională also maintained its headquarters in the building. The property is listed in the National Register of Historic Monuments (Category B). Historical documents and urban plans confirm that the former Zamfir’s Inn occupied the same footprint as the current parcel, extending along Băcani Street toward Lipscani and adjacent to Hanul cu Tei, disproving theories suggesting the inn had been located on the interwar site currently occupied by Club A. At the time of its inauguration, a description published in România Liberă on February 24, 1884 highlighted the remarkable standards of the period: „Stilul Rennaissance, 2 etage în Centrul Capitalei, lângă Lipscani, (…) avend 59 camere, admirabil iluminate și aerate, 2 prăvălii, 2 pivniți, grajd pentru 8-10 cai, șopron pentru 4-5 trăsuri, (…) telefon și telegraf la fiecare cameră”. Through its exceptional location, documented history, architectural authenticity, and functional continuity, Kiriazi Hotel represents a compelling long-term investment opportunity, offering significant restoration and value-enhancement potential in one of Bucharest’s most important historic districts.

This distinguished property represents one of the rare opportunities to own a residence that brings together architectural heritage, character, and versatility in a refined and harmonious composition. Set on a 1,120 sqm plot, the estate unfolds over a built area of 1,300 sqm and comprises an imposing main villa and two annex houses, offering a total of 30 rooms, 14 bedrooms, and 5 bathrooms — a scale that supports both the intimacy of a private residence and the prestige of a representative headquarters. Built in 1908 on what is today Logofăt Luca Stroici Street (formerly Biserica Popa Chițu Street), the residence was commissioned by engineer Caton Simon and designed by German architect Josef Geggerle (b. 1873), in collaboration with engineer and contractor Wilhelm Brand; during the interwar period, the property was owned by Heinerich Steinberg — details that reinforce its documented historical lineage and identity. The main villa, with its elegant façade, Corinthian columns, and finely crafted architectural details, reveals a charming interior with high ceilings, solid wood herringbone parquet flooring, original chandeliers, and large windows that flood the rooms with natural light. The balanced layout includes multiple reception salons, private offices, and relaxation areas, evoking the atmosphere of an aristocratic residence. The two annex houses, discreetly positioned within the courtyard, perfectly complement the ensemble — ideal for guest accommodation, creative workspaces, or refined offices. The landscaped garden, surrounded by mature trees, offers an oasis of calm in the heart of the city, while the villa’s architectural integrity makes it suitable both as an exclusive private residence and as an embassy or premium company headquarters. The property’s rehabilitation project received an award at the National Architecture Biennale, Bucharest, 2012 — recognition of its architectural value and of an intervention carried out with respect for the building’s original character. Located in the prestigious Icoanei area, one of Bucharest’s most refined and valuable historic districts, the property benefits from a privileged setting, surrounded by shaded streets, elegant villas, and major cultural landmarks. This part of the city has long been associated with artistic life, diplomatic residences, and timeless refinement, offering a balanced blend of tranquility and proximity to the vibrant city center. Blending classical charm with contemporary potential, this emblematic Bucharest property stands as a true architectural statement — grand, elegant, and ready to embrace a new destination worthy of its stature.

The castle was built during the 17th century by Gyulay Ferencz, an Austrian general, the only child of Hungarian nobleman Gyulay Ignacz. Ferencz built the mansion on the site of a smaller building. The general’s family ruled the town called Mintia, that was renamed Marosnemeti, a term derived from the Hungarian word nemet, that translates to German. Several descendants of the Gyulay family lived at the castle. Historical documents from 1806 state that the Mintia mansion was owned at that time by Gyulay Istvan, followed by Albert and K.R Gyulay. Countess Gyulay of Mintia, who married Ladislau Kuun of Osdola, later inherited the domain together with her brother, Ludovic. In 1848, the Gyulay family took refuge at Cluj and, after the revolution, Ludovic, Ladislau Kuun, his wife Constance, and their children, Irene and Geza, returned to Mintia. Ludovic was the last heir of the Gyulay family. He wrote over 100 journals about the mansion and about Mintia. All of them are preserved at the Cluj-Napoca history museum. Ludovic Gyulay modified the building in 1834, giving it the shape it has today. Ludovic Gyulay never got married and, therefore, never had any heirs. His fortune was inherited by his brother-in-law, Ladislau Kuun, followed by his son, Geza Kuun. Geza studied Hungarian and German literature at the Universities of Budapest and Gottingen, and was a member and vice president of the Budapest Academy of Sciences. He was part of Vienna’s elite social circles, and became friends with the famous composer Franz Liszt – one of the most prominent pianists of all time. It was then that he also met writer Elena Ghica – daughter of Mihai Ghica, niece of Grigore Ghica the 4th, and the first woman to have climbed the Mont Blanc peak, on June 1st 1860. After 1870, Geza Kunn settled at Mintia and married Vilma Kemeny, the daughter of baron Kemeny of Magyar-Gyeno Monosto. His presence here transformed the town into a gathering place for eminent representatives of the cultural and scientific scenes, which included V. Zakrzewski – professor at the Cracovia University, Al. Szilagyi – secretary of the Historical Society, baron Balazs Orban, A. Szecsen –Imperial Court marchal. The beauty of the mansion located on the bank of Mureș River was also admired by the president of the Archeological Society – Solyon Fekete, the director of the Deva History Museum – Teglas Gabor, and by scientist Samuel Brassay – regarded as Transylvania’s last polymath. The immense library of the Mintia Castle and the salon, decorated with family portraits and precious objects, were visited by prefect George Pogany, subprefect Coloman Barcsay, count Coloman Esterhazy – director of the Transylvania Museum, by Otto von Keller – professor at the University of Prague, Zsolt Beothy – professor at the Budapest University, and by Norwegian scientist Conrad Nielsen. Baron Miklos Josika also traveled from Brănişca to Mintia, either on foot, by car, or on horseback. He also traveled by boat on Mureş River in order to admire the park that surrounded the castle. The rare species of plants and trees that embellished the park were mesmerizing. Count Kuun named the trees after the most important Hungarian writers, many of whom had been his friends. One of the trees, for example, bore the name of Attila, in the memory of Attila Gerando. Amid the rose bushes, the visitor could also discover numerous honorary or mortuary shrines. Geza Kuun died in 1905, on April 10th, and was entombed at Cluj. Legend has it that, although the body of count Geza was inhumed at Cluj, his heart was buried in the cemetery of the Mintia Reformed Church, alongside other members of his family and former owners of the castle. The Mintia domain, that comprises the castle and the park, is classed as a historical monument of national and universal importance, class A.

Sometimes we refer to architectural splendors as old houses just because the present builds differently, with glass and steel, not brick, columns, and Corinthian capitals. We liken the traces of time to wrinkles and compare peeling facades to the pigmented skin of age, and so we place them in the category of bygone beauties, set aside with only a past, not a future. However, old age is no longer a barrier to an active life today, and this perspective applies to architecture as well. Buildings like the one in the pictures successfully return to their former brilliance and contribute to preserving the character of the city. Neoclassical elements signify not only stylistic sobriety but also richness and coquetry for this house that belonged to lawyer Marinelea Păunescu. Built in 1889 by Olga and Mișu Paraschivescu, the house was nationalized and initially used by a cooperative for offices, then became a grocery store, and later was bought by the lawyer. Today, it is a historical monument and can become an elegant headquarters for a company, a spectacular restaurant, or a cultural center following the example of another famous monument in Bucharest, also owned by a woman, and not just any woman, but Ploiești -born Mița Biciclista. The entrance is carefully constructed with semicolumns, wrought ironwork, decorated windows, and a slender marquee. The rooms are luxurious, spacious, and well-proportioned, with meticulously decorated ceilings and double doors, richly ornamented and wide-opening. The interior woodwork matches the decorative richness of the exterior and is a differentiating element. Located in the center of Ploiești, near the Central Halls and behind the County Museum of Natural Sciences, the property is versatile and eager to begin its new life.

Located at the crossroads of the road where, in the old days, the Bucharest-Craiova stagecoach passed, Blejesti is an ancient settlement, the area being continuously inhabited since the times of the Dacians. The village of today is situated on a part of the former Beloaica estate of Elena Mavrocordat, a domain that, in its time, spanned more than 14,000 hectares. The ancient history of the area is reflected in the architectural remnants preserved to this day, and among these, the Voinea Mansion is one of the most remarkable. The mansion was the country residence of Dumitru Voinea in the former Vlaşca County. The building, with relatively large dimensions, was constructed in 1890. By the end of the 19th century and the beginning of the 20th century, it became a common practice for wealthy families across the country to build town houses in the eclectic – neo-Romanian style in the localities where they owned estates. Originally, the mansion belonged to the property held by the brothers Constantin and Grigore P. Olănescu in Blejesti and was later acquired by Dumitru Voinea, an industrialist who owned two factories in Bucharest and Brașov by the end of the first quarter of the last century. The mansion, resembling a villa with relatively large dimensions, with a ground floor and an upper floor, has its main entrance on the northern side, at the base of a hexagonal tower with asymmetric sides. The entrance, with a semicircular arch and two columns, is flanked on either side by two openings also with semicircular arches, all marked by a cornice that follows the same shape. The rhythmic pattern of the northern façade is created by the light openings, three on each level, framed with decorative geometric elements made of straight, bent, and curved lines, which are also found on the right side of the southern façade. On the southern side, there is a tower with a gazebo, which recalls the neo-Romanian style, and access was either through a massive staircase placed on the left side, or directly from the upper floor, while in the central area there was an entrance leading down to the cellar. The lateral staircase is protected by a sheet metal canopy, which is part of the roof, supported by a double wooden console. Currently, the openings on the three sides of the gazebo, as well as the exterior access path, are closed with windows fixed in metal frames. This component of the building served as a viewpoint overlooking the garden surrounding the mansion and the valley of the Glavacioc River, as well as the nearby forest. The upper part of the building is outlined by a profiled cornice, and the construction is topped by a high, four-sided roof made of sheet metal. The mansion has a built area of 604 square meters and sits on a 3-hectare plot of land, which also houses a series of annexes, many of which were added later, after nationalization. After the property passed into state ownership, the mansion served various purposes, the last of which was as the headquarters of the former Blejești Agricultural Cooperative (IAS). In the former annexes, some recently renovated and others still being renovated, a small farm is currently operating. The mansion is classified as a historic monument of class B, it is in relatively good preservation, and it holds immense potential to be transformed into an exceptional private residence or, why not, it could be used for a development in the fields of tourism, events, or medical care.

A resonant name from the War of 1877 is that of General Alexandru Angelescu, a career officer with multiple honors and decorations, and one of the great landowners from whom the entire cultural heritage of the Pissiota family from Poienarii Burchii, Prahova County, descends. Born in 1850, Alexandru Angelescu climbed the ranks of the military hierarchy step by step and received multiple distinctions throughout his career, including the Order of the Star of Romania, Knight grade (1889), the Order of the Star of Romania, Knight grade (1897), the Order of the Star of Romania, Commander grade (1912), the Order of the Crown of Romania, Commander grade (1901), and the Order of the Iron Crown, 2nd class, conferred by His Majesty, the Emperor of Austria-Hungary, Franz Josef, on September 16, 1896. After the general’s death, which occurred on September 13, 1923, his coffin with the body was transported and placed in the family vault in Poienarii Burchii, very close to the current manor house, the funerary monument being classified as a historical and architectural monument, made of Carrara marble, the work of Italian artist Paolo Triscornia di Ferdinando (1853–1936). The manor, which was part of an extensive estate at the time, is relatively small but charming, with a footprint of 87 square meters and built on three levels: ground floor, upper floor, and attic. In addition to the manor, there are several annex buildings, some for living, some for storage, and others dedicated to horse care, the main activity currently taking place within the manor’s grounds. The courtyard of the manor is arranged with grass and river stones, and a large part of the courtyard is dedicated to a riding arena and other facilities for horse care. The estate is completed by 5.1 hectares of land that is neither landscaped nor exploited. Nicolae Pissiota bought much of Angelescu’s estate, building on it one of the most beautiful Romanian churches, a unique blend of the Italian Renaissance style with the Classical Byzantine Style, the church being painted inside by Costin Petrescu, the artist behind the frescoes of the Romanian Athenaeum and the Cathedral in Alba Iulia. The former estate and manor of the Angelescu family is today an opportunity waiting to be brought back to life, as a charming boyar residence, for residential use or as an attraction for development in the tourism or event industry