- land1,660 m²
- rooms8
- bedrooms4
- Area301 m²
- ConstructionN/A*
- ConditionN/A*
- ParkingN/A*
- bathroom1
- Shower room1
- Toilets2
- ExposureN/A*
- HeatingGas
- KitchenN/A*
- Property taxN/A*
HouseAgen (47) Price : $307,000
A generous 13th century town residence set in extensive grounds of approx 2000 m², in the heart of the Lot-et-Garonne department. At the end of the 18th century, the mansion served as a residence for senior staff members of the chateau, just a few metres away. Built in line with the adjoining houses, it is the first at the entrance to the street.
Like the neighbouring houses, it is three storeys high and has a rendered stone facade with dressed stone corner quoins and window surrounds, which are perfectly juxtaposed. The evenly spaced, small-paned windows with wooden frames are protected by solid wooden shutters. The overall architectural style is harmonious and sober.
A garden with box hedges sheltered by large trees at the front of the main facade provides a welcome screen of greenery. A semi-private driveway shared with the neighbours separates the garden from the mansion. On the main facade of the residence, a large metal gate provides access to the garage. Continuing on, a massive oak door forms the service entry. The main entrance follows in the form of a carved oak double door with a glazed transom. The gable roof is clad with Roman tiles. To the rear, there is an outbuilding set at right-angles to the main house, protecting it from noise pollution and prying eyes.
The dwelling not only forms part of the local history of the 18th century, it is also the birthplace of the artist Raoul Dastrac, a post-impressionist painter from the first half of the 20th century who was born and died in Aiguillon. After his training with Laurens and Dechenaud in Paris, he exhibited regularly at the Salon des Artistes Français and the Salon d'Automne from 1922 onwards. A painter of local life, he set up his easel in Cahors and Avignon, in Italy and in the United States. As he was also an art connoisseur, his own canvases and other collections were displayed in his residence during the latter part of his life.
In detail
House Agen (47)
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